
The group returns to the Joyce with a program that includes a new work, a Trisha Brown revival and a 2006 Petronio dance.
SOURCE: The New York Times Subscription at 12:42PM[SHARE]Bijayini Satpathy, a MetLiveArts artist in residence, pushed the borders of her Odissi classicism to meet the art around her.
SOURCE: The New York Times Subscription at 02:15PM[SHARE]Yaa Samar! Dance Theater's production at Gibney is an uncommonly deft combination of dance and verbal theater.
SOURCE: The New York Times Subscription at 02:42PM[SHARE]This year's dance festival pays homage to a Butoh founder, tango's encounters, the pop group TLC and more.
SOURCE: The New York Times Subscription at 03:19PM[SHARE]Waltz's dance to Terry Riley's seminal score, at the Brooklyn Academy, is loose and cheerful, giving a spatial sense of the suspension of time.
SOURCE: The New York Times Subscription at 01:54PM[SHARE]The choreographer and dancer Shamel Pitts's "Black Hole: Trilogy and Triathlon" at New York Live Arts is stylish and sincere.
SOURCE: The New York Times Subscription at 12:48PM[SHARE]The company, belatedly celebrating its 75th anniversary, presented a program with works by Limón and Doris Humphrey and a premiere by Olivier Tarpaga.
SOURCE: The New York Times Subscription at 02:22PM[SHARE]The Lagos-born, Ireland-raised dancer Mufutau Yusuf comes to the Irish Arts Center with "Owe," a solo, he says, "about my ancestry, my Yoruba heritage."
SOURCE: The New York Times Subscription at 10:49AM[SHARE]Calpulli Mexican Dance Company is using the holiday to share the culture of the Puebla region with New York audiences this weekend.
SOURCE: The New York Times Subscription at 12:47PM[SHARE]Robert Garland's "Higher Ground" combines classical ballet and vernacular Black dance to sharpen the social commentary in Wonder songs from the '70s.
SOURCE: The New York Times Subscription at 01:25PM[SHARE]The gap between his category-defying artistry and his career options seems to expose a missing lane in American culture.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]In "Once Upon a Time Called Now," the tap dancer and musician Michela Marino Lerman tries something new: a theatrical narrative.
SOURCE: The New York Times Subscription at 01:22PM[SHARE]At City Center, the company's season began with a debut by its first resident choreographer, Lauren Lovette, and two masterly works by Taylor.
SOURCE: The New York Times Subscription at 03:02PM[SHARE]In a program at the Joyce Theater, Brown's company, Evidence, presented three dances that aren't new but seem newly meaningful.
SOURCE: The New York Times Subscription at 01:39PM[SHARE]This Chicago company presents Irish dance of great skill, while trying, sometimes successfully, to modernize and invigorate the tradition.
SOURCE: The New York Times Subscription at 04:18PM[SHARE]In "Piece of Work" at the Joyce, Mearns dives into collaborations with choreographers outside the ballet world, including Jodi Melnick and Beth Gill.
SOURCE: The New York Times Subscription at 02:28PM[SHARE]"The Musician & the Mover," a new work from the respected B-boy, had its New York premiere at New York Live Arts on Thursday.
SOURCE: The New York Times Subscription at 04:40PM[SHARE]Bodytraffic's program at the Joyce Theater leaves you contemplating some problems of contemporary dance.
SOURCE: The New York Times Subscription at 01:38PM[SHARE]In "An Untitled Love," an hourlong show at BAM, Abraham and his dancers turn the stage into a house party set to D'Angelo tracks.
SOURCE: The New York Times Subscription at 03:55PM[SHARE]Sankofa Danazfro returns to New York with "Accommodating Lie," a curiously muted work about the display of Black Bodies
SOURCE: The New York Times Subscription at 02:00PM[SHARE]Pam Tanowitz's "Four Quartets," a rich mix of poetry, painting, music and dance, had its New York debut at the Brooklyn Academy.
SOURCE: The New York Times Subscription at 02:09PM[SHARE]This edition resembles past ones, with an international miscellany of approaches to the question of what filmed dance can be.
SOURCE: The New York Times Subscription at 09:46AM[SHARE]The challenge of casting the Encores! revival of "The Tap Dance Kid" exposes some of the complications of tap, show business and Black history.
SOURCE: The New York Times Subscription at 03:32PM[SHARE]Despite the pandemic disruptions, this festival of contemporary dance from Asia went on, nearly as planned, with four North American premieres.
SOURCE: The New York Times Subscription at 03:02PM[SHARE]Chyrstyn Fentroy was a star at Dance Theater of Harlem before joining Boston Ballet, where she has been promoted to the top rank of principal.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]Michelle Dorrance and Dormeshia set the friendly tone of an evening of tap, with guests and gratitude, at the 92nd Street Y.
SOURCE: The New York Times Subscription at 01:34PM[SHARE]The French circus company Libertivore makes its American debut, though its director had to give up her performing career.
SOURCE: The New York Times Subscription at 10:18AM[SHARE]In Big Dance Theater's new work, premiering at BAM Fisher, Annie-B Parson melds her sensibility with that of the Conceptual artist Guy de Cointet.
SOURCE: The New York Times Subscription at 12:33PM[SHARE]A year of uncertainty was capped by a happy ending: a rush of performances this fall, including standouts by masters (Twyla Tharp) and breakout stars (LaTasha Barnes).
SOURCE: The New York Times Subscription at 09:02AM[SHARE]Celebrating 10 years as the artistic director of Alvin Ailey American Dance Theater, Battle says he is most proud of the chances he has taken.
SOURCE: The New York Times Subscription at 01:59PM[SHARE]Created during the pandemic, Zvi Gotheiner's "The Art of Fugue," performed by ZviDance at New York Live Arts, now registers as a work of recovery.
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