
You can practically inhale the aroma of the gladioluses flooding the bedroom where the Red Bull Theater's production of Jean Genet's psychodrama "The Maids" is set.
SOURCE: The New York Times Subscription at 10:20PM[SHARE]Off Broadway's major companies, regenerating for years, are now opening a spate of new theaters, raising questions of commercialism.
SOURCE: The New York Times Subscription at 07:31PM[SHARE]Off-Broadway theater is thriving. Impressive new buildings and stages have more than replaced those that have disappeared. Even so, prosperity has its perils.
SOURCE: The New York Times Subscription at 01:12PM[SHARE]In "An Iliad" at the New York Theater Workshop, the violence of the Trojan War is evoked through the words of a single actor.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]The Bridge Project " that ambitious British-American exercise in cross-pollination " is winding down its third and final season, but it's not likely that its absence will leave a gaping hole…
SOURCE: The New York Times Subscription at 01:24PM[SHARE]Office stress, office humiliation and a powerfully absent boss are the stuff of "Assistance," at Playwrights Horizons.
SOURCE: The New York Times Subscription at 07:09PM[SHARE]Charles Isherwood kicks off an online discussion series on the history and significance of Arthur Miller's 1949 drama "Death of a Salesman."
SOURCE: The New York Times Subscription at 02:44PM[SHARE]F. Murray Abraham stars in the Classic Stage Company's revival of Bertolt Brecht's "Galileo," about the conflict between champions of progress and the church in Renaissance Italy.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]In an era of lost fortunes, collapsing futures and Occupy Wall Street, Arthur Miller's "Death of a Salesman" carries renewed power.
SOURCE: The New York Times Subscription at 11:00AM[SHARE]"Shatner's World: We Just Live In It...," a one-man show at the Music Box Theater, includes William Shatner's stories of his acting career.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]The Signature Theater Company's revival of Athol Fugard's "Blood Knot" is more intellectually stimulating than emotionally engaging.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Kevin Spacey's audience-devouring turn as the title character in "Richard III" has leapt to the top of my list of shameless performances I have no shame in admitting I enjoyed.
SOURCE: The New York Times Subscription at 01:43PM[SHARE]John Ford's 17th-century play "The Broken Heart" is heavy with revenge and sorrow.
SOURCE: The New York Times Subscription at 06:28PM[SHARE]The latest play from Kate Fodor, "Rx," a winning combination of light satire and romance, pokes gentle fun at our overprescribed culture.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]In Elizabeth Lucas's slender but effective dramatization of "Myths and Hymns," Adam Guettel's songs remain the focus.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]In "The Ugly One," at Soho Rep, a man loses his sense of self when a miracle of plastic surgery turns him into a nouveau Apollo.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Danai Gurira's ambitious new play, "The Convert," about the arrival of colonialism in 1895 southern Africa, is having its premiere at the McCarter Theater Center in Princeton, N.J.
SOURCE: The New York Times Subscription at 04:47PM[SHARE]In the Roundabout Theater revival of John Osborne's 1956 landmark play, "Look Back in Anger," Matthew Rhys plays the British working-class antihero.
SOURCE: The New York Times Subscription at 10:03PM[SHARE]The tempest over "Clybourne Park" vividly illustrates how small the universe of the Broadway theater really is.
SOURCE: The New York Times Subscription at 01:19PM[SHARE]In "Russian Transport," a relative joins a Russian-American family in Sheepshead Bay, changing the dynamic and bringing corruption.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Gob Squad's Kitchen (You've Never Had It So Good)" at the Public Theater is loosely inspired by Andy Warhol's Factory.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]This new biography argues that Ben Jonson, Britain's first literary celebrity, was as central as Shakespeare to the development of the British theater.
SOURCE: The New York Times Subscription at 06:30PM[SHARE]Why many audience members who haven't seen other versions of "Porgy and Bess," especially in the opera house, are perfectly pleased with the new Broadway musical rendition.
SOURCE: The New York Times Subscription at 12:45PM[SHARE]The creators of "Untitled Feminist Show" were seeking to create a "world in which people could identify and be however they wanted regardless of their sex," according to Young Jean Lee, who …
SOURCE: The New York Times Subscription at 06:03PM[SHARE]In "Cattywampus," Strindberg's classic "Miss Julie" comes to contemporary Appalachia with all its sexual and psychological baggage in tow.
SOURCE: The New York Times Subscription at 03:27PM[SHARE]"Mission Drift," a musical Coil Festival entry from the TEAM, is a sprawling musical epic about five centuries of American expansion and destruction.
SOURCE: The New York Times Subscription at 05:42PM[SHARE]"Outside People," a smart but slight comedy of manners by Zayd Dohrn, follows a young American trying to make his way in business and the bedroom in the booming new China.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Catherine Trieschmann's play "How the World Began," from the Women's Project, has a topical hot-button theme: the conflicting ideologies of confirmed secularists and faithful believers.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Moe Angelos has adapted the first volume of Susan Sontag's journals and stars in "Sontag: Reborn," a Builders Association production at the Public Theater, part of the Under the Radar festiv…
SOURCE: The New York Times Subscription at 04:15PM[SHARE]"Goodbar" takes the audience on a psychedelic tour of the main character's psyche through rhythmic rock songs.
SOURCE: The New York Times Subscription at 05:43PM[SHARE]Over the New Year's weekend I took a breather from the theater that left me feeling blissfully reenergized.
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