All stories by Michael Billington on BroadwayStars

Thursday, February 4, 2016

William Gaskill: a fighter who stayed loyal to his writers by Michael Billington

Gaskill, who was Royal Court artistic director at a time that was rich, bloody and embattled, helped to hasten the demise of stage censorship in BritainWilliam ("Bill" to everyone in the the…

SOURCE: The Guardian at 12:58PM[SHARE]
Wednesday, February 3, 2016

The Master Builder review " Fiennes at the height of his powers by Michael Billington

Ibsen's play about an architect jealous of rivals and haunted by guilt presents a searing self-portrait for a magnetic actorYou come out of most classic theatre these days discussing the dir…

SOURCE: The Guardian at 08:40PM[SHARE]

Looking back at great theatrical disasters by Michael Billington

Way Upstream once flooded the National. As the play is revived, Michael Billington takes a look at great theatrical disastersTheatre is a disaster area: a world of precarious illusion in whi…

SOURCE: The Guardian at 09:19AM[SHARE]

Ma Rainey's Black Bottom review " August Wilson's blues still electrify by Michael Billington

Lyttelton theatre, LondonThis big, bold piece about 1920s race relations is a play of passion and power, starring a majestic Sharon D Clarke as the bisexual singerAugust Wilson's play has en…

SOURCE: The Guardian at 08:10AM[SHARE]
Tuesday, February 2, 2016

Red Velvet review " Adrian Lester gives us fire, fury and grandeur by Michael Billington

Garrick, LondonLester's magnificent acting makes you nostalgic for a vanished gestural style in this welcome revival of Lolita Chakrabarti's play about racial prejudicePlays about theatre do…

SOURCE: The Guardian at 08:39AM[SHARE]
Monday, February 1, 2016

Frank Finlay: the no-nonsense star who moved like a dancer by Michael Billington

Whether playing charismatic leaders or acting as a fine foil to Olivier, Finlay brought a robust intelligence and grace to his stage rolesLike a lot of northern actors " think of Albert Finn…

SOURCE: The Guardian at 08:44AM[SHARE]

Shakespeare Solos: peer into the minds of Lear, Hamlet and Titania by Michael Billington

The Guardian's new series of performance videos catch the intricate thought processes behind Shakespeare's lines How do you make Shakespeare instantly available? One answer is to film star a…

SOURCE: The Guardian at 07:20AM[SHARE]
Thursday, January 28, 2016

Alone Together review " Caryl Churchill's wry chit-chat cradles catastrophe by Michael Billington

Royal Court, LondonLinda Bassett, Kika Markham, June Watson and Deborah Findlay deliver pitch-perfect performances in Churchill's apocalyptic and compassionate conversation piece Related: He…

SOURCE: The Guardian at 06:19PM[SHARE]
Wednesday, January 27, 2016

The Mother review " Gina McKee stuns in poignant Freudian study by Michael Billington

Tricycle, LondonMcKee gives a first-rate performance in Florian Zeller's play about a woman floundering between hostility and gaiety as her family falls apartIt is important to remember that…

SOURCE: The Guardian at 07:58AM[SHARE]
Tuesday, January 26, 2016

The Pianist of Willesden Lane review " tribute to a determined musical survivor by Michael Billington

St James, LondonMona Golabek's original solo show tells of her mother's steadfast desire to be a concert pianist, in spite of the Holocaust, evacuation and warThis solo show with music might…

SOURCE: The Guardian at 08:16AM[SHARE]

Yen review " moving account of poverty and love that subverts expectations by Michael Billington

Royal Court, LondonAnna Jordan's prize-winning play faultlessly captures the mix of violence and virtue at the edge of society with acting of absolute convictionThe good thing about this Bru…

SOURCE: The Guardian at 07:10AM[SHARE]
Monday, January 25, 2016

Theatre review: Equus / Gielgud Theatre, London by Michael Billington

Gielgud Theatre, LondonForget all the prurient press speculation about Harry Potter's private parts. The revelation of this revival is that Daniel Radcliffe really can act, proving that his …

SOURCE: The Guardian at 03:18PM[SHARE]
Saturday, January 23, 2016

Theatre review: God of Carnage / Gielgud Theatre, London by Michael Billington

Gielgud Theatre, LondonThe first night of Yasmina Reza's new play was disrupted by a power failure. At one point Cameron Mackintosh, the theatre owner, appeared to explain: "I haven't s…

SOURCE: The Guardian at 11:26AM[SHARE]
Friday, January 22, 2016

Herons review " shocking savagery of Simon Stephens's East End revenge drama by Michael Billington

Lyric Hammersmith, LondonThis expressive revival of Simon Stephen's graphic play about teenage barbarity underplays social factors in favour of grotesque animal horrorSimon Stephens's play, …

SOURCE: The Guardian at 07:04AM[SHARE]
Wednesday, January 20, 2016

The Veil " review by Michael Billington

Lyttelton, LondonConor McPherson has in the past shown a genius for investing the melancholy of modern Irish life with a sinister undertow. Now he has thrown caution to the winds by setting …

SOURCE: The Guardian at 11:21PM[SHARE]

4000 Days review " Alistair McGowan stars in intriguing amnesiac drama by Michael Billington

Park theatre, LondonA coma patient's mother and lover perform a primal tug of war for his soul in a deftly acted if somewhat cautious playThe nature of memory has long magnetised dramatists.…

SOURCE: The Guardian at 08:37AM[SHARE]
Tuesday, January 19, 2016

The Rolling Stone review " urgent drama about Uganda's anti-gay laws by Michael Billington

Orange Tree, LondonThe impact on one Ugandan family of the country's homophobic legislation is a rich premise explored with visible passion in Chris Urch's playBig issues alone don't make go…

SOURCE: The Guardian at 11:22AM[SHARE]
Sunday, January 17, 2016

The Long Road South review " civil rights, domestic wrongs by Michael Billington

King's Head, LondonThe conflict between black servants and white employers at the height of the US race struggle is explored in Paul Minx's taut, though narrowly focused playPaul Minx's play…

SOURCE: The Guardian at 09:37AM[SHARE]
Thursday, January 14, 2016

Alan Rickman: a master of theatre who looked back in languor by Michael Billington

Rickman, who came to the fore in the RSC's 1980s golden period, was an actor blessed with a voice that could caress language with laidback seductivenessFor all his later fame as the creepy S…

SOURCE: The Guardian at 12:30PM[SHARE]

Give Me Your Love review " ingenious PTSD play boxes itself in by Michael Billington

Battersea Arts Centre, LondonRidiculusmus find comedy in their Beckettian take on treating post-traumatic stress disorder with ecstasyMuch research has evidently gone into this production, t…

SOURCE: The Guardian at 09:58AM[SHARE]

The Seagull, National, London by Michael Billington

National, LondonYou can see what Katie Mitchell as director and Martin Crimp as translator are trying to do in this new version of The Seagull: strip away the varnish and escape the linen-su…

SOURCE: The Guardian at 06:34AM[SHARE]

Shrek the Musical " review by Michael Billington

Theatre Royal, LondonOnce upon a time musicals drew their inspiration from books, plays or even real life; now they seem to be based on animated movies. But, although Shrek stems from the 20…

SOURCE: The Guardian at 02:04AM[SHARE]
Wednesday, January 13, 2016

Macbeth " review by Michael Billington

Shakespeare's Globe, LondonThe last Macbeth we saw at this venue was a pop-culture Polish production in which the transvestite witches assiduously fellated the hero. No such excesses ta…

SOURCE: The Guardian at 03:49PM[SHARE]

Peter Brook to rekindle the magic of the Mahabharata by Michael Billington

In his latest production, Battlefield, the 90-year-old theatre director focuses on a single episode from the great Indian epic that lies at the heart of his careerI'm lucky. I've twice spent…

SOURCE: The Guardian at 03:22AM[SHARE]
Tuesday, January 12, 2016

Pay to play: the problem with theatres auctioning background roles by Michael Billington

The cast of King Charles III recently held an Equity meeting about whether to share the stage with an auction winner. Are such sales all in a good cause, or do they set a worrying precedent?…

SOURCE: The Guardian at 07:56AM[SHARE]
Monday, January 11, 2016

Fear and Misery of the Third Reich review " Brecht's chilling vision of nazism by Michael Billington

Union theatre, LondonBertolt Brecht is often thought to be preachy and simplistic, but these plays prove otherwise, offering a complex montage of life in Nazi Germany Brecht wrote this colle…

SOURCE: The Guardian at 01:19PM[SHARE]
Sunday, January 10, 2016

P'yongyang review " a North Korean dream of love and freedom by Michael Billington

Finborough theatre, LondonRed-star-crossed young lovers, estranged by a socially stratified regime, attempt to escape oppression in a traditional-yet-original romanceYou wait years for a pla…

SOURCE: The Guardian at 06:52AM[SHARE]
Friday, January 8, 2016

Grey Gardens review " show tunes and squalor in a Long Island mansion by Michael Billington

Southwark Playhouse, LondonHigh Society meets What Ever Happened to Baby Jane? in this look back at a socialite mother and daughter's downfallLike Richard Greenberg's The Dazzle, currently i…

SOURCE: The Guardian at 09:04AM[SHARE]
Thursday, January 7, 2016

Guys and Dolls review " expert revival plays its cards right by Michael Billington

Savoy theatre, LondonWith outstanding leads and fizzing choreography from Carlos Acosta, the classic gambling musical is staged with elanIt seems fitting that the Chichester production of Gu…

SOURCE: The Guardian at 06:49AM[SHARE]
Wednesday, January 6, 2016

African Gothic review " incest and madness in Afrikaaner horror story by Michael Billington

Park theatre, LondonTwo siblings in an isolated farmhouse role-play traumatic episodes from their childhood in this flesh-creeping metaphor for colonial declineThis play certainly delivers w…

SOURCE: The Guardian at 06:45AM[SHARE]
Tuesday, December 29, 2015

The Children's Hour - review by Michael Billington

Comedy Theatre, LondonThere's only one question to which everyone wants the answer: can Keira Knightley and Elisabeth Moss cut the mustard? The short answer is that they prove as potent a co…

SOURCE: The Guardian at 12:22AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off