Lyttelton, LondonConor McPherson has in the past shown a genius for investing the melancholy of modern Irish life with a sinister undertow. Now he has thrown caution to the winds by setting his new play in the period of the Protestant ascendancy and making the supernatural manifest. The result is a strange and baffling mixture of historical metaphor and intellectual melodrama suggesting a rewrite of The Cherry Orchar…
SOURCE: The Guardian at 11:21PM on January 20, 2016