Wednesday, October 10, 2012
In "Harper Regan" Mary McCann stunningly plays a working wife and mother who runs away from her job and her family when she suddenly feels mortal shadows are closing in on her.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Sunday, October 7, 2012
Friday, October 5, 2012
Thursday, October 4, 2012
At "Paris Commune" you might experience some of the dizzy exhilaration, liberation and exhaustion known by the Parisians who took over their city during this re-creation of a revolution.
SOURCE: The New York Times Subscription at 06:50PM[SHARE]Thursday, September 27, 2012
Monday, September 24, 2012
Sunday, September 23, 2012
"Habit," an art-theater project from David Levine, takes place in a structure within the Essex Street Market; audiences look through its windows or walk in.
SOURCE: The New York Times Subscription at 05:21PM[SHARE]Thursday, September 20, 2012
Jake Gyllenhaal makes his New York stage debut as the wastrel uncle to an overweight, affection-starved teenage girl in Nick Payne's "If There Is I Haven't Found It Yet."
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Every so often - and more frequently on stage than in film - the interiority of artistic creation is translated into a visible, physical language that raises goose bumps.
SOURCE: The New York Times Subscription at 12:23PM[SHARE]Wednesday, September 19, 2012
Monday, September 10, 2012
"Chaplin: The Musical," at the Ethel Barrymore Theater, describes the life behind the Little Tramp in terms of rags to riches to heartbreak.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Sunday, September 9, 2012
"Silent," a play written and performed by Pat Kinevane, is about a homeless Dubliner who believes he has become invisible and inaudible.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Thursday, September 6, 2012
Thursday, August 30, 2012
Wednesday, August 29, 2012
The lovers in Philip Ridley's play never leave their own private world. And they keep reinventing it, with a savage spirit of competition.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Monday, August 27, 2012
In Sam Shepard's murky new play, "Heartless," a male academic with an unsettled life finds himself in a house full of unsettling women, most notably one played by Lois Smith.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Friday, August 10, 2012
Richard Nelson's production of "A Month in the Country," at the Williamstown Theater Festival, features a younger leading lady than is traditionally cast in the play.
SOURCE: The New York Times Subscription at 06:08PM[SHARE]Thursday, August 9, 2012
"Into the Woods," the 1987 musical by Stephen Sondheim and James Lapine, is staged in Central Park in a revival by the Public Theater.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Wednesday, August 8, 2012
"Bullet for Adolf" at New World Stages, by Woody Harrelson and Frankie Hyman, explores ethnicity as a shifting and surprising equation.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Thursday, August 2, 2012
In praise of risk-taking in the theater: To give audiences views of things they've never seen before, great actors and actresses go out on a limb.
SOURCE: The New York Times Subscription at 01:05PM[SHARE]Tuesday, July 31, 2012
The Hudson Valley Shakespeare Festival's production of "Love's Labour's Lost" brings to mind the fast-paced escapist fare of Depression- and wartime-era Hollywood.
SOURCE: The New York Times Subscription at 05:27PM[SHARE]Monday, July 30, 2012
Sunday, July 22, 2012
Monday, July 16, 2012
"Dogfight," a musical at Second Stage Theater based on the 1991 film of the same name, follows a group of young Marines as they celebrate their last evening stateside.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Thursday, July 12, 2012
The Broadway revival of "Fela!" is about a lot of individual performances " every single dancer, singer and band member " forming a collective whole in which singular style is never sacrific…
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Friday, June 29, 2012
In Britain the Belarus Free Theater's "Minsk, 2011: A Reply to Kathy Acker" depicts sex as a magnet for political repression, while Philip Ridley's "Mercury Fur" prepares a party in a lawles…
SOURCE: The New York Times Subscription at 06:57PM[SHARE]Joe Penhall's new play "Birthday" offers a childbearing role reversal that targets sexual stereotypes, medical services and the nature of marriage.
SOURCE: The New York Times Subscription at 02:30PM[SHARE]Loading more stories…
