All stories by Gary Naylor on BroadwayStars

Thursday, February 16, 2017

BWW Review: CRIME AND PUNISHMENT, Jack Studio Theatre by Gary Naylor

Intense and focused, this adaptation of Dostoyevsky's celebrated novel ratchets up the tension without losing the material's intellectual heft.

SOURCE: BroadwayWorld at 04:38AM[SHARE]
Sunday, February 12, 2017

BWW Review: ANYONE CAN WHISTLE, Union Theatre by Gary Naylor

Anyone Can Whistle is a rare combination of a well-deserved flop and a must-see show. Swallow the myriad flaws, and its an entertaining, sharp and eerily prophetic show.

SOURCE: BroadwayWorld at 07:33AM[SHARE]
Saturday, February 11, 2017

BWW Review: MY LAND'S SHORE, Ye Olde Rose and Crown Theatre by Gary Naylor

The show has bags of potential, passion to burn and excellent singing, but is let down by a pedestrian book and sprawling subplots.

SOURCE: BroadwayWorld at 07:27AM[SHARE]
Friday, February 10, 2017

BWW Review: NEWSIES THE BROADWAY MUSICAL, Selected cinemas, 19 February only by Gary Naylor

This one-off cinema presentation is a great way to see Newsies The Broadway Musical and get a feel for what it's like to be in a big New York audience.

SOURCE: BroadwayWorld at 05:01AM[SHARE]
Wednesday, February 8, 2017

BWW Review: RUN THE BEAST DOWN, Finborough Theatre by Gary Naylor

Run The Beast Down creates a world collapsing psychologically and socially as the foxes, real and metaphorical, close in on Charlie.

SOURCE: BroadwayWorld at 02:25AM[SHARE]
Tuesday, February 7, 2017

BWW Review: SCHOOL PLAY, Southwark Playhouse by Gary Naylor

Contemporary and hard-hitting, Alex MacKeith's debut, School Play, doesn't quite add up to the some of its parts.

SOURCE: BroadwayWorld at 04:29AM[SHARE]
Monday, February 6, 2017

Sweeney Todd in New York: How Rachel Edwards Brought Her Show To Town by Gary Naylor

Gary Naylor traces five years in which a show playing to 32 customers in a rundown shop on a back street in distant district of South London made it first to the West End and now to New York.

SOURCE: BroadwayWorld at 12:19PM[SHARE]
Saturday, February 4, 2017

BWW Review: SALOME, Hoxton Hall by Gary Naylor

Impressively designed in a wonderful space, Theatre Lab Company's Salome isn't quite compelling enough as entertainment nor thought-provoking enough as polemic.

SOURCE: BroadwayWorld at 04:34AM[SHARE]
Thursday, February 2, 2017

BWW Review: ROALD DAHL'S FANTASTIC MR FOX, Lyric Hammersmith by Gary Naylor

Gary Naylor sees a new adaptation of an old favourite that hits the mark with broad appeal, plenty of laughs and fine songs.

SOURCE: BroadwayWorld at 03:35AM[SHARE]
Tuesday, January 31, 2017

BWW Review: YEARS OF SUNLIGHT, Theatre 503 by Gary Naylor

Gary Naylor sees a play that examines the failures of the social experiment of Skelmersdale, a 60s council mega estate stuck between Liverpool and Wigan

SOURCE: BroadwayWorld at 08:28AM[SHARE]
Thursday, January 26, 2017

BWW Review: DIRTY GREAT LOVE STORY, Arts Theatre by Gary Naylor

Gary Naylor sees an award-winning show get a deserved transfer to the West End where it bubbles with laughs and some hard edged observations of how we live today.

SOURCE: BroadwayWorld at 04:14AM[SHARE]
Saturday, January 21, 2017

BWW Review: US/THEM, National Theatre by Gary Naylor

Gary Naylor sees an extraordinary hour of storytelling that releases the human spirit from its physical incarceration.

SOURCE: BroadwayWorld at 04:08AM[SHARE]
Wednesday, January 18, 2017

BWW Review: THE DOPPEL GANG, Tristan Bates Theatre by Gary Naylor

Gary Naylor sees a comedy that lacks the pace and focus it needs to realise its potential.

SOURCE: BroadwayWorld at 06:36PM[SHARE]

BWW Review: RAISING MARTHA, Park Theatre by Gary Naylor

Gary Naylor sees a wonderfully funny farce blessed with strong performances and a script that packs a punch along with the punchlines.

SOURCE: BroadwayWorld at 04:40AM[SHARE]
Tuesday, January 17, 2017

BWW Review: LA TRAVIATA, Royal Opera House by Gary Naylor

Gary Naylor enjoys a treat for eyes and ears with music and singing and love and hate coming together in opera's unique alchemy.

SOURCE: BroadwayWorld at 08:39AM[SHARE]
Saturday, January 14, 2017

BWW Review: ABIGAIL, The Bunker Theatre by Gary Naylor

Gary Naylor sees a play with a tricksy structure and a vagueness in its script that leaves the actors with few places to go.

SOURCE: BroadwayWorld at 02:42PM[SHARE]

BWW Review: BIRTHDAY SUIT, Old Red Lion Theatre by Gary Naylor

Gary Naylor sees a funny, contemporary comedy blessed with an Ayckbournesque script and some very fine acting.

SOURCE: BroadwayWorld at 05:25AM[SHARE]
Friday, January 13, 2017

BWW Review: LA LA LAND by Gary Naylor

Gary Naylor sees La La Land, a film that hits you as hard in the heart as it does in the head. He doubts if he'll see a better movie in 2017.

SOURCE: BroadwayWorld at 11:42AM[SHARE]
Thursday, January 12, 2017

BWW Review: BRAINS, Theatre N16 by Gary Naylor

Gary Naylor sees a show that generates laughs and shows potential, but doesn't make the most of the setup before the punchline arrives too soon.

SOURCE: BroadwayWorld at 03:43AM[SHARE]
Wednesday, January 11, 2017

BWW Review: THE KITE RUNNER, Wyndham's Theatre by Gary Naylor

Gary Naylor sees an adaptation of the celebrated novel, The Kite Runner, that loses some of its epic quality in transition to stage and ends up just a bit too generic for his tastes.

SOURCE: BroadwayWorld at 09:21AM[SHARE]
Saturday, January 7, 2017

BWW Review: THREE SISTERS, Union Theatre by Gary Naylor

Gary Naylor sees a play that rewards repeated viewing, as relevant today as ever and, in this version, performed with subtlety and grace by an excellent cast.

SOURCE: BroadwayWorld at 06:45AM[SHARE]
Monday, December 19, 2016

2016 Year in Review: Gary Naylor's Best and Worst of Theatre by Gary Naylor

Gary Naylor looks back on 148 shows reviewed in 2016 and picks his Christmas turkeys and Christmas crackers.

SOURCE: BroadwayWorld at 05:03AM[SHARE]
Wednesday, December 14, 2016

BWW Review: KIKI'S DELIVERY SERVICE, Southwark Playhouse by Gary Naylor

Gary Naylor sees a show sure to enchant all the family, a theatrical production every bit as good as its celebrated animated predecessor.

SOURCE: BroadwayWorld at 04:57PM[SHARE]
Friday, December 9, 2016

BWW Review: THE SCREWTAPE LETTERS, Park Theatre by Gary Naylor

Gary Naylor sees a loyal, committed adaptation of CS Lewis's once celebrated novel that fails to ignite fully as drama, but works well as polemic.

SOURCE: BroadwayWorld at 05:40PM[SHARE]
Thursday, December 8, 2016

BWW Review: SLEEPING BEAUTY, Richmond Theatre by Gary Naylor

Gary Naylor sees a show that delivers traditional Christmas laughs and spectacle from the modern master of the form, writer Eric Potts.

SOURCE: BroadwayWorld at 06:34PM[SHARE]
Tuesday, December 6, 2016

BWW Review: THIS MIGHT BE IT, Theatre N16 by Gary Naylor

Gary Naylor sees a new play about an old problem turning up in new forms - loneliness. This time in the 21st century.

SOURCE: BroadwayWorld at 04:49PM[SHARE]

BWW Review: THEBES LAND, Arcola Theatre by Gary Naylor

Gary Naylor sees an innovative and thought-provoking play from South America that has plenty to say about fathers, and about theatre too.

SOURCE: BroadwayWorld at 07:18AM[SHARE]
Sunday, December 4, 2016

BWW Review: PETER PAN, National Theatre, 2 December 2016 by Gary Naylor

Gary Naylor sees a show soar, like Peter, beyond expectations - a delight for all the family.

SOURCE: BroadwayWorld at 04:10AM[SHARE]
Friday, December 2, 2016

BWW Review: THE WOMAN IN BLACK, Fortune Theatre, 1 December 2016 by Gary Naylor

Gary Naylor sees a long-running West End haunted house mystery and revels in its unabashed theatricality

SOURCE: BroadwayWorld at 04:46AM[SHARE]
Thursday, December 1, 2016

BWW Review: ANOTHER NIGHT BEFORE CHRISTMAS, Bridge House Theatre, 30 November 2016 by Gary Naylor

Gary Naylor sees a magical Christmas show that sets up the festive season even for an old Bah Humbug man like him.

SOURCE: BroadwayWorld at 04:35AM[SHARE]
Wednesday, November 30, 2016

BWW Review: BIANCO, Southbank Centre, 29 November 2016 by Gary Naylor

Gary Naylor sees a show that he should like more than he does, possibly because it's owes more to performance art than it does to theatre.

SOURCE: BroadwayWorld at 08:47AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off