All stories by Gary Naylor on BroadwayStars

Wednesday, October 24, 2018

BWW Review: THE WILD DUCK, Almeida Theatre by Gary Naylor

Robert Icke's updating of The Wild Duck gains in contemporary relevance, but loses a little of its heart en route.

SOURCE: BroadwayWorld at 09:36AM[SHARE]
Friday, October 19, 2018

BWW Review: QUIETLY, Omnibus Theatre by Gary Naylor

Quietly gives us two men, deep in middle age, looking back to the irreversible actions they took as 16 year-olds during The Troubles in an electrifying conversation.

SOURCE: BroadwayWorld at 06:33AM[SHARE]
Thursday, October 18, 2018

BWW Review: DRACULA, Jack Studio Theatre by Gary Naylor

Ross MacGregor's Dracula needs a transfusion of narrative pace if it is to achieve its considerable and laudable ambition.

SOURCE: BroadwayWorld at 02:05PM[SHARE]
Wednesday, October 17, 2018

BWW Review: THE TRENCH, Southwark Playhouse by Gary Naylor

The Trench, in trying to do so much, forgets to let us into the lives of the soldiers whose ordeal lies at the heart of the story it tells.

SOURCE: BroadwayWorld at 10:42AM[SHARE]
Friday, October 12, 2018

BWW Review: SOLOMON, Royal Opera House by Gary Naylor

Solomon provides a transcendent sensory experience and more than a few lessons for todays rulers.

SOURCE: BroadwayWorld at 07:06AM[SHARE]
Thursday, October 11, 2018

BWW Review: WAR WITH THE NEWTS, The Bunker Theatre by Gary Naylor

A tremendous re-imagining of a novel that has not been more relevant at any point in the 82 years since its writing - a wonderfully realised piece of theatre.

SOURCE: BroadwayWorld at 11:33AM[SHARE]
Tuesday, October 9, 2018

BWW Review: LOVE GENIUS AND A WALK, Drayton Arms Theatre by Gary Naylor

There's much promise in this play that speculates on what Sigmund Freud and Gustav Mahler may have spoken about on a walk they shared, but pedestrian writing and underdeveloped characters sc…

SOURCE: BroadwayWorld at 02:42PM[SHARE]
Friday, October 5, 2018

BWW Review: TO HAVE TO SHOOT IRISHMEN, Omnibus Theatre by Gary Naylor

To Have To Shoot Irishmen brings the tragic story of Francis Sheehy Skeffington to the stage, with music and lyricism, a reminder of Ireland's fractured past and a warning about its fragile …

SOURCE: BroadwayWorld at 08:32AM[SHARE]

Simon Stephens On THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME Schools Tour by Gary Naylor

BWW visits the National Theatre's schools tour of The Curious Incident of the Dog in the Night-Time and speaks to the NT's Paula Hamilton and its writer, Simon Stephens

SOURCE: BroadwayWorld at 07:21AM[SHARE]
Thursday, October 4, 2018

BWW Review: NOT TODAY'S YESTERDAY, The Place by Gary Naylor

Dance telling the story of how only some stories are told.

SOURCE: BroadwayWorld at 08:18AM[SHARE]
Wednesday, October 3, 2018

BWW Review: VERDI'S LA TRAVIATA, King's Head Theatre by Gary Naylor

Another scaled down opera, retaining full force singing and emotional clout, from the King's Head, Violetta now a pole dancer in a sleazy Bristol nightclub.

SOURCE: BroadwayWorld at 12:24PM[SHARE]
Friday, September 28, 2018

BWW Review: ALICE OSWALD'S MEMORIAL, Barbican Theatre by Gary Naylor

Alice Oswald's epic re-imagining of The Iliad developed into an extraordinary theatrical event that provides intellectual nourishment, but makes great demands on its audience.

SOURCE: BroadwayWorld at 07:24AM[SHARE]
Thursday, September 27, 2018

BWW Review: LIFEBOAT, Jack Studio Theatre by Gary Naylor

Lifeboat tells the story of two survivors of the wartime sinking of the SS City of Benares, torpedoed en route to Canada, evacuating children from the UK.

SOURCE: BroadwayWorld at 09:39AM[SHARE]

BroadwayWorld UK Awards 2018: Gary Naylor's Nominations by Gary Naylor

The highlights of Gary Naylor's last 12 months and his nominations for the BroadwayWorld UK Awards 2018

SOURCE: BroadwayWorld at 03:12AM[SHARE]
Wednesday, September 26, 2018

BWW Review: JACQUES BREL : A LIFE A THOUSAND TIMES, Mirth, Marvel and Maud by Gary Naylor

If you have never heard of Jacques Brel, this show serves as a useful introduction to his life and work, but it lacks the confident execution his songs demand.

SOURCE: BroadwayWorld at 08:36AM[SHARE]
Friday, September 21, 2018

BWW Review: BLOOD WEDDING, Omnibus Theatre by Gary Naylor

Lorca's masterpiece transported and updated to present day London, but retaining its power to shock as it lays bare the souls of men and women.

SOURCE: BroadwayWorld at 07:04AM[SHARE]
Wednesday, September 19, 2018

BWW Review: TARTUFFE, Swan Theatre, Stratford-Upon-Avon by Gary Naylor

Moliere's farce updated for the 21st century and set within a family from Birmingham, with Pakistani heritage and plenty of issues.

SOURCE: BroadwayWorld at 08:18AM[SHARE]

BWW Interview: Sarah Crabtree and Emma Southworth Discuss The Royal Opera House's Linbury Theatre and Open Up Project by Gary Naylor

BWW talks to Sarah Crabtree and Emma Southworth about the Royal Opera House's Open Up Project and the new season at the Linbury Theatre.

SOURCE: BroadwayWorld at 05:00AM[SHARE]
Saturday, September 15, 2018

BWW Review: THE SEAGULL, General release UK cinemas by Gary Naylor

The Seagull gathers a fine cast, but fails to get to the heart of Chekhov's masterpiece, compromising characters and burying its theatrical elements in intrusive cinematic flourishes.

SOURCE: BroadwayWorld at 08:05AM[SHARE]
Friday, September 14, 2018

BWW Review: TWELFTH NIGHT, Wilton's Music Hall by Gary Naylor

A spectacular re-imaging of Shakespeare's tale of mistaken identities, cross-dressing and cruelty time-traveled to a speakeasy populated by extraordinary actor-musicians.

SOURCE: BroadwayWorld at 08:06AM[SHARE]
Thursday, September 13, 2018

BWW Interview: Sharon Small Talks STILL ALICE On UK Tour by Gary Naylor

Sharon Small talks about her role as Alice in Still Alice and its impact on the dementia community and wider audiences.

SOURCE: BroadwayWorld at 03:42AM[SHARE]
Friday, September 7, 2018

BWW Review: HAMILTON (LEWIS) A MUSICAL PARODY, King's Head Theatre by Gary Naylor

This version of the life of Hamilton - not that one, Hamilton Lewis - is a lot of fun for anyone in that crossover in the venn diagram for fans of Formula One and Musical Theatre. And, fortu…

SOURCE: BroadwayWorld at 06:12AM[SHARE]
Thursday, September 6, 2018

BWW Review: HOBSON'S CHOICE, Jack Studio Theatre by Gary Naylor

Hobson's Choice is given a late 50s makeover in this fine revival of a play the themes of which remain as relevant today as ever they were.

SOURCE: BroadwayWorld at 07:18PM[SHARE]
Wednesday, September 5, 2018

BWW Review: SIX, Arts Theatre by Gary Naylor

A show that bursts with great tunes, witty lyrics and fine singing that puts the six wives of Henry VIII back into the narrative - and about time too.

SOURCE: BroadwayWorld at 09:11AM[SHARE]
Tuesday, September 4, 2018

BWW Review: CATERPILLAR, Theatre503 by Gary Naylor

Caterpillar takes us to a seaside town guesthouse within which three dysfunctional people circle each other, troubled and needy.

SOURCE: BroadwayWorld at 03:48AM[SHARE]
Friday, August 31, 2018

BWW Review: BLACK CAT: BOHEMIA, Underbelly Festival by Gary Naylor

Come down to the Southbank for a little circus, a little cabaret and a little naughty banter with the singer, the tumblers and the fire breathing woman.

SOURCE: BroadwayWorld at 06:35AM[SHARE]
Tuesday, August 28, 2018

BWW Review: PERICLES, National Theatre by Gary Naylor

Pericles shows our nation what our nation is - a tremendous achievement by the National Theatre's Public Acts movement and a gamechanger for the concept of outreach.

SOURCE: BroadwayWorld at 10:48AM[SHARE]
Friday, August 24, 2018

BWW Review: TAMBURLAINE, Swan Theatre, Stratford-upon-Avon by Gary Naylor

Christopher Marlowe's tale of relentless, ruthless ambition has a Game of Thrones vibe and a distressingly familiar topicality

SOURCE: BroadwayWorld at 07:24AM[SHARE]
Monday, August 20, 2018

BWW Interview: Charity Wakefield Talks EMILIA at Shakespeare's Globe by Gary Naylor

Charity Wakefield, currently appearing in Morgan Lloyd Malcolm's all-female Emilia, is the first woman to play William Shakespeare on the Globe stage.

SOURCE: BroadwayWorld at 05:42AM[SHARE]
Wednesday, August 15, 2018

BWW Review: THE MERRY WIVES OF WINDSOR, Royal Shakespeare Theatre by Gary Naylor

What larks Maybe not for the purists nor for anyone looking for a Chekhovian analysis of the human condition, but a guilty pleasure full the laughs.

SOURCE: BroadwayWorld at 08:02AM[SHARE]
Friday, August 10, 2018

BWW Interview: Priyanga Burford Talks THE WINTER'S TALE and PRESS by Gary Naylor

BWW talks to Priyanga Burford about The Winter's Tale currently at The Globe, the forthcoming BBC series, Press, and the differences between acting for stage and screen

SOURCE: BroadwayWorld at 03:32AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off