Thursday, May 14, 2026
Inside, "Canciones" unfolds less like a play than like an actual family gathering one has somehow wandered into midway through the evening. The house hums with side conversations, overlappin…
SOURCE: www.theaterscene.net at 11:52PM[SHARE]Monday, May 11, 2026
The title refers to the catastrophic 73 seconds between the Challenger’s launch and explosion, and Mezzocchi turns those seconds into the play’s governing existential paradox. Had Rosema…
SOURCE: www.theaterscene.net at 03:37PM[SHARE]Monday, May 4, 2026
Inspired in part by "he Magic Mountain," Thomas Mann’s 1924 meditation on illness and temporality, Zimet’s play borrows not its plot but its sensibility: the peculiar dilation and contra…
SOURCE: www.theaterscene.net at 01:48PM[SHARE]Saturday, May 2, 2026
What lingers, long after the final moments—which are, indeed, superb—is not a tidy judgment but a series of disquieting questions. Clements refuses the comfort of easy condemnation, even…
SOURCE: www.theaterscene.net at 04:31PM[SHARE]Derek Murphy’s "The Bad Daters" arrives Off Broadway from Ireland and the United Kingdom with the unassuming air of a chamber piece and the stealthy force of something far more piercing: a…
SOURCE: www.theaterscene.net at 12:18PM[SHARE]Friday, May 1, 2026
Where past and present commingle—as they so insistently do in a play like "Love Story"—the burden falls squarely on the director to furnish the audience with a legible temporal grammar. …
SOURCE: www.theaterscene.net at 02:25PM[SHARE]Thursday, April 30, 2026
There are evenings in the theatre when the air seems to tighten, as though the room itself has drawn a breath it cannot quite release. Such is the case with "Kenrex," a work of unnerving com…
SOURCE: www.theaterscene.net at 11:21AM[SHARE]Tuesday, April 21, 2026
Van Zandt is a cyclone that tears through the intimate confines of SoHo Playhouse’s Huron Club, detonating with the force of lived experience refined into art. What might, in lesser hands,…
SOURCE: www.theaterscene.net at 04:33PM[SHARE]Sunday, April 12, 2026
Di Zou as Pearl and Rebecca De Mornay as Evelyn in a scene from John Patrick Shanley's "The Pushover" at the Chain Theater (Photo credit: Dan Wright Photography) Encountering a John Patrick …
SOURCE: www.theaterscene.net at 06:28PM[SHARE]In Luke Murphy's astonishing "Scorched Earth," a vitality is rendered with a ferocity that feels at once ancient and bracingly new. Murphy, working under the banner of his multidisciplinary …
SOURCE: www.theaterscene.net at 10:52AM[SHARE]Wednesday, April 8, 2026
For all its incremental gestures toward inclusivity, "Saturday Night Live""now improbably in its 51st season"has remained curiously bereft of a regular South Asian cast member, a lacuna that…
SOURCE: www.theaterscene.net at 03:26PM[SHARE]Tuesday, April 7, 2026
The narrative architecture of "Vanya""its languors, its longings"is assumed, even beside the point. In its essence, this distilled adaptation unfolds less as a conventional staging than as a…
SOURCE: www.theaterscene.net at 02:27PM[SHARE]There is, in "The Last Audition," something almost defiantly modest"a chamber piece of sorrow that refuses the grandiloquence of tragedy even as it circles one. The play, a solo vehicle of h…
SOURCE: www.theaterscene.net at 12:29AM[SHARE]Monday, March 30, 2026
Hayes proves wholly persuasive, gliding among a gallery of supporting figures (Hayes delineates 11 distinct characters with astonishing lucidity, his transitions so fluid they seem almost in…
SOURCE: www.theaterscene.net at 02:14PM[SHARE]Yet the production proves curiously reluctant to pursue the implications of its own provocations. The philosophers, rather than evolving into distinct and dynamically opposed sensibilities, …
SOURCE: www.theaterscene.net at 12:33PM[SHARE]Thursday, March 26, 2026
New American Ensemble may be young, but this production announces a company of rare precision and ambition. Every element"the mulch underfoot, the bar at your shoulder, the dead tree overhea…
SOURCE: www.theaterscene.net at 11:57PM[SHARE]Tuesday, March 24, 2026
Anthony Rapp in Kenny Finkle's "Touch" at The East Village Basement (Photo credit: Table 7 Strategies/Kevin Kulp) In Touch, a work of disarming modesty and unnerving emotional precision, a l…
SOURCE: www.theaterscene.net at 11:54PM[SHARE]Monday, March 23, 2026
In the hands of Michael John LaChiusa (music, lyrics and book) and George C. Wolfe (book), the feral, syncopated verse of Joseph Moncure March's Prohibition-era poem is not so much adapted a…
SOURCE: www.theaterscene.net at 09:23PM[SHARE]Friday, March 20, 2026
In "Entangled:12 Scenes in a Circle K off the I-40 in New Mexico," the beguiling and philosophically mischievous collaboration between Mona Mansour and Emily Zemba, the American desert becom…
SOURCE: www.theaterscene.net at 10:42PM[SHARE]Saturday, March 14, 2026
What begins as a satirical clash between corporate swagger and academic idealism gradually deepens into a more unsettling inquiry. The play's true subject, it turns out, is not merely the ar…
SOURCE: www.theaterscene.net at 10:18PM[SHARE]Tuesday, March 10, 2026
If the show's point of view occasionally feels one-sided, that imbalance ultimately serves its chief purpose: entertainment. 'Body Count' may not function as a comprehensive treatise on cont…
SOURCE: www.theaterscene.net at 05:22PM[SHARE]Sunday, March 1, 2026
Slater's performance is a revelation of synthesis. Known for his buoyant athleticism in Broadway's "SpongeBob SquarePants" and his chilling portrayal of the Balladeer and Lee Harvey Oswald i…
SOURCE: www.theaterscene.net at 11:53PM[SHARE]Saturday, February 28, 2026
Actors Kerry Ipema and Natalie Rich, joined by the live Foley artist Kelly Robinson, proceed to conjure Spielberg's dinosaur epic. They marshal an arsenal of materials so defiantly homespun …
SOURCE: www.theaterscene.net at 10:55PM[SHARE]Thursday, February 26, 2026
In Lauren Yee's exuberant and stealthily devastating new comedy, "Mother Russia," history arrives not with a bang but with an order of fast food. Two young men, perched at the lip of a new w…
SOURCE: www.theaterscene.net at 11:27PM[SHARE]Sunday, February 22, 2026
The premise"a radio broadcast"might seem theatrically inert, yet Rau ingeniously implicates the audience by issuing each spectator a set of headphones. We are not merely watching propaganda;…
SOURCE: www.theaterscene.net at 02:24PM[SHARE]Friday, February 20, 2026
To enter the performance space of Paul Pinto's "MANO A MANO" is to find oneself seated not before a proscenium, but around a giant Arthurian round table, a scenic choice that immediately dis…
SOURCE: www.theaterscene.net at 06:49PM[SHARE]Sunday, February 15, 2026
Chang is an agile performer, and his quick shifts among characters recall the early solo work of urban shapeshifters who built entire neighborhoods out of voice and posture. Yet here the gal…
SOURCE: www.theaterscene.net at 01:11PM[SHARE]Saturday, February 14, 2026
The opening gesture of Dante Alighieri's "Inferno""that immortal confession of midlife disorientation in which a wanderer finds himself astray from the "straight road" and deposited in a "da…
SOURCE: www.theaterscene.net at 06:13PM[SHARE]Wednesday, February 11, 2026
The afterlife has always enjoyed a sturdy tenancy on the musical stage, but "High Spirits""Hugh Martin and Timothy Gray's tuneful graft onto Noël Coward's "Blithe Spirit""has, until now, …
SOURCE: www.theaterscene.net at 10:05AM[SHARE]Tuesday, February 10, 2026
For Heartbeat Opera's presentation of Massenet's exquisite "Manon," the co-adaptors Rory Pelsue, who also directs, and Jacob Ashworth, the company's artistic director, take a scalpel to Mass…
SOURCE: www.theaterscene.net at 11:50PM[SHARE]Monday, February 2, 2026
By loosening the moorings that usually tether one actor to one role, director and adaptor Karin Coonrod peers, with unusual intimacy, into Lear's psychic weather. The choice to distribute hi…
SOURCE: www.theaterscene.net at 11:58PM[SHARE]Loading more stories…
