
Lily Rabe and Josh Hamilton play a contemporary Nora and Torvald Helmer in the Williamstown Theater Festival production of "A Doll's House."
SOURCE: The New York Times Subscription at 04:43PM[SHARE]The Royal Shakespeare Company's production of "The Winter's Tale" strikes a fresh note of immediacy.
SOURCE: The New York Times Subscription at 06:32PM[SHARE]The new musical "Death Takes a Holiday" finds the Grim Reaper visiting the living and breaking into song.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Here, in no particular order, are a few of the high points in my Shakespeare-watching career.
SOURCE: The New York Times Subscription at 12:23PM[SHARE]The Royal Shakespeare Company's "King Lear" is mechanically sound but lacking depth.
SOURCE: The New York Times Subscription at 05:53PM[SHARE]The recent Broadway revival of "Hair" has splashed down for a welcome return visit this summer.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Rupert Goold's "Romeo and Juliet," the second production in the Royal Shakespeare Company's repertory season at the Park Avenue Armory, utterly fails to stir the heart.
SOURCE: The New York Times Subscription at 06:36PM[SHARE]"Silence! The Musical" is an exuberantly gross spoof of "The Silence of the Lambs."
SOURCE: The New York Times Subscription at 10:01PM[SHARE]With "As You Like It," the Royal Shakespeare Company begins a six-week residency at a transformed Park Avenue Armory.
SOURCE: The New York Times Subscription at 01:37PM[SHARE]"Measure for Measure" at the Delacorte Theater in Central Park, is a dark, absorbing show.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Cirque du Soleil goes back to its tried-and-true formula for its new show, "Zarkana," at Radio City Music Hall.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]The most powerful theater often spins magic from just a sliver of experience.
SOURCE: The New York Times Subscription at 12:51PM[SHARE]"Sex Lives of Our Parents," by Michael Mitnick, deals with a young couple meeting and courting.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Aimless youth and aimless old age meet in Amy Herzog's funny, moving new play "4000 Miles."
SOURCE: The New York Times Subscription at 10:01PM[SHARE]A musical version of Armistead Maupin's "Tales of the City" has a hometown premiere in San Francisco.
SOURCE: The New York Times Subscription at 07:12PM[SHARE]For while the Broadway season was a bountiful one in many ways - what's this, almost a dozen new musicals? - it was pretty thin on significant leading roles for women.
SOURCE: The New York Times Subscription at 05:25PM[SHARE]For "Theater for One" a single actor and a single audience member are sequestered in a plush red booth in Times Square for a one-on-one performance.
SOURCE: The New York Times Subscription at 05:00PM[SHARE]In Tanya Saracho's play "Enfrascada," a betrayed woman and her friends talk about love and dabble in the supernatural.
SOURCE: The New York Times Subscription at 04:49PM[SHARE]The story of the Shaggs, a bad band that became something of a legend, is based on an actual footnote in rock 'n' roll history.
SOURCE: The New York Times Subscription at 10:15PM[SHARE]"The Best Is Yet to Come" is a revue tribute to Cy Coleman, whose songwriting career does not make for easy anthologizing.
SOURCE: The New York Times Subscription at 05:37PM[SHARE]Parenthood is considered from both the hypothetical and actual perspectives in "Cradle and All," a slight but mostly satisfying comedy by Daniel Goldfarb.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Sleeping Beauty Wakes," a musical that sets the fairy tale in modern times, finds the heroine enamored of a hospital orderly with his own sleep problems.
SOURCE: The New York Times Subscription at 05:11PM[SHARE]"Knickerbocker," a new play by Jonathan Marc Sherman, delves into a man's angst over his impending fatherhood.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]The Broadway musical and opera inhabit distant cultural spheres, but two recent productions represented a notable " and unfortunate " point of contact.
SOURCE: The New York Times Subscription at 07:01PM[SHARE]Inspiring bouts of irrational fear may be among the ancillary ambitions of Sleep No More," an immersive production from the London-based Punchdrunk company.
SOURCE: The New York Times Subscription at 04:14PM[SHARE]A bad economy has inspired a number of new plays on Broadway that feature working-class characters.
SOURCE: The New York Times Subscription at 10:32AM[SHARE]Small stirrings of the heart and mind evoke delicate musical responses in "A Minister's Wife," a chamber musical based on "Candida," George Bernard Shaw's comedy about the mysteries of marit…
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Arthur Laurents stands alone as a writer who owes his lasting fame to his authorship of two great musical books.
SOURCE: The New York Times Subscription at 07:00PM[SHARE]"Carson McCullers Talks About Love," Suzanne Vega's mixture of nightclub act and theater piece at the Rattlestick Playwrights Theater, is a funky ramble through McCullers's life.
SOURCE: The New York Times Subscription at 01:00AM[SHARE]David Ives's "School for Lies," at Classic Stage Company, is a glittering, freewheeling rewrite of Molière's "Misanthrope."
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Watching the stage adaptation of "Autumn Sonata" at the Yale Repertory Theater is a bit like looking at the Ingmar Bergman movie through the wrong end of a telescope.
SOURCE: The New York Times Subscription at 06:18PM[SHARE]

