All stories by Sarah Crompton on BroadwayStars

Sunday, August 21, 2016

Scottish Ballet: Crystal Pite; Angelin Preljoçaj review " one great, one good by Sarah Crompton

Festival theatre, EdinburghPite's Emergence works wonders with the hive mind, while Preljoçaj's MC 14/22 visits male bodies by way of the apostlesEvery ballet company in the world current…

SOURCE: The Guardian at 04:07AM[SHARE]
Saturday, August 13, 2016

Monumental review " everything's turned up by Sarah Crompton

Playhouse, EdinburghDance company Holy Body Tattoo and cult band Godspeed You! Black Emperor combine to exhausting but euphoric effect"Warning. This performance contains loud music", read th…

SOURCE: The Guardian at 07:25PM[SHARE]
Sunday, August 7, 2016

The Taming of the Shrew review " the Bolshoi lets its hair down by Sarah Crompton

Royal Opera House, LondonDivine dancing, evocative staging and a sympathetic adaptation make perfect sense of Shakespeare's difficult playWatching the Bolshoi in Jean-Christophe Maillot's ve…

SOURCE: The Guardian at 03:13AM[SHARE]
Sunday, July 31, 2016

Don Quixote review " the Bolshoi puts its best foot forward by Sarah Crompton

Royal Opera House, LondonStrutting matadors, fiery señoritas and outstanding soloists show the scandal-hit company at its virtuoso bestWhen I was first learning about ballet as a child I …

SOURCE: The Guardian at 04:01AM[SHARE]
Saturday, July 16, 2016

The Taming of the Shrew " a show of unity from the Bolshoi by Sarah Crompton

When crisis hit the Bolshoi, choreographer Jean-Christophe Maillot assumed his new production would be postponed. In fact, he tells Sarah Crompton, his ballet has united a divided company""I…

SOURCE: The Guardian at 07:03AM[SHARE]
Friday, July 1, 2016

Carlos Acosta in Cuba: a revolutionary movement by Sarah Crompton

This summer Sadler's Wells stages a season of Cuban dance. Sarah Crompton travels to the island to talk to returning hero Carlos Acosta about setting up a new company in a society on the ver…

SOURCE: The Guardian at 07:01AM[SHARE]
Sunday, June 19, 2016

Aladdin review " charisma and crackle by Sarah Crompton

Prince Edward theatre, LondonDisney's Broadway hit is an energetic, Lurex-lined extravaganzaDisney's Aladdin, arriving in the West End two years after its Broadway debut, is a strangely old-…

SOURCE: The Guardian at 03:34AM[SHARE]
Sunday, June 5, 2016

JK Rowling: 'Harry Potter's world is always in my head' by Sarah Crompton

The author, director John Tiffany and playwright Jack Thorne spent two years collaborating on The Cursed Child. On the eve of the theatrical event of the year, they discuss bringing the Pott…

SOURCE: The Guardian at 05:54AM[SHARE]
Friday, April 8, 2016

What is the appeal of Islamic State to young people? by Sarah Crompton

Guantánamo and the 2011 UK riots are subjects on which director Nicolas Kent and novelist Gillian Slovo have collaborated. But what was it like to work on their most provocative challenge…

SOURCE: The Guardian at 07:11AM[SHARE]
Saturday, March 5, 2016

From floodlights to footlights: why sport is winning out at the theatre by Sarah Crompton

Whether it's Richard Bean's new snooker drama at the Sheffield Crucible or plays about cycling or football managers, sport is coming to a theatre near you. So why has it become such fertile …

SOURCE: The Guardian at 06:12AM[SHARE]
Saturday, February 13, 2016

Girl, uninterrupted: staging Eimear McBride's chaotic masterpiece by Sarah Crompton

With its claustrophobic style and dark subject matter, could the Baileys-winning smash A Girl Is a Half-formed Thing ever succeed as theatre? Sarah Crompton discovers a show that redefines '…

SOURCE: The Guardian at 06:03AM[SHARE]
Sunday, January 17, 2016

Sexism on the stage " meet the women tearing up the script by Sarah Crompton

This year, London's Royal Court will be rich with female playwrights, in a break from centuries of male dominance of the stage. Here, the artistic director and several leading writers set ou…

SOURCE: The Guardian at 03:39AM[SHARE]
Friday, January 8, 2016

Akram Khan: I'm terrified that my body will give in by Sarah Crompton

The choreographer performed in Peter Brook's legendary stage production of The Mahabharata as a child. As he prepares a new dance version of the Indian classical stories, he explains why he …

SOURCE: The Guardian at 07:43AM[SHARE]
Friday, November 27, 2015

David Morrissey interview: 'When I told my parents I wanted to be an actor it was like telling them I wanted to be an astronaut' by Sarah Crompton

The actor and producer on leaving school at 16, speaking out on politics and finding the humour in playing a hangman 'You're the baddest baddass ever," the man says, enthusiastically shaking…

SOURCE: The Guardian at 02:15PM[SHARE]
Friday, October 23, 2015

Kenneth Branagh: putting guilt on the stage by Sarah Crompton

John Osborne the 'young crusader' and Terence Rattigan the 'old fogey' is a given of theatrical history. But there are many similarities between the playwrightsThe first night of the play th…

SOURCE: The Guardian at 10:28AM[SHARE]
Saturday, October 17, 2015

Romeo and Juliet: how ballet gets to the heart of Shakespeare by Sarah Crompton

Why does Romeo and Juliet translate so well to dance? Sarah Crompton sits in on rehearsals at both the Royal Ballet and English National Ballet to see the celebrated tragedy dramatically res…

SOURCE: The Guardian at 02:46AM[SHARE]
Friday, September 25, 2015

Rufus Norris: how the National Theatre needs to change by Sarah Crompton

As Norris announces his first NT season as director, he talks about arts cuts, diversity, life after War Horse and enticing an audience into a 'broad church'Theatres, like schools, take on t…

SOURCE: The Guardian at 07:34AM[SHARE]
Sunday, September 6, 2015

Dana Fouras and Russell Maliphant: back in step by Sarah Crompton

Ten years ago Dana Fouras gave up a feted career dancing with her husband the choreographer Russell Maliphant to look after their young family. Now she's back, and here they talk about being…

SOURCE: The Guardian at 05:04AM[SHARE]
Sunday, August 2, 2015

Cubanía review " where next for Carlos Acosta? by Sarah Crompton

Royal Opera House, LondonCarlos Acosta is going to have to dig deeper than this decorous, Cuban-inflected showcase in his imminent transition from ballet to contemporary danceCarlos Acosta i…

SOURCE: The Guardian at 04:16AM[SHARE]
Friday, July 31, 2015

Why Benedict Cumberbatch is luckier than Richard Burton by Sarah Crompton

After Sherlock and Star Trek, Cumberbatch is now about to play Hamlet. It was all so different for a previous generation of actors, for whom stardom on the screen meant the end of a career o…

SOURCE: The Guardian at 08:08AM[SHARE]
Friday, July 10, 2015

Mikhail Baryshnikov: why I finally agreed to play Nijinsky by Sarah Crompton

After being asked more than 15 times over the years to play the role of Diaghilev's provocative virtuoso, the Russian dancer Mikhail Baryshnikov has finally taken a leap of faith. So what pe…

SOURCE: The Guardian at 07:20AM[SHARE]
Monday, May 25, 2015

Farm Boy, Assembly Rooms, Edinburgh, review by Sarah Crompton

Morpurgo is a master story-teller and slowly, in this clever adaptation his words begin to grip.

SOURCE: Telegraph at 05:58PM[SHARE]

David Hare: 'I never regret turning down Hollywood' by Sarah Crompton

As a season of his work opens in Sheffield, David Hare tells Sarah Crompton why theatre will always be his first love.

SOURCE: Telegraph at 05:58PM[SHARE]
Saturday, May 16, 2015

Ballet icon Sylvie Guillem retirement interview: 'I knew for a long time that I had to stop' by Sarah Crompton

This year will mark the end of Sylvie Guillem's astonishing 30-plus years as one of the world's foremost ballet dancers. Sarah Crompton meets her as she prepares to bring her farewell tour t…

SOURCE: The Telegraph at 02:00AM[SHARE]
Saturday, March 7, 2015

Elevated visions: how William Forsythe changed the face of dance by Sarah Crompton

Forsythe's 1987 ballet In the Middle, Somewhat Elevated was commissioned by Rudolf Nureyev and starred the young Sylvie Guillem " and it electrified the ballet world. So what made this work …

SOURCE: The Guardian at 03:00AM[SHARE]
Wednesday, December 17, 2014

Dance review of 2014: what is the purpose of this art form? by Sarah Crompton

Dance should celebrate ambition, not just the beauty of motion, says Sarah Crompton

SOURCE: The Telegraph at 02:00AM[SHARE]
Thursday, December 11, 2014

An American in Paris, Théâtre du Châtelet, Paris by Sarah Crompton

Directing his first musical, in Paris, Royal Ballet choreographer Christopher Wheeldon has triumphed yet again, says Sarah Crompton

SOURCE: The Telegraph at 10:29AM[SHARE]
Friday, November 28, 2014

Dancing Away: photographs by Mikhail Baryshnikov by Sarah Crompton

Mikhail Baryshnikov, former dancer and Sex and the City star, has turned his hand to photography

SOURCE: The Telegraph at 10:00AM[SHARE]
Wednesday, November 5, 2014

DV8's John, National Theatre, review: 'bravely confrontational' by Sarah Crompton

When the spotlight is on John himself, the work is simply devastating in its impact and empathy, says Sarah Crompton

SOURCE: The Telegraph at 12:33PM[SHARE]
Tuesday, November 4, 2014

Sylvie Guillem: the greatest female dancer I have ever seen by Sarah Crompton

Sylvie Guillem will be missed when she retires, says Sarah Crompton

SOURCE: The Telegraph at 09:19AM[SHARE]
Saturday, November 1, 2014

Thomas Adès: See the Music, Hear the Dance, review, Sadler's Wells: 'an extraordinary feat' by Sarah Crompton

Thomas Adès music is realised on a grand scale in this exhilaratingly imaginative production, says Sarah Crompton

SOURCE: The Telegraph at 09:20AM[SHARE]

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