
The director Damien Chazelle's notion of artistic power isn't merely inseparable from his notion of will power; it's the very embodiment of it"louder, faster, and alone are his standards of …
SOURCE: The New Yorker Subscription at 06:30PM[SHARE]"Michael Moore in TrumpLand" isn't quite the film that I expected it to be, and that's all to the good. Moore is, of course, a genius of political satire, deploying his persona"as a populist…
SOURCE: The New Yorker Subscription at 07:00PM[SHARE]Movies change over the years. Decades ago, I saw "Grey Gardens" as a story of a festering delusion of the American aristocracy and the closed circles of high society decaying into inanition …
SOURCE: The New Yorker Subscription at 01:23PM[SHARE]Noah Baumbach, whose new film "While We're Young" opens this weekend, has become the master of a genre unto himself: the personal counterfactual. In "Greenberg" and "Frances Ha," and now onc…
SOURCE: The New Yorker Subscription at 12:00PM[SHARE]The current production of "Don Giovanni" at the Metropolitan Opera, running through March 6th, is the opera of the moment, a profoundly political and moral vision that's as much of our time …
SOURCE: The New Yorker Subscription at 08:00AM[SHARE]I heartily agree with Manohla Dargis that there must be more female filmmakers, but her recent piece in the Times calling for changes to the industry buries the lead. Midway through…
SOURCE: The New Yorker Subscription at 02:49PM[SHARE]Operaphile alert: don't miss the new production of Mozart's "The Marriage of Figaro," with its current cast and James Levine conducting, that will be at the Metropolitan Opera through Octobe…
SOURCE: The New Yorker Subscription at 07:00PM[SHARE]

