Wednesday, May 13, 2026
Olivier Assayas’s adaptation of a novel about a fictionalized adviser to Vladimir Putin reduces politics to personalities and atrocities to anecdotes.
SOURCE: The New Yorker Subscription at 07:23PM[SHARE]Tuesday, April 21, 2026
Newly released archival live performances by Ahmad Jamal, Joe Henderson, and Cecil Taylor illuminate their legacies and the art form at large.
SOURCE: The New Yorker Subscription at 06:45PM[SHARE]Friday, March 27, 2026
Nadav Lapid's furiously satirical drama, about a musician's willful complicity in a war he reviles, tells a vast story of personal and national degradation.
SOURCE: The New Yorker Subscription at 06:00PM[SHARE]Monday, December 22, 2025
Jim Jarmusch's three-part drama, set in New Jersey, Dublin, and Paris, casts such notables as Adam Driver and Cate Blanchett in wry, ironic probes of grown children's relationships with thei…
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Wednesday, November 5, 2025
Ira Sachs's film, starring Ben Whishaw as the renowned photographer and Rebecca Hall as his interviewer, is a personal memorial for the protagonist and his milieu.
SOURCE: The New Yorker Subscription at 06:01PM[SHARE]Friday, October 17, 2025
This compelling adaptation of Ibsen's classic play, starring Tessa Thompson and moving the action to nineteen-fifties England, expands and arguably deepens the original.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Wednesday, October 15, 2025
This action drama, set in 1970 and starring Josh O'Connor, brings political conflict and existential comedy into the finely observed details of crime and escape.
SOURCE: The New Yorker Subscription at 09:18AM[SHARE]Tuesday, September 23, 2025
William Greaves's great historical documentary, centered on a 1972 reunion of Harlem Renaissance luminaries, is still awaiting completion.
SOURCE: The New Yorker Subscription at 03:20PM[SHARE]Thursday, August 21, 2025
Ethan Coen, working with his wife, Tricia Cooke, endows this neo-noir comedy, about a lesbian detective, with dazzle but little more.
SOURCE: The New Yorker Subscription at 03:15PM[SHARE]Thursday, August 14, 2025
This historical drama, about efforts to clear the wrongly convicted French captain Alfred Dreyfus, brings to mind the director's own legal troubles.
SOURCE: The New Yorker Subscription at 09:41AM[SHARE]Thursday, July 24, 2025
Far from being a journalistic relic, as suggested by recent developments at the New York Times, arts criticism is inherently progressive, keeping art honest and pointing toward its future.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Tuesday, June 10, 2025
The documentary "Videoheaven" and MOMA's series "A Theater Near You" consider how people watch films and why it matters.
SOURCE: The New Yorker Subscription at 10:29AM[SHARE]Friday, June 6, 2025
J. Hoberman's teeming history of New York's avant-garde scene is a fascinating trove of research and a thrilling clamor of voices.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Thursday, February 20, 2025
Zeinabu irene Davis's 1999 feature, a century-spanning vision of two deaf Black women in Chicago, is among the greatest independent films but has rarely been screened.
SOURCE: The New Yorker Subscription at 01:12PM[SHARE]Friday, January 24, 2025
Saturday, March 6, 2021
Roberto Rossellini's 1950 film exemplifies the fruitful creative tensions that can arise out of casting ordinary people alongside movie stars.
SOURCE: The New Yorker Subscription at 10:41AM[SHARE]Saturday, March 23, 2019
Richard Brody reviews the horror movie "Us," written and directed by Jordan Peele and starring Lupita Nyong'o, Winston Duke, and Elisabeth Moss.
SOURCE: The New Yorker Subscription at 09:00AM[SHARE]Tuesday, November 27, 2018
Richard Brody reviews "Bathtubs Over Broadway," a documentary by Dava Whisenant that examines the industrial musical"plays produced by corporations for their employees to enjoy at nationwide…
SOURCE: The New Yorker Subscription at 05:06AM[SHARE]Friday, October 12, 2018
Richard Brody writes about the four versions of the film "A Star is Born""from 1937, 1954, 1976, and 2018"and recommends three for streaming, in addition to the 1932 film "What Price Hollywo…
SOURCE: The New Yorker Subscription at 04:23PM[SHARE]Friday, October 5, 2018
Thursday, August 2, 2018
Wednesday, December 20, 2017
Richard Brody reviews "The Greatest Showman," about the life of P. T. Barnum, directed by Michael Gracey and starring Hugh Jackman.
SOURCE: The New Yorker Subscription at 05:45PM[SHARE]Friday, October 13, 2017
Richard Brody and Anthony Lane review films currently in theatres, including "Blade Runner 2049," "The Meyerowitz Stories (New and Selected)," and more.
SOURCE: The New Yorker Subscription at 02:14PM[SHARE]Friday, October 6, 2017
Anthony Lane and Richard Brody review films currently in theatres, including "Blade Runner 2049," "The Florida Project," "Faces Places," and more.
SOURCE: The New Yorker Subscription at 01:30PM[SHARE]Friday, September 22, 2017
Anthony Lane and Richard Brody review movies currently in theatres, including "Mother!," "Battle of the Sexes," and more.
SOURCE: The New Yorker Subscription at 04:58PM[SHARE]Friday, September 8, 2017
Richard Brody and Anthony Lane review films currently in theatres, such as "It," "The Unknown Girl," "The Limehouse Golem," and more.
SOURCE: The New Yorker Subscription at 04:48PM[SHARE]Friday, September 1, 2017
Anthony Lane and Richard Brody review the movies currently in theatres, including "I Do . . . Until I Don's," "Marjorie Prime," "Logan Lucky," and more.
SOURCE: The New Yorker Subscription at 05:58PM[SHARE]Friday, August 25, 2017
Anthony Lane and Richard Brody offer suggestions and reviews for movies in theatres this weekend, including "Logan Lucky" and "Beach Rats."
SOURCE: The New Yorker Subscription at 04:30PM[SHARE]Friday, July 7, 2017
Richard Brody recommends five films to stream this weekend, such as "American Gigolo," starring Richard Gere, which is available on HBO Go.
SOURCE: The New Yorker Subscription at 03:55PM[SHARE]Saturday, April 1, 2017
The attention paid to movie scores"particularly in concert halls, where they're often played live to accompany screenings"doesn't, for the most part, serve movies any better than music. It's…
SOURCE: The New Yorker Subscription at 08:58AM[SHARE]Thursday, December 8, 2016
The director Damien Chazelle's notion of artistic power isn't merely inseparable from his notion of will power; it's the very embodiment of it"louder, faster, and alone are his standards of …
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