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He was Miami City Ballet's resident choreographer before establishing his own company. He later returned to his native Peru to run the National Ballet. He died of Covid-19.
SOURCE: The New York Times Subscription at 06:03PM[SHARE]Monday, March 22, 2021
At a tentative moment in the city's reopening, Caleb Teicher & Co. inaugurated the in-person return of Works & Process at the Guggenheim Museum.
SOURCE: The New York Times Subscription at 01:41PM[SHARE]Tuesday, March 16, 2021
Friday, March 12, 2021
A dispute between the director of Peak Performances and an Indigenous choreographer hinged on workplace behavior, power and the boundary between art and social justice.
SOURCE: The New York Times Subscription at 12:19PM[SHARE]Tuesday, March 9, 2021
Sunday, February 2, 2020
Wednesday, October 9, 2019
Wednesday, April 10, 2019
To get at the Fosse style, a dance critic breaks down "Who's Got the Pain?," the only film number Bob Fosse and Gwen Verdon performed in together.
SOURCE: The New York Times Subscription at 12:00PM[SHARE]Wednesday, March 13, 2019
The Temptations' dancing was essential to their allure. Sergio Trujillo makes it more intricate, stylistically varied and narratively sophisticated.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]Thursday, September 6, 2018
In Young Jean Lee's play, with choreography by Faye Driscoll, dance is a way for characters to repair relationships and communicate with one another.
SOURCE: The New York Times Subscription at 08:12AM[SHARE]Tuesday, May 15, 2018
What does tap mean in musicals these days? It's often used as a sparkly outfit " a symbol of Broadway's past, danced by nostalgists and drama nerds.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]Wednesday, January 24, 2018
Tuesday, January 2, 2018
Saturday, October 28, 2017
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Friday, September 30, 2016
The show, a hybrid of physical theater and cinema directed by Lars Jan, at New York Live Arts, offers a musical window on a silent couple.
SOURCE: The New York Times Subscription at 11:37AM[SHARE]Monday, May 23, 2016
Mr. Glover is joining the cast of this musical, but it has no role for a star dancer, unlike "Jelly's Last Jam" or "Bring in 'da Noise, Bring in 'da Funk."
SOURCE: The New York Times Subscription at 06:18PM[SHARE]Monday, April 18, 2016
"Return to Absence" and its companion, "Ebb," at New York Live Arts, took a silent-movie approach to adapting "Molloy," "Malone Dies" and "The Unnamable."
SOURCE: The New York Times Subscription at 05:19PM[SHARE]Thursday, February 4, 2016
Thursday, January 7, 2016
Mr. Hines, who has been performing for most of his life, uses his autobiographical show to teach the next generation and to keep memories alive.
SOURCE: The New York Times Subscription at 05:25PM[SHARE]Wednesday, January 6, 2016
Hofesh Shechter had never choreographed for a Broadway show, but his childhood experience led him to embrace the challenge of adjusting the work of Jerome Robbins.
SOURCE: The New York Times Subscription at 03:12PM[SHARE]Sunday, December 20, 2015
This HBO documentary on the Bolshoi Ballet, directed by Nick Read, tells the story of the 2013 acid attack on its artistic director, arranged by a soloist in the troupe.
SOURCE: The New York Times Subscription at 10:52PM[SHARE]Thursday, December 17, 2015
Settling into a six-week run at West Park Presbyterian Church, the troupe has found ways to subtly mirror and amplify the emotions of its star.
SOURCE: The New York Times Subscription at 02:16PM[SHARE]Wednesday, December 2, 2015
Chen Shi-Zheng, who created the pop-opera "Monkey: Journey to the West," encourages his troupe of young acrobats to goof off in his new production.
SOURCE: The New York Times Subscription at 11:36AM[SHARE]Wednesday, November 11, 2015
"Lord of the Dance: Dangerous Games" is your last chance to watch Mr. Flatley dancing. And with him, you'll get flames, fog-banks and explosions.
SOURCE: The New York Times Subscription at 03:33PM[SHARE]Thursday, October 15, 2015
Nelson George's documentary delves into the talent and drive " and the career-threatening injuries " of American Ballet Theater's first black female principal dancer.
SOURCE: The New York Times Subscription at 11:33AM[SHARE]Loading more stories…
