Monday, August 3, 2026
Copeland, the retired ballerina was the first Black female principal of American Ballet Theater, curates a two-week festival at the Joyce.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Tuesday, July 21, 2026
The company wrapped up its Met season of safe war horses with multiple debuts and a slew of promotions, including the onstage appointment of three principals.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Tuesday, July 7, 2026
Jake Roxander, a virtuosic wonder at American Ballet Theater, was promoted onstage after a recent performance. The news hasn’t quite sunk in.
SOURCE: The New York Times Subscription at 12:00PM[SHARE]Friday, June 26, 2026
American Ballet Theater’s artistic director, Susan Jaffe, teams up with the régisseur Susan Jones for a new staging of the comic romp.
SOURCE: The New York Times Subscription at 12:00PM[SHARE]Thursday, June 25, 2026
The Milly Rock, haunting flamenco and falling bodies: The Lincoln Center Contemporary Dance Festival delivers quality with nary a pointe shoe in sight.
SOURCE: The New York Times Subscription at 12:57PM[SHARE]Tuesday, June 16, 2026
Sharleen Chidiac, a choreographer and the effervescent lead singer of Voyeur, looks at ambition and freedom in her hybrid new work: a punk musical.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Sunday, June 14, 2026
Tuesday, June 9, 2026
New York City Ballet ended its season on a positive note with “Coppélia,” but the repertory tipped too heavily into unimportant ballets.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Saturday, June 6, 2026
Thursday, June 4, 2026
With “Proof of Life,” Kiyon Ross wants to make his alma mater, the School of American Ballet, proud — and the dancers feel special. That’s what he would have wanted.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Wednesday, May 27, 2026
The idea of sisterhood and brotherhood flows through “Symphonie Espagnole,” Peck’s new work for New York City Ballet. We dissect two sections.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Monday, May 18, 2026
After “Coppélia,” the New York City Ballet star will leave her dancing days behind. “I have an immense amount of peace about this whole thing,” she said.
SOURCE: The New York Times Subscription at 05:18AM[SHARE]Sunday, May 17, 2026
For a short time, Rauschenberg made dances. He used roller skates, pointe shoes and parachute wings for “Pelican” (1963), now reimagined by Trisha Brown’s company.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Wednesday, May 13, 2026
Wednesday, May 6, 2026
For her second commission at New York City Ballet, the principal dancer is leveling up. “Symphonie Espagnole,” with a nod to the company’s Balanchine heritage, has a cast of 40.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Monday, April 20, 2026
New York City Ballet opens its spring season with classic works by George Balanchine and more. Here are some dancers who will surely stand out.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Wednesday, April 15, 2026
The violinist Johnny Gandelsman wanted his music to move. In the overly winsome "Johnny Loves Johann," he performs Bach's cello suites alongside four dance artists.
SOURCE: The New York Times Subscription at 11:50AM[SHARE]Monday, April 13, 2026
At the School of American Ballet's new health and wellness center, bodies and minds share equal billing and everyone gets the help they need.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Friday, April 10, 2026
Her dance company, the oldest in the United States, celebrates its centennial in a series of mixed bills. But why aren't all the dances by Graham?
SOURCE: The New York Times Subscription at 11:25AM[SHARE]Monday, April 6, 2026
Thursday, March 26, 2026
In "Superbloom," the latest work by the ballet dancer Sara Mearns and the postmodern choreographer Jodi Melnick, women are at the forefront.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Monday, March 9, 2026
American Ballet Theater opened a short spring season at Lincoln Center with a full-length work by Lar Lubovitch from 1997. Time hasn't freshened it up.
SOURCE: The New York Times Subscription at 10:49AM[SHARE]Friday, March 6, 2026
This art form is alive, and Chalamet, who comes from a dance family, knows it. But what value does ballet have for the world at large?
SOURCE: The New York Times Subscription at 05:44PM[SHARE]Tuesday, March 3, 2026
Benjamin Millepied's "Romeo and Juliet Suite," with its unusual approach to dance coupling and live performance, comes to the Park Avenue Armory.
SOURCE: The New York Times Subscription at 11:21AM[SHARE]Friday, February 27, 2026
The Trisha Brown Dance Company is presenting a stellar double bill of Rauschenberg-designed works by Merce Cunningham and Trisha Brown.
SOURCE: The New York Times Subscription at 12:59PM[SHARE]Tuesday, February 24, 2026
Friday, February 20, 2026
Competition can wreck a figure skater, but Liu and other Olympians shed the pressure and delivered transcendent performances focused on artistry.
SOURCE: The New York Times Subscription at 01:50PM[SHARE]Tuesday, February 17, 2026
The choreographer has a busy spring: early works at the Guggenheim's swirling rotunda, a new appointment at Gibney Dance and a robust program at Bard.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Thursday, February 12, 2026
Taylor Stanley debuts as Carabosse, the glamorous, evil fairy in "The Sleeping Beauty." He is the first male-identifying person to take the role at New York City Ballet.
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