
In "The Invisible Project," a premiere at NYU Skirball, the choreographer Keely Garfield's work as an end-of-life and trauma chaplain informs the dance.
SOURCE: The New York Times Subscription at 11:33AM[SHARE]Tanztheater Wuppertal returns to the Brooklyn Academy of Music for the first time in six years with "Ãgua," a long, whimsical work from 2001.
SOURCE: The New York Times Subscription at 02:45PM[SHARE]The company wrapped up its season with two weeks of Peter Martins's "The Sleeping Beauty," a flurry of debuts and four promotions.
SOURCE: The New York Times Subscription at 05:00PM[SHARE]Signaling the arrival of ballet's next generation, the soloists Emilie Gerrity, Isabella LaFreniere, Roman Mejia and Mira Nadon move up.
SOURCE: The New York Times Subscription at 07:03PM[SHARE]"Bob Fosse's Dancin'," revived by the director Wayne Cilento, is back on Broadway. Its stars? An eclectic cast of dancers who are anything but machines.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Women's empowerment is the undercurrent of the winter season at New York City Ballet. Does it have a place in Americana?
SOURCE: The New York Times Subscription at 03:13PM[SHARE]Cullberg, a contemporary Swedish company, makes its Joyce Theater debut with Deborah Hay's delicate, hypnotic "Horse, the Solos."
SOURCE: The New York Times Subscription at 01:30PM[SHARE]Kyra Nichols, a former principal, returns to the company for the first time since her 2007 retirement to coach ballets by Balanchine and Robbins.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]New York City Ballet's resident choreographer expands on "Rodeo" to make an evening-length work set to some of Aaron Copland's most popular music.
SOURCE: The New York Times Subscription at 01:07PM[SHARE]Ronald K. Brown/Evidence returns to the Joyce Theater with two hits, "Open Door" and "Grace," and a New York premiere with music by Jason Moran.
SOURCE: The New York Times Subscription at 01:46PM[SHARE]Septime Webre's rendition of the tragic tale for Hong Kong Ballet this weekend at New York City Center had a striking look, but its dancing lacked vulnerability.
SOURCE: The New York Times Subscription at 01:33PM[SHARE]In "Curriculum II," dancers spin like planets as they grapple with the mind, the body and technology.
SOURCE: The New York Times Subscription at 01:30PM[SHARE]When the choreographer joins the company as artist in residence, the winners will be the dancers. And ballet.
SOURCE: The New York Times Subscription at 01:53PM[SHARE]In "George Balanchine's The Nutcracker," performed by City Ballet and young students from its School of American Ballet, ballet comes full circle.
SOURCE: The New York Times Subscription at 08:00AM[SHARE]At MoMA, the choreographer and artist Yve Laris Cohen's installation, inspired by a fire at Jacob's Pillow, looks at the fragility of space, art and the body.
SOURCE: The New York Times Subscription at 10:31AM[SHARE]In "Remains Persist," the choreographer Moriah Evans oversees a four-hour experiment that proposes a new way of looking at dance.
SOURCE: The New York Times Subscription at 01:16PM[SHARE]Stephen Boss, known as tWitch, who took his own life, didn't just move to music. He was music.
SOURCE: The New York Times Subscription at 04:14PM[SHARE]In an uneven program, the tap dancer and choreographer presents three new works in Manhattan, including a dance for former cast members of "Stomp."
SOURCE: The New York Times Subscription at 02:00PM[SHARE]Jenna Ortega's dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]Jenna Ortega's dance for her Addams Family character is a viral sensation, but why? It is disarming and defiant: the dance of a nonconformist.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]The Israeli choreographer Emanuel Gat presents "LOVETRAIN2020," a work set to hits by the British duo, for his company's Brooklyn Academy of Music debut.
SOURCE: The New York Times Subscription at 03:13PM[SHARE]After a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]The veteran choreographer Sally Silvers celebrates her 40th anniversary season with "Pandora's New Cake Stain," a version of her first evening-length work.
SOURCE: The New York Times Subscription at 04:04PM[SHARE]In New York City Ballet's production this year, the children, most of them new to the show, are back to normal. Pint-size, that is.
SOURCE: The New York Times Subscription at 08:00AM[SHARE]The "Lion King" choreographer brings his company to the Joyce Theater in programs that feature his work and dances by the talented Norwood Pennewell.
SOURCE: The New York Times Subscription at 01:22PM[SHARE]The choreographer Serge Aimé Coulibaly explores the fear that permeates society in the North American premiere of "Wakatt" at NYU Skirball.
SOURCE: The New York Times Subscription at 01:38PM[SHARE]White privilege, racism, two pandemics: This choreographer takes it all on with the help of "The Nutcracker" and two of dance's go-to composers.
SOURCE: The New York Times Subscription at 03:20PM[SHARE]For its Lincoln Center season, the Paul Taylor Dance Company presents premieres by Lauren Lovette and Amy Hall Garner, along with the classics.
SOURCE: The New York Times Subscription at 06:54PM[SHARE]The American Ballet Theater principal ruptured a tendon in December. He recently took his first step back to the stage with "Whipped Cream."
SOURCE: The New York Times Subscription at 12:25PM[SHARE]The company continues its fall season with the delight that is "The Dream," and a Christopher Rudd premiere with an all-Black cast and creative team.
SOURCE: The New York Times Subscription at 02:02PM[SHARE]Reflections on the fall season of New York City Ballet, which remains in transition with a new generation raring to go.
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