
In "Lifted: A Gospel House Musical," the choreographer Rennie Harris tells a tale of redemption and healing loosely inspired by "Oliver Twist."
SOURCE: The New York Times Subscription at 02:18PM[SHARE]This New Zealand company returns to the Joyce Theater with two New York premieres, but neither are as penetrating as "Handgame," a vintage gem.
SOURCE: The New York Times Subscription at 12:59PM[SHARE]Daniel Camargo's breakout season at American Ballet Theater changed his rank from guest artist to principal. (Now, all he needs is an apartment.)
SOURCE: The New York Times Subscription at 02:09PM[SHARE]Catherine Hurlin makes a major debut as Odette-Odile and the company presents the New York premiere of a mystical work by Alonzo King.
SOURCE: The New York Times Subscription at 01:43PM[SHARE]Christopher Williams, a choreographer captivated by the otherworldly, presents the New York premieres of "Les Sylphides" and "Afternoon of a Faun."
SOURCE: The New York Times Subscription at 01:08PM[SHARE]Alexei Ratmansky's "Of Love and Rage," a New York premiere for American Ballet Theater, tells its story through fluent dancing bodies.
SOURCE: The New York Times Subscription at 12:19PM[SHARE]Alvin Ailey American Dance Theater returns to Lincoln Center with an anniversary and a premiere by its resident choreographer, Jamar Roberts.
SOURCE: The New York Times Subscription at 12:43PM[SHARE]American Ballet Theater opens its summer season at the Metropolitan Opera House with a triple cast, comic production. Where will it go next?
SOURCE: The New York Times Subscription at 02:03PM[SHARE]English National Ballet brings Akram Khan's "Giselle" to the Brooklyn Academy of Music, a production that prizes style over substance.
SOURCE: The New York Times Subscription at 02:36PM[SHARE]What is the role of choreography on Broadway? Two musicals, "MJ" and "A Strange Loop," shed light on the dancing body.
SOURCE: The New York Times Subscription at 09:00AM[SHARE]The company's spring season, a double whammy of Covid and injury, ended with the retirement of the principal Amar Ramasar.
SOURCE: The New York Times Subscription at 03:20PM[SHARE]The choreographer Donna Uchizono presents "Wings of Iron," a subtle, virtuosic exploration of the art of perseverance.
SOURCE: The New York Times Subscription at 01:37PM[SHARE]The choreographer Abby Zbikowski brings her raw, genre-bending "Radioactive Practice" to New York Live Arts after a two-year delay.
SOURCE: The New York Times Subscription at 12:16PM[SHARE]The choreographer Silas Farley and the composer David K. Israel team up for "Architects of Time," a premiere for the Stravinsky Festival.
SOURCE: The New York Times Subscription at 11:55AM[SHARE]The best part? It's not cosmetic. New York premieres by Madeline Hollander and Janie Taylor pair perfectly with a Bella Lewitzky revival.
SOURCE: The New York Times Subscription at 02:03PM[SHARE]Live audiences return for a new platform at Danspace Project featuring Mayfield Brooks, Rashaun Mitchell + Silas Riener, Iele Paloumpis and Ogemdi Ude.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]The Japanese dance artist, joined by four collaborators, brings her evolving "Duet Project: Distance Is Malleable" to N.Y.U. Skirball.
SOURCE: The New York Times Subscription at 12:52PM[SHARE]Ashwini Ramaswamy, whose specialty is Indian classical dance, works with two dancers from other traditions in "Let the Crows Come."
SOURCE: The New York Times Subscription at 12:32PM[SHARE]Martha Graham Dance Company brings two premieres and a classic to the City Center Dance Festival. The best new work? A soulful score by Jason Moran.
SOURCE: The New York Times Subscription at 02:21PM[SHARE]The choreographer Alice Ripoll and 10 dancers from Rio de Janeiro combine youthful abandon with an exploration of social injustice in "Cria" at BAM Fisher.
SOURCE: The New York Times Subscription at 02:46PM[SHARE]The incandescent "L'Allegro, il Penseroso ed il Moderato" returns to Brooklyn, leaving you as breathless as ever.
SOURCE: The New York Times Subscription at 02:14PM[SHARE]The choreographer Nai-Ni Chen died in December. Now her company takes its next steps, beginning with a season at New York Live Arts.
SOURCE: The New York Times Subscription at 02:23PM[SHARE]In "A Pandemic Notebook," the choreographer Karole Armitage presents her final program of new works. And, with Jock Soto, she returns to the stage.
SOURCE: The New York Times Subscription at 02:34PM[SHARE]Lauren Lovette, a former principal with New York City Ballet, has been named the resident choreographer of the Paul Taylor Dance Company.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]Tiler Peck, a principal dancer at New York City Ballet, directs her own evening as part of City Center's inaugural Artists at the Center series.
SOURCE: The New York Times Subscription at 02:23PM[SHARE]The choreographer and dancer suffered a stroke in April. But he's still moving, and that's what matters.
SOURCE: The New York Times Subscription at 08:11AM[SHARE]The season saw more farewells, from principals Teresa Reichlen and Gonzalo Garcia, along with a rush of talent from the recently promoted.
SOURCE: The New York Times Subscription at 11:54AM[SHARE]L-E-V, led by Sharon Eyal and Gai Behar, returns to the Joyce Theater with an evening-length work.
SOURCE: The New York Times Subscription at 12:03PM[SHARE]After 22 years, Teresa Reichlen, a "low-key" Hitchcock blonde, steps into her next chapter: motherhood and running a gallery.
SOURCE: The New York Times Subscription at 10:18AM[SHARE]Miami City Ballet's production of Alexei Ratmansky's enthralling "Swan Lake" brings a beloved work into crisp, clean and musical focus.
SOURCE: The New York Times Subscription at 11:44AM[SHARE]A new work by the Ailey veteran Jamar Roberts shared a program with revivals by Pam Tanowitz and Kyle Abraham.
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