
The Public Theater's new production of "Timon of Athens," the inaugural Shakespeare Lab presentation from the company, stars Richard Thomas.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]In "The Hallway Trilogy" by Adam Rapp, a nondescript passageway in a Lower East Side tenement becomes a carnival of the desperate, the grotesque, the outrageous.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]The Wooster Group's production of "Vieux Carré," a Tennessee Williams play, is a ready-made aesthetic mashup that presents Williams at his most poetic in one scene, and his most frankly sex…
SOURCE: The New York Times Subscription at 10:37PM[SHARE]On the theater schedule: a "Born Yesterday" revival, "Bengal Tiger" and Derek Jacobi's Lear.
SOURCE: The New York Times Subscription at 09:00PM[SHARE]Ms. Smith's performance in "Downton Abbey" was particularly worth cherishing because she has been absent from the stage and seen only infrequently on film since undergoing treatment for brea…
SOURCE: The New York Times Subscription at 01:30PM[SHARE]Anyone who has had the good fortune of seeing Ms. Smith at the theater can only hope that she will find the stamina " or maybe it's just the desire " to return to the medium.
SOURCE: The New York Times Subscription at 01:30PM[SHARE]For the centennial year of Tennessee Williams's birth a few enterprising companies are attempting rehabilitation of his unsuccessful later works.
SOURCE: The New York Times Subscription at 08:06PM[SHARE]Nathan Louis Jackson's drama "When I Come to Die," about a prisoner who doesn't die from his lethal injections, is remarkably free of sensation and sentimentality.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]In "Interviewing the Audience," Zach Helm selects theatergoers to share some personal details with the audience.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]A.R. Gurney's "Black Tie" is one of this prolific writer's most enjoyable plays in years.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"Lost in the Stars," part of the City Center Encores! series, revives the 1949 musical, an adaptation of the novel "Cry, the Beloved Country."
SOURCE: The New York Times Subscription at 06:55PM[SHARE]A conversation about the size and structure of the not-for-profit theater world is a necessity at a time when the collapsed economy has left organizations scrambling for funding.
SOURCE: The New York Times Subscription at 03:30PM[SHARE]A conversation about the size and structure of the not-for-profit theater world is a necessity at a time when the collapsed economy has left organizations scrambling for funding.
SOURCE: The New York Times Subscription at 03:30PM[SHARE]"The Whipping Man," an atmospheric period drama by Matthew Lopez, has few equals in its arresting strangeness.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Olympia Dukakis stars in this Roundabout Theater Company revival of Tennessee Williams's fitfully moving but often preposterous 1963 play "The Milk Train Doesn't Stop Here Anymore."
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"The Old Masters," by Simon Gray, depicts a showdown in Italy in 1937 between the art historian Bernard Berenson and the leading art dealer Joseph Duveen.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]"The Walk Across America for Mother Earth" is a playful but perceptive comedy by the downtown writer and performer Taylor Mac.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Will Broadway be a rehab center for established (or aspirational) rockers absent too long from the charts?
SOURCE: The New York Times Subscription at 04:52PM[SHARE]Will Broadway be a rehab center for established (or aspirational) rockers absent too long from the charts?
SOURCE: The New York Times Subscription at 04:52PM[SHARE]Biology is destiny, and destiny is biology in "The How and the Why," a new play by Sarah Treem at the McCarter Theater.
SOURCE: The New York Times Subscription at 05:30PM[SHARE]Brian Bedford's Lady Bracknell drives an effervescent Broadway production of "The Importance of Being Earnest," which he also directs.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]"Blood From a Stone," written by Tommy Nohilly and starring Ethan Hawke, is a worthy but wearying new play.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]A one-woman show condenses "King Lear" into a 90-minute child-friendly version.
SOURCE: The New York Times Subscription at 06:30PM[SHARE]Billie Joe Armstrong, the Green Day frontman, brings a jolt of rock-god electricity to the Broadway musical "American Idiot."
SOURCE: The New York Times Subscription at 06:32PM[SHARE]Adam Bock's "Small Fire" at Playwrights Horizons, about a woman who falls victim to a mysterious disease, has a crisp economy and precise focus.
SOURCE: The New York Times Subscription at 10:30PM[SHARE]To review or not to review? Or rather, when to review? That is a question lately debated in reference to "Spider-Man: Turn Off the Dark."
SOURCE: The New York Times Subscription at 11:53AM[SHARE]To review or not to review? Or rather, when to review? That is a question lately debated in reference to "Spider-Man: Turn Off the Dark."
SOURCE: The New York Times Subscription at 11:52AM[SHARE]The 1920s stage version of "Dracula" has been revived with Michel Altieri as the fanged one.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Critics and writers for The New York Times write about shows and performances they are looking forward to seeing on New York stages in 2011.
SOURCE: The New York Times Subscription at 05:31PM[SHARE]Most of the best work this year " on Broadway and (mostly) off " was freshly minted. Here's a Top 10 list that contains no revivals.
SOURCE: The New York Times Subscription at 02:05PM[SHARE]"Donny & Marie: A Broadway Christmas," reuniting the Osmond siblings, continues through Jan. 2.
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