
To make a company, George Balanchine first needed to make dancers. At 75, New York City Ballet pays tribute to its dancers, including three who were there at the start.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]This year, Beach Sessions pairs an adaptation of Merce Cunningham's "Beach Birds" with a response by the choreographer Sarah Michelson.
SOURCE: The New York Times Subscription at 11:05AM[SHARE]An uncompromising, charismatic dancer and choreographer, he was a towering (6-foot-3) figure who taught, wrote and had the ability, a colleague said, "to wake you up."
SOURCE: The New York Times Subscription at 11:32AM[SHARE]In his Joyce Theater debut, Morris unveiled a cheekily titled premiere and "Castor and Pollux," a lost treasure from his early days.
SOURCE: The New York Times Subscription at 02:42PM[SHARE]The killing of the dancer and choreographer at a Brooklyn gas station is a stark reminder that some forms of expression are still seen as threatening.
SOURCE: The New York Times Subscription at 03:38PM[SHARE]Garrett Lee, with an assist from DJ Khaled, fills a cultural hole with his floppy, hypnotic TikTok dance " still going strong in a sad, cathartic way.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]The most majestic dance in "Barbie" is an emotional release for the Kens, but in subtle ways movement touches, and enhances, everything in the movie.
SOURCE: The New York Times Subscription at 07:00AM[SHARE]The company, now run by Susan Jaffe, concludes its season at the Metropolitan Opera House with familiar story ballets " and some important new faces.
SOURCE: The New York Times Subscription at 03:42PM[SHARE]The company wraps up its delayed anniversary tour with a selection of vintage dances and premieres in a three-week season at the Joyce Theater.
SOURCE: The New York Times Subscription at 01:21PM[SHARE]Cassandra Trenary, an American Ballet Theater principal dancer, pulls classical dance into the present through the drama of being real.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]American Ballet Theater opened its summer season with Christopher Wheeldon's new three-act ballet, inspired by a novel and film.
SOURCE: The New York Times Subscription at 02:12PM[SHARE]In Madeline Hollander's fascinating "Hydro Parade," 15 dancers stream through the Metropolitan Museum of Art. Your task? To keep up.
SOURCE: The New York Times Subscription at 12:36PM[SHARE]Kids Dance, the performance group of Ballet Tech, returned to the Joyce with a mix of premieres and classics.
SOURCE: The New York Times Subscription at 10:35AM[SHARE]River to River Festival presents an art experiment in which audience members and dance artists, paired randomly, meet for one-on-one performances.
SOURCE: The New York Times Subscription at 10:06AM[SHARE]The tap dancer Ja'Bowen brings his art underground, where kids learn steps, commuters dance along and his energizing performances are bursts of joy.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]A flurry of debuts. The return of Sara Mearns. Performances that lingered after the curtain fell. Here are the highlights from a packed spring season.
SOURCE: The New York Times Subscription at 03:00AM[SHARE]The festival hosts the National Dance Company of Ghana at the Brooklyn Academy. "You're getting the best of all the dances."
SOURCE: The New York Times Subscription at 02:35PM[SHARE]With a premiere by Tiffany Tregarthen and David Raymond at the Joyce, Gibney Company builds on its repertoire but doesn't enhance it.
SOURCE: The New York Times Subscription at 01:23PM[SHARE]After 15 years, New York City Ballet revives "Brandenburg," the choreographer's final ballet, with a sparkling new cast.
SOURCE: The New York Times Subscription at 01:02PM[SHARE]The choreographer Miguel Gutierrez presents the New York premiere of "I as another," a duet with Laila Franklin, at Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 02:02PM[SHARE]Harrison Ball is retiring. After battling addiction, he is engaged to Zac Posen, serious about acting and grateful for his career.
SOURCE: The New York Times Subscription at 10:59AM[SHARE]The choreographer collaborates with the designer Mimi Gross in "Garden Party," a whimsical celebration of spring that hints at loss.
SOURCE: The New York Times Subscription at 01:21PM[SHARE]The Trisha Brown Dance Company branches out beyond its founder's work with its first commission: Judith Sánchez RuÃz's "Let's Talk About Bleeding."
SOURCE: The New York Times Subscription at 08:00AM[SHARE]The company presented two large-scale works, one inspired by the French protests of 1968, and the other a response to a lost Merce Cunningham work, at NYU Skirball.
SOURCE: The New York Times Subscription at 02:11PM[SHARE]A new generation of choreographers, obsessed with composition and costumes, experiments at Pageant in East Williamsburg, Brooklyn.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]As artistic director, Johnson, a pathbreaking ballerina, helped get the company back on its feet after a hiatus. Now, she's ready to be an artist again.
SOURCE: The New York Times Subscription at 10:01AM[SHARE]Ananiashvili's company, the State Ballet of Georgia, presents a program of works by George Balanchine and Yuri Possokhov at the Lehman Center in the Bronx.
SOURCE: The New York Times Subscription at 01:34PM[SHARE]With new books and a podcast taking another look at the legacy of George Balanchine and the culture of ballet, where does a modern ballerina stand?
SOURCE: The New York Times Subscription at 12:54PM[SHARE]Abraham and his company, A.I.M, returned to the Joyce Theater with a program of mixed repertory, including new dances and a Bebe Miller solo.
SOURCE: The New York Times Subscription at 12:45PM[SHARE]The company returned to New York City Center with recent works by Crystal Pite and David Dawson, along with a vintage offering by Kenneth MacMillan.
SOURCE: The New York Times Subscription at 01:58PM[SHARE]In "The Invisible Project," a premiere at NYU Skirball, the choreographer Keely Garfield's work as an end-of-life and trauma chaplain informs the dance.
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