
Created during the pandemic, Zvi Gotheiner's "The Art of Fugue," performed by ZviDance at New York Live Arts, now registers as a work of recovery.
SOURCE: The New York Times Subscription at 02:09PM[SHARE]Indigenous Enterprise is rooted in tradition but also has hip-hop influences, discernible in footwork, bounce and especially attitude.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]The choreographer Christopher Williams's queer reimagining of the Narcissus myth is brilliantly conceived and costumed, though a bit stodgy.
SOURCE: The New York Times Subscription at 02:21PM[SHARE]The Martha Graham Dance Company's return to the Joyce Theater featured a premiere, classic repertory and an intriguing experiment in reconstruction.
SOURCE: The New York Times Subscription at 02:36PM[SHARE]Risk and improvisation are integral to kathak, the Indian classical dance form on display in Rachna Nivas's stunning solo performance at Dixon Place.
SOURCE: The New York Times Subscription at 01:08PM[SHARE]This mixed-nuts dance series returned with a whiplash-inducing program of Streb Extreme Action, A.I.M by Kyle Abraham and the Verdon Fosse Legacy.
SOURCE: The New York Times Subscription at 01:54PM[SHARE]Caleb Teicher's "Sw!ng Out" at the Joyce Theater aims to bring swing onstage as it lives today in a program that's part variety show, part hangout.
SOURCE: The New York Times Subscription at 12:25PM[SHARE]Alejandro Cerrudo's "It Starts Now" gets its underwhelming debut at the Joyce Theater.
SOURCE: The New York Times Subscription at 04:32PM[SHARE]Also on the bill for this free outdoor program is the choreographer's U.S. premiere of "Quad," a wordless television play by Samuel Beckett.
SOURCE: The New York Times Subscription at 03:42PM[SHARE]The excellent Bharatanatyam troupe, Ragamala Dance Company, reopens the theater to live performance with "Fires of Varanasi."
SOURCE: The New York Times Subscription at 01:23PM[SHARE]Mauro Bigonzetti's premiere was slight, but a way to show off Maria Kowroski, who retires in October.
SOURCE: The New York Times Subscription at 01:51PM[SHARE]"In Conversation With Merce," a virtual program, features Merce Cunningham's "Landrover" and responses to it, by Liz Gerring and Kyle Abraham.
SOURCE: The New York Times Subscription at 02:03PM[SHARE]In Colleen Thomas's work at New York Live Arts, created and performed by women, the sense of pent-up release was strong.
SOURCE: The New York Times Subscription at 12:57PM[SHARE]The up-and-coming company tried to deliver energy to an audience in Brooklyn with "Trapped," but the last thing we need onstage is more screen time, our critic writes.
SOURCE: The New York Times Subscription at 02:24PM[SHARE]Two stars, Lauren Lovette of City Ballet and Jamar Roberts of Alvin Ailey, are retiring from the stage to focus on making dances.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]"The Other Shore," by the Seattle-based dance and visual art team Zoe Juniper, features an experience with a Google Cardboard VR viewer.
SOURCE: The New York Times Subscription at 02:39PM[SHARE]A rare gathering of Black dancers from different companies meet to discuss a new production on Little Island, curated by Misty Copeland and Robert Garland.
SOURCE: The New York Times Subscription at 04:16PM[SHARE]Quick and daring with New York City Ballet, she was a favorite of its leader, who would throw her into a role sometimes with barely a rehearsal.
SOURCE: The New York Times Subscription at 04:41PM[SHARE]The company's response to pandemic cancellations? An eight-city tour with sleeper buses and a foldout stage to perform outdoors.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Archie Burnett, dancer, teacher and a father of the House of Ninja, has a show at Jacob's Pillow. With his cast, "it's like a family love affair."
SOURCE: The New York Times Subscription at 09:00AM[SHARE]This choreographer sculpts outdoor space, with her performers creating new dimensions in a Bard SummerScape production.
SOURCE: The New York Times Subscription at 03:37PM[SHARE]Rain interfered with Dorrance Dance's evening program, but the ensemble's matinee was a playful, inviting reintroduction to the festival.
SOURCE: The New York Times Subscription at 12:55PM[SHARE]Projected onto the Merchandise Mart, "Footnotes" honors a style that's become popular around the world but isn't always given recognition in its hometown.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]The gala features five new pieces, including one by Jamar Roberts, whose recent work confirms his importance.
SOURCE: The New York Times Subscription at 09:00PM[SHARE]Wheeldon's "Curious Kingdom," on a Pacific Northwest Ballet program with two premieres, achieves moments of exquisite beauty.
SOURCE: The New York Times Subscription at 03:22PM[SHARE]The festival features a film that shows the light and empowerment of vodou, a tradition of danced communication and communion with ancestors and spirits.
SOURCE: The New York Times Subscription at 01:26PM[SHARE]This year's iteration of the Indian dance festival, in two programs, is online; with Surupa Sen, what's gained is emotional intimacy.
SOURCE: The New York Times Subscription at 12:47PM[SHARE]"The Mayor of Harlem," a streaming Tap Family Reunion production, features period-style dance numbers by an adept cast of hoofers.
SOURCE: The New York Times Subscription at 08:00AM[SHARE]Bill T. Jones brings a program of Saul Williams's work to a New York Live Arts festival of ideas as audiences adjust to the city's reopening.
SOURCE: The New York Times Subscription at 05:53PM[SHARE]To watch LaTasha Barnes dance is to watch historical distance collapse.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]The Mark Morris Dance Group livestreamed a performance that featured a new work of substance, set to Brahms waltzes.
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