All stories by Alexis Soloski on BroadwayStars

Friday, January 21, 2022

Review: 'Addressless' Is on the Streets and in Your Home by Alexis Soloski

This hybrid of theater and game asks us to consider homelessness empathetically but can't overcome the friction between education and entertainment.

SOURCE: The New York Times Subscription at 07:33AM[SHARE]
Thursday, January 20, 2022

Review: In 'Whisper House,' the Living Are the Pawns of the Dead by Alexis Soloski

A lighthouse keeper, the nephew living with her and a Japanese employee are on alert for U-boats and graver threats in this chamber musical set in 1942.

SOURCE: The New York Times Subscription at 09:48PM[SHARE]
Friday, January 14, 2022

Bridget Everett Shows Off Her Softer Side in 'Somebody Somewhere' by Alexis Soloski

"Somebody Somewhere," a bittersweet comedy on HBO, will likely surprise viewers who know Everett as a self-proclaimed "cabaret wildebeest."

SOURCE: The New York Times Subscription at 05:33AM[SHARE]
Thursday, January 13, 2022

Clare Barron on 'Shhhh' and How Playwriting Is Her 'Kink of Exhibitionism' by Alexis Soloski

The playwright says her semi-autobiographical works, including her new play for Atlantic Theater Company, help to provide a measure of clarity about painful experiences.

SOURCE: The New York Times Subscription at 10:06AM[SHARE]
Monday, January 3, 2022

The Virus Is Surging. Avant-Garde Arts Festivals Are Closing. by Alexis Soloski

Under the Radar, Prototype and the Exponential Festival, annual January beacons of experimental work, have canceled their in-person offerings.

SOURCE: The New York Times Subscription at 06:24PM[SHARE]
Sunday, December 26, 2021

Catherine Was Great. But Was She a Girl Boss? by Alexis Soloski

In seeking to turn historical women into yassified contemporary heroines, pop culture creators are narrowing what female success can look like.

SOURCE: The New York Times Subscription at 12:42PM[SHARE]
Friday, December 24, 2021

On Broadway, Newly Vital Understudies Step Into the Spotlight by Alexis Soloski

As Omicron spreads, shows are relying on replacement actors more than ever. And productions without enough of them have had to cancel performances.

SOURCE: The New York Times Subscription at 11:18AM[SHARE]
Tuesday, December 21, 2021

Revisiting Childhood Wonder With Winnie the Pooh and Emmet Otter by Alexis Soloski

Our critic takes in two puppet-driven musicals in Manhattan. But with the Omicron variant on the rise, maybe kid-friendly theater is best consumed at home right now.

SOURCE: The New York Times Subscription at 03:18PM[SHARE]
Tuesday, December 7, 2021

'Harry Potter and the Cursed Child' Review: Still Magical on Broadway by Alexis Soloski

"Harry Potter and the Cursed Child" returned to Broadway, now in one part instead of two. It may feel smaller, but is no less dazzling.

SOURCE: The New York Times Subscription at 09:36PM[SHARE]
Monday, December 6, 2021

'Selling Kabul' Review: Trapped in a War, and an Apartment by Alexis Soloski

In Sylvia Khoury's suspenseful new play, the characters sometimes feel too much like wheels in a machine, but it's a tense thrill to watch it work.

SOURCE: The New York Times Subscription at 09:18PM[SHARE]
Friday, December 3, 2021

Best Theater of 2021 by Jesse Green, Maya Phillips, Laura Collins-Hughes, Scott Heller, Alexis Soloski and Elisabeth Vincentelli

Digital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child's first fireworks.

SOURCE: The New York Times Subscription at 10:48AM[SHARE]
Sunday, November 28, 2021

Kiki and Herb Will Be Back Where They Belong for Christmas by Alexis Soloski

Justin Vivian Bond and Kenny Mellman have resurrected their Christmas act for "a big, old chosen family reunion."

SOURCE: The New York Times Subscription at 11:33AM[SHARE]
Saturday, November 27, 2021

Stream These 7 Productions That Celebrate Stephen Sondheim's Work by Alexis Soloski

Here's a guide to films, documentaries and other productions that provide insight into the composer-lyricist's sly wit and melodic acumen.

SOURCE: The New York Times Subscription at 01:06PM[SHARE]
Monday, November 15, 2021

Review: 'Morning's at Seven' Awakens Again, Only to Hit Snooze by Alexis Soloski

Paul Osborn's 1930s play is revived, with its thin psychology, predictable structure and somewhat bitter slice of small town life intact.

SOURCE: The New York Times Subscription at 08:03PM[SHARE]
Friday, November 12, 2021

'I Don't Know What a Carrie Is': Candace Bushnell Works It Out Onstage by Alexis Soloski

The writer maps her life in a one-woman show, "Is There Still Sex in the City?," beginning previews this weekend at the Daryl Roth Theater.

SOURCE: The New York Times Subscription at 11:06AM[SHARE]
Tuesday, November 2, 2021

Review: 'Tammany Hall' Votes the Party Line by Alexis Soloski

An immersive show at the SoHo Playhouse takes theatergoers back to a speakeasy in 1929, when New York was also in a mayoral race.

SOURCE: The New York Times Subscription at 09:24PM[SHARE]
Tuesday, October 26, 2021

Behind the 'Boo!': How Haunted House Actors Scare Guests by Alexis Soloski and Erik Tanner

What does it take to scare the candy corn out of someone? Performers at two of New York's hallowed haunted attractions explain the secrets behind the shocks.

SOURCE: The New York Times Subscription at 05:24AM[SHARE]
Tuesday, October 12, 2021

'Letters of Suresh' Review: Returning to the Fold by Alexis Soloski

Rajiv Joseph's new drama revisits the protagonist, and the metaphoric possibilities of origami, of his earlier play "Animals Out of Paper."

SOURCE: The New York Times Subscription at 08:06PM[SHARE]

Forty days a slave: Suzan-Lori Parks on her incendiary new play White Noise by Alexis Soloski

In a drama that taps straight into these angry, anguished times, a Black artist responds to a police beating by becoming his white friend's 'enslaved person'. Pulitzer-winner Parks explains …

SOURCE: The Guardian at 10:42AM[SHARE]
Wednesday, September 29, 2021

Onstage, 'Designing Women' Sheds the Shoulder Pads, Not Its Politics by Alexis Soloski

The hit sitcom, which ended in 1993, is back as play, premiering in Arkansas. But how do its laughs land in our more pointed political landscape?

SOURCE: The New York Times Subscription at 10:06AM[SHARE]
Thursday, September 16, 2021

Max Harwood Steps Up in 'Everybody's Talking About Jamie' by Alexis Soloski

Max Harwood, making his professional debut with the movie musical "Everybody's Talking About Jamie," has "this kind of magic about him."

SOURCE: The New York Times Subscription at 09:54AM[SHARE]
Wednesday, September 8, 2021

Review: In 'Return the Moon,' Theater Between Phases by Alexis Soloski

While insubstantial, this immersive online performance gathers people virtually until they can get together more safely in person.

SOURCE: The New York Times Subscription at 11:12AM[SHARE]

Edie Falco, Blair Brown and Marin Ireland Discuss 'Morning Sun' by Alexis Soloski

Edie Falco, Blair Brown and Marin Ireland portray three generations of women sharing the same Greenwich Village walk-up in Simon Stephens's new play.

SOURCE: The New York Times Subscription at 05:18AM[SHARE]
Tuesday, September 7, 2021

'This is still here': Bess Wohl's story of seduction in a Nazi summer camp by Alexis Soloski

The US playwright's new drama, at the Old Vic in London, is a tragicomic romance amid swastika-shaped flowerbeds. She talks about finding a dark past on a trip to Long Island In May 2020, th…

SOURCE: The Guardian at 02:12PM[SHARE]
Tuesday, August 24, 2021

Review: In 'Islander,' the Puck Stops Here by Alexis Soloski

This verbatim hockey drama, at Here Arts Center, considers issues of masculinity and the peculiar ownership that fans feel toward a team and its players.

SOURCE: The New York Times Subscription at 02:06PM[SHARE]
Monday, August 16, 2021

'Walden' Review: Getting Away From It All by Alexis Soloski

Amy Berryman's three-character drama, set in a one-room cabin as crises rage outside, asks how much we owe to ourselves and our world.

SOURCE: The New York Times Subscription at 02:03PM[SHARE]
Thursday, August 12, 2021

Velvet, Organza and Vipers: Stage Costumes Dazzle by Alexis Soloski

An exhibition offers a close-up look at "Hamilton," "Moulin Rouge! The Musical" and more. Here are 10 highlights.

SOURCE: The New York Times Subscription at 01:42PM[SHARE]
Sunday, August 1, 2021

Review: In Carl Hancock Rux's 'Vs.,' the Jury Is Out by Alexis Soloski

Where justice is virtual, crimes have no names and audience members step up to the dock to examine anonymous witnesses.

SOURCE: The New York Times Subscription at 04:48PM[SHARE]
Thursday, July 8, 2021

Review: 'Fruma-Sarah (Waiting in the Wings)' Is a Mangled Love Letter by Alexis Soloski

There's great pleasure in seeing the actress Jackie Hoffman take center stage, even if the play, by E. Dale Smith, doesn't quite deliver.

SOURCE: The New York Times Subscription at 02:03PM[SHARE]

Theater Is in the Streets of New York, if You Listen by Alexis Soloski

Recent audio and walking tours provide a gentle return to spectatorship while also revealing overlooked corners of the city.

SOURCE: The New York Times Subscription at 11:06AM[SHARE]
Tuesday, July 6, 2021

Hot Vax Summer? Falstaff and Shakespeare in the Park Are Ready. by Alexis Soloski

The Delacorte Theater in Central Park is reopening with a Harlem-set version of Shakespeare's comedy "The Merry Wives of Windsor."

SOURCE: The New York Times Subscription at 12:18PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off