
Watching the stage adaptation of "Autumn Sonata" at the Yale Repertory Theater is a bit like looking at the Ingmar Bergman movie through the wrong end of a telescope.
SOURCE: The New York Times Subscription at 06:18PM[SHARE]The final performances of plays and musicals are naturally emotional occasions.
SOURCE: The New York Times Subscription at 04:04PM[SHARE]If the sexual politics in the revival of the 1946 play "Born Yesterday" still carry a whiff of the postwar years, the political resonance could scarcely be more potent.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Sister Act," based on the hit movie, offers tunes that echo the Philadelphia sound and a stage full of nuns flaring their gams like the Rockettes.
SOURCE: The New York Times Subscription at 10:30PM[SHARE]In "High," Kathleen Turner plays a nun and a rehab counselor faced with a recalcitrant young charge.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Wonderland," a peppy new Broadway musical inspired by Lewis Carroll's books, is a contemporary parable about reconnecting with your inner child.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Charles Isherwood worries that good singing voices are no longer necessary for casting in big musicals.
SOURCE: The New York Times Subscription at 01:20PM[SHARE]In David Greenspan's new play, "Go Back to Where You Are," he is also an actor, playing a demon traveling through time on a mission of salvation.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Bring Us the Head of Your Daughter," from the frisky downtown troupe the Amoralists, doesn't make much dramatic capital from its outrageous conceit.
SOURCE: The New York Times Subscription at 05:11PM[SHARE]"We're Gonna Die" is a bizarre combination of pop concert and autobiographical lament for the human condition, written and performed by Young Jean Lee.
SOURCE: The New York Times Subscription at 05:32PM[SHARE]The childhood pain and grown-up accusations of one sibling and the responses, or lack thereof, from other family members are central to the tension of "Born Bad."
SOURCE: The New York Times Subscription at 07:11PM[SHARE]At the Brooklyn Academy of Music, a different brand of "Macbeth" " one less imposing and more unsure " still suffers from an excess of ambition.
SOURCE: The New York Times Subscription at 05:38PM[SHARE]The Humana Festival of New American Plays presented works whose characters are searching for new experiences.
SOURCE: The New York Times Subscription at 05:55PM[SHARE]"Bengal Tiger at the Baghdad Zoo" is a powerful new drama by Rajiv Joseph, in which Robin Williams embodies the creature who becomes the play's questioning conscience.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]How much is too much to reveal in a review?
SOURCE: The New York Times Subscription at 04:02PM[SHARE]A sense of disorientation unites audience and protagonist in "The Other Place."
SOURCE: The New York Times Subscription at 10:00PM[SHARE]The sudden death of a high school student shapes "The Dream of the Burning Boy," an eloquent, affecting new play by the newcomer David West Read.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]John Leguizamo's new solo Broadway show recounts his personal and professional travails growing up in Queens and making it in show business.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Kin," Bathsheba Doran's exquisitely wrought comedy-drama, depicts a daisy chain of relationships while moving through a couple of generations and across several American states and two coun…
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Priscilla Queen of the Desert," a hyperactively splashy musical, wants so desperately to give audiences a good time that the results are oddly enervating.
SOURCE: The New York Times Subscription at 10:02PM[SHARE]The 1948 Frank Loesser musical farce "Where's Charley?" gets a cheery and nimble revival at City Center.
SOURCE: The New York Times Subscription at 06:54PM[SHARE]The months of March and April are traditionally the busiest of the theater season, and this spring's crop seems more robust than usual. A whopping 13 shows are opening on Broadway in April -…
SOURCE: The New York Times Subscription at 03:14PM[SHARE]The months of March and April are traditionally the busiest of the theater season, and this spring's crop seems more robust than usual. A whopping 13 shows are opening on Broadway in April -…
SOURCE: The New York Times Subscription at 02:33PM[SHARE]In "Kathy Griffin Wants a Tony" the tart-tongued comic combines insider access to the world of the famous (or at least the pseudo-famous) and her willingness to be frank about its inhabitant…
SOURCE: The New York Times Subscription at 06:06PM[SHARE]In "Little Miss Sunshine," a chipper and polished but oppressively cute musical, the indomitable Hoover clan sings down even the specter of sudden death.
SOURCE: The New York Times Subscription at 11:48AM[SHARE]A new staging of "The Merchant of Venice," from Theater for a New Audience, stars F. Murray Abraham as Shylock.
SOURCE: The New York Times Subscription at 06:52PM[SHARE]The decision to move long-running Broadway hits to Off Broadway has both its inspiring and dispiriting sides.
SOURCE: The New York Times Subscription at 11:08AM[SHARE]The decision to move long-running Broadway hits to Off Broadway has both its inspiring and dispiriting sides.
SOURCE: The New York Times Subscription at 11:08AM[SHARE]In Bryony Lavery's play "Beautiful Burnout," at St. Ann's Warehouse, amateur boxers have dreams of bigger things.
SOURCE: The New York Times Subscription at 10:20PM[SHARE]The Public Theater's new production of "Timon of Athens," the inaugural Shakespeare Lab presentation from the company, stars Richard Thomas.
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