Few musicals occupy quite the same place in the American theatrical imagination as "La Cage aux Folles." Jerry Herman and Harvey Fierstein’s 1983 landmark arrived disguised as an old-fashioned musical comedy—complete with farce, mistaken identities, and melodies that seemed to float effortlessly into the ear—yet it carried within it a quietly radical vision of queer domesticity. More than four decades later, th…
SOURCE: www.theaterscene.net at 04:51PM on June 24, 2026