Sunday, April 10, 2011
"Catch Me if You Can," the new Broadway musical by much of the team behind "Hairspray," is full of elaborate deceptions and corkscrew twists, but not many surprises.
SOURCE: The New York Times Subscription at 10:18PM[SHARE]"Catch Me if You Can," the new Broadway musical by much of the team behind "Hairspray," is full of elaborate deceptions and corkscrew twists, but not many surprises.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Thursday, April 7, 2011
Tuesday, April 5, 2011
Monday, March 28, 2011
Sunday, March 27, 2011
You root for Daniel Radcliffe, who stars in the revival of Frank Loesser's "How to Succeed in Business Without Really Trying," though Rob Ashford's production is charm free.
SOURCE: The New York Times Subscription at 10:00PM[SHARE]Friday, March 25, 2011
Thursday, March 24, 2011
"The Book of Mormon," a collaboration between the creator's of "South Park" and the composer of "Avenue Q," is that rare thing: an old-fashioned, pleasure-giving musical.
SOURCE: The New York Times Subscription at 10:01PM[SHARE]Lanford Wilson reflected the disenchantment that came to pervade the United States in the 1960s and 1970s but his work exuded a sentimentality that seemed to come from an earlier time.
SOURCE: The New York Times Subscription at 09:03PM[SHARE]Sunday, March 20, 2011
Friday, March 18, 2011
Propeller, the British theater troupe that routinely turns Shakespeare into a donnybrook, pumps "Comedy of Errors" full of testosterone at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 12:05PM[SHARE]Thursday, March 17, 2011
Thursday, March 10, 2011
There's so much flying going on in the theater these days you wonder if an aviator's license won't soon be mandatory for participation in show.
SOURCE: The New York Times Subscription at 12:31PM[SHARE]Wednesday, March 9, 2011
Sunday, March 6, 2011
Thursday, March 3, 2011
David Lindsay-Abaire's "Good People," a very fine new play starring Frances McDormand and Tate Donovan, is one of the more subtly surprising treats of this theater season.
SOURCE: The New York Times Subscription at 10:09PM[SHARE]Friday, February 25, 2011
At the closet-sized Finborough Theater, a novelist with a double life discovers that a knighthood comes with blackmail attached in "Accolade."
SOURCE: The New York Times Subscription at 12:14PM[SHARE]At the closet-sized Finborough Theater, a novelist with a double life discovers that a knighthood comes with blackmail attached in "Accolade."
SOURCE: The New York Times Subscription at 11:43AM[SHARE]Thursday, February 24, 2011
Mary Shelley's monster is birthed onstage in London by the Oscar-winning director Danny Boyle, who has a keen sense of the trappings of life in this world.
SOURCE: The New York Times Subscription at 02:09PM[SHARE]Wednesday, February 23, 2011
Sunday, February 20, 2011
Thursday, February 17, 2011
Geoffrey Rush, who plays the title character in Gogol's "Diary of a Madman" at the Brooklyn Academy of Music, reminds us that it's a fine, fine line that divides the lunatic from the clown.
SOURCE: The New York Times Subscription at 07:36PM[SHARE]Thursday, February 10, 2011
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