All stories by James Poniewozik on BroadwayStars

Monday, May 11, 2026

‘The Comeback’ Knows What Scares Hollywood by James Poniewozik and Alissa Wilkinson

The HBO comedy, which wrapped up on Sunday, often seemed to be about whatever was keeping Lisa Kudrow and her collaborators up at night. But Valerie Cherish remained undaunted.

SOURCE: The New York Times Subscription at 05:01AM[SHARE]
Wednesday, April 15, 2026

Review: 'Margo's Got Money Troubles' Will Make an OnlyFan of You by James Poniewozik

Elle Fanning stars in a big-hearted, open-minded dramedy about online exposure and its complications.

SOURCE: The New York Times Subscription at 05:04AM[SHARE]
Friday, March 20, 2026

'The Comeback' Review: Valerie Cherish vs. the Machine by James Poniewozik

In its third season, the HBO satire grows from cringe-comedy character study into a dark satire of labor in the A.I. era.

SOURCE: The New York Times Subscription at 05:03AM[SHARE]
Tuesday, February 3, 2026

Review: This is Your Grandparents' 'Muppet Show,' Fortunately by James Poniewozik

Nobody put too much thought into reinventing the gonzo variety classic for its revival. That's what makes it a delight.

SOURCE: The New York Times Subscription at 09:00AM[SHARE]
Tuesday, October 7, 2025

Two Oct. 7 Series Show the Power, and Limits, of Memory by James Poniewozik

After two years of war and acrimony, "Red Alert" and "One Day in October" focus on the horrors of a single day.

SOURCE: The New York Times Subscription at 11:38AM[SHARE]
Wednesday, September 3, 2025

'The Paper' Review: I Have Good News and I Have Bad News by James Poniewozik

The team from "The Office" has a new comedy of decline, but it still needs to figure out what its story is.

SOURCE: The New York Times Subscription at 11:30AM[SHARE]
Friday, May 30, 2025

'Good Night, and Good Luck' Remembers When TV Had a Conscience, and a Spine by James Poniewozik

A TV critic looks at George Clooney's play about CBS News standing up to political pressure, even as its current ownership might succumb to it.

SOURCE: The New York Times Subscription at 05:12AM[SHARE]
Sunday, March 30, 2025

Richard Chamberlain Was a Mega Star in TV Mini-Series 'The Thorn Birds' and 'Shogun' by James Poniewozik

The actor, who died at 90, was the most compelling face of a maximalist, soapy television era.

SOURCE: The New York Times Subscription at 08:21PM[SHARE]
Wednesday, January 1, 2025
Monday, July 31, 2023

I Loved 'Pee-wee's Playhouse' Enough to Marry It by James Poniewozik

Paul Reubens's oddball masterpiece celebrated the kind of anarchy that captivates kids and freaks out adults.

SOURCE: The New York Times Subscription at 05:51PM[SHARE]
Monday, September 27, 2021

For a Broadway Torn by a Pandemic, a Split-Personalities Tonys by Jesse Green, Elisabeth Vincentelli and James Poniewozik

The streaming part of the ceremony actually did a better job conveying the electricity of being in a theater than the CBS special billed as "Broadway's Back!"

SOURCE: The New York Times Subscription at 02:18PM[SHARE]
Thursday, February 25, 2021

'WandaVision' Lives Inside TV. Just Like We Do. by James Poniewozik

After a year of pandemic life, the superhero show's inventive premise " television as both escape and prison " is all too relatable.

SOURCE: The New York Times Subscription at 12:39PM[SHARE]
Thursday, July 9, 2020

Review: 'P-Valley' Has All the Right Moves by James Poniewozik

Sex may sell this Starz strip-club drama, but at heart it's a potent, lyrical story about hard work.

SOURCE: The New York Times Subscription at 09:54AM[SHARE]
Thursday, May 28, 2020

Review: 'Central Park' Is the Show We Need Right Now by James Poniewozik

This musical valentine to urban life, from the creator of "Bob's Burgers," is another TV show that has new resonance in the pandemic era. But for once that relevance is delightful, not depre…

SOURCE: The New York Times Subscription at 12:18PM[SHARE]
Tuesday, June 25, 2019

Review: 'The Investigation' Makes the Mueller Report a Dark-Comic Indictment by James Poniewozik

The star-studded reading was surreal and unsubtle but somehow fitting for a political era of tragedy-as-farce.

SOURCE: The New York Times Subscription at 01:03PM[SHARE]
Tuesday, June 18, 2019

Rupert Murdoch and Roger Ailes Gave Us Fox. These Shows Try to Make Sense of It All. by James Poniewozik

"The Loudest Voice," "Ink" and "Succession" map out the influential world the two men created.

SOURCE: The New York Times Subscription at 05:24AM[SHARE]
Monday, April 8, 2019

Review: In 'Fosse/Verdon,' a Portrait of the Artist as Problematic Fave by James Poniewozik

This dual Broadway biopic has style and moves but gets tripped up by an overfamiliar story of a brilliant, toxic man.

SOURCE: The New York Times Subscription at 05:00AM[SHARE]
Thursday, June 1, 2017

'The Leftovers' Leads Television's Musical Golden Age by James Poniewozik

On some of best series, the song selections are as nuanced, ironic and transcendent as the acting and writing.

SOURCE: The New York Times Subscription at 11:46AM[SHARE]
Tuesday, December 22, 2015

Casting a Black Hermione Granger Underscores a Key 'Harry Potter' Theme by James Poniewozik

It would be the most perverse kind of fandom for any Potterphile to use the reasoning of a Malfoy.

SOURCE: The New York Times Subscription at 12:51PM[SHARE]

All that Chat