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Tuesday, January 2, 2018

Review: Everyday Chatter Unveils a Mystery in 'Say Something Bunny!' by Alexis Soloski

Alison S.M. Kobayashi was determined to figure out who made a set of puzzling 1950s recordings. Her detective work led to a sneakily moving interactive play.

SOURCE: The New York Times Subscription at 05:29PM[SHARE]

Mean Girls, Frozen and Denzel: what to expect on Broadway in 2018 by Alexis Soloski

Blockbuster movie musicals are set to dominate over the next 12 months while a host of big star names will also be jostling for Tonys2017? Let it go. After an unusually bleak year on Broadwa…

SOURCE: The Guardian at 06:00AM[SHARE]

Wednesday, December 27, 2017

Encounters: Taye Diggs Doesn't Feel Like Dancing by Alexis Soloski

The "Empire" actor and Broadway star visited his former dance studio. But he never broke a sweat.

SOURCE: The New York Times Subscription at 04:33PM[SHARE]

Monday, December 25, 2017

Critic's Notebook: And a Child Shall Lead Them … Elsewhere by Alexis Soloski

All our critic wanted was to stop judging and share a holiday show with her daughter. But her pint-size companion had other ideas.

SOURCE: The New York Times Subscription at 05:33AM[SHARE]

Wednesday, December 20, 2017

Robert O'Hara Thinks 'Men Are Stupid.' His New Play Shows Just How. by Alexis Soloski

In "Mankind," the playwright imagines a world in which women are extinct. "You have to go for the throat," he says.

SOURCE: The New York Times Subscription at 11:12AM[SHARE]

10 More Plays Where the Future Forecast is Grim by Alexis Soloski

Theatrical dystopias are in the air, as playwrights conjure nuclear fallout, insectoid aliens and everyday assassinations.

SOURCE: The New York Times Subscription at 11:12AM[SHARE]

Monday, December 18, 2017

Lust, heartbreak and a 90s jukebox: it's Cruel Intentions " The Musical by Alexis Soloski

The teen riff on Les Liaisons Dangereuses is now an off-Broadway stage show complete with signature cocktails and an Alanis Morissette/REM mash-upOnstage at a cabaret club in New York's Gree…

SOURCE: The Guardian at 04:24PM[SHARE]

Friday, December 15, 2017

Encounters: Anna Chlumsky of 'Veep' Sniffs Around Bleecker Street for Gifts by Alexis Soloski

Before heading to rehearsals for the Off Broadway play "Cardinal," Ms. Chlumsky shopped for candles, perfumes and other holiday presents.

SOURCE: The New York Times Subscription at 02:24PM[SHARE]

Tuesday, December 12, 2017

Review: Detoured From 'La La Land' for a Comic Stop in 'Boulder City' by Alexis Soloski

Jimmy Fowlie's one-man show satirizes the struggling, self-involved actress played by Emma Stone in the movie.

SOURCE: The New York Times Subscription at 11:33AM[SHARE]

Monday, December 11, 2017

Review: A Gothic Tennessee Williams Mash-Up in 'Glass Guignol' by Alexis Soloski

The venerable experimental troupe Mabou Mines incorporates "Frankenstein," fetishwear and puppetry in excavating the playwright's obsessions.

SOURCE: The New York Times Subscription at 02:24PM[SHARE]

Thursday, December 7, 2017

Broadway in 2017: box office records broken under the shadow of Trump by Alexis Soloski

Political themes inevitably emerged alongside star turns from Bette Midler and Kevin Kline but despite some promising new plays, disappointment lingered In 2017, Broadway broke record after …

SOURCE: The Guardian at 08:18AM[SHARE]

Monday, December 4, 2017

SpongeBob Squarepants: The Broadway Musical review " sugar-shock visual pleasure by Alexis Soloski

The Palace Theatre, New YorkAn eclectic selection of original songs, written by everyone from John Legend to Aerosmith, meshes awkwardly with vibrant production design in this entertaining y…

SOURCE: The Guardian at 10:24PM[SHARE]

Review: A Ruler Loses His Grip in a Speedy 'Winter's Tale' by Alexis Soloski

In this Public Theater Mobile Unit production, streamlining Shakespeare makes the plot turns and mood swings hard to comprehend.

SOURCE: The New York Times Subscription at 02:18PM[SHARE]

Sunday, December 3, 2017

Downtown Race Riot review: 70s drama is bloody, sexy and not precisely credible by Alexis Soloski

Pershing Square Signature CenterSeth Zvi Rosenfeld draws on a real and frightening event from the bicentennial year but his play feels like an early draft, stronger on sensation than insight…

SOURCE: The Guardian at 08:06PM[SHARE]

Thursday, November 30, 2017

Review: In 'Sleep,' a Wakeful Woman Faces Long, Surreal Nights by Alexis Soloski

The Ripe Time adaptation of Haruki Murakami's short story focuses on an unnamed housewife who finds exhilaration in sleeplessness

SOURCE: The New York Times Subscription at 03:04PM[SHARE]

Wednesday, November 29, 2017

Meteor Shower review " patchy laughter in Amy Schumer's Broadway debut by Alexis Soloski

The comedian stars alongside Keegan-Michael Key and Laura Benanti in Steve Martin's mixed bag of sitcom humor and raunchy jokesBooth Theatre, New YorkSteve Martin's lump of sight gags, one-l…

SOURCE: The Guardian at 10:54PM[SHARE]

Monday, November 27, 2017

Critic's Notebook: Why Plays About Sexual Assault Are Too Murky for Our Own Good by Alexis Soloski

He-said, she-said ambiguities are certainly dramatic. But they also ignore hard truths that we need to hear right now.

SOURCE: The New York Times Subscription at 11:33AM[SHARE]

Sunday, November 26, 2017

Review: Four Women, Four Lifetimes, One Camera in '20th Century Blues' by Alexis Soloski

Susan Miller's sweet but softhearted play finds old friends challenged when the photographer among them wants to display group images taken over 40 years.

SOURCE: The New York Times Subscription at 11:04PM[SHARE]

Friday, November 24, 2017

Critic's Notebook: Fool Me Twice? Yes, Please by Alexis Soloski

A pair of magic shows set in unusual sites have even jaded New York audiences happily losing their minds.

SOURCE: The New York Times Subscription at 08:18AM[SHARE]

Monday, November 20, 2017

Review: In 'Diaspora,' an Ancient Siege for the Snapchat Age by Alexis Soloski

Toggling between the years 2017 and 73, this play about American Jews on a trip to Israel seems confused about what it is trying to say.

SOURCE: The New York Times Subscription at 01:36PM[SHARE]

Review: A 'Peter Pan' That Never Takes Flight by Alexis Soloski

The Bedlam production of the J.M. Barrie classic is both too childish to tell the story properly and too adult to access its wonder.

SOURCE: The New York Times Subscription at 12:18PM[SHARE]

Sunday, November 19, 2017

Review: In This 'Pride and Prejudice,' Love Is a Zero-Sum Game by Alexis Soloski

An unconventional Primary Stages adaptation of the Jane Austen novel features gags, dance breaks and other cynical silliness.

SOURCE: The New York Times Subscription at 10:18PM[SHARE]

Thursday, November 9, 2017

Glengarry Glen Ross " review by Alexis Soloski

Gerald Schoenfeld theatre, New York"Always be closing." That maxim of salesmanship seems positively caustic when projected on to the curtain during the Broadway revival of David Mamet's Glen…

SOURCE: The Guardian at 10:04PM[SHARE]

Wednesday, November 8, 2017

Uma Thurman, Ready to Be Tested by Alexis Soloski

Hollywood's "contempt and dismissiveness" toward women has led her to Broadway. In "The Parisian Woman," she'll be onstage for every minute of every scene.

SOURCE: The New York Times Subscription at 05:12AM[SHARE]

Tuesday, November 7, 2017

Review: Welcome to Prom. Try Not to Die. by Alexis Soloski

James Presson's overstuffed play aims to meld outsize teenage passions with Jacobean tragedy.

SOURCE: The New York Times Subscription at 02:24PM[SHARE]

Review: The Big Apple Circus Is Ripe for Another Bite by Alexis Soloski

A year after filing for bankruptcy, a beloved cultural institution returns to Lincoln Center.

SOURCE: The New York Times Subscription at 10:18AM[SHARE]

Friday, November 3, 2017

Review: In 'State of Siege,' Resistance to Plague in an Overcoat by Alexis Soloski

This production of a minor play by Camus, about a bullied populace whose civil liberties are curbed, hits some Trumpian notes, but not too hard.

SOURCE: The New York Times Subscription at 03:06PM[SHARE]

Thursday, November 2, 2017

Junk review " Ayad Akhtar's fast-paced financial thriller falls short by Alexis Soloski

The Pulitzer prize winner's stock market morality play zips by with speed but suffers from confused characterization and frustrating ambiguity Vivian Beaumont Theater, New YorkAyad Akhtar, w…

SOURCE: The Guardian at 11:18PM[SHARE]

Wednesday, November 1, 2017

For This Playwright, Africa With Laughter, Not Tears by Alexis Soloski

In works like "School Girls; or, the African Mean Girls Play," Jocelyn Bioh aims to tell stories that buck expectation and defy stereotype.

SOURCE: The New York Times Subscription at 11:24AM[SHARE]

Thursday, October 26, 2017

M. Butterfly review " Clive Owen impresses in Julie Taymor's revision by Alexis Soloski

A revival of David Henry Hwang's audaciously imaginative play lands on Broadway but with the delicate poise between illusion and truth unbalancedCort Theatre, New YorkMost theater is a seduc…

SOURCE: The Guardian at 11:06PM[SHARE]

Wednesday, October 25, 2017