Gate, LondonNina Segal turns a baby's nursery into an arena where an anxious couple explore private nightmares and global catastrophesIn Sarah Kane's Blasted, a Leeds hotel room opens up to admit civil war and in Caryl Churchill's Escaped Alone garden chat is juxtaposed with apocalyptic visions. If I mention Nina Segal's play in the same breath, it is not because it is on a comparable level of achievement but because…
SOURCE: The Guardian at 07:56AM on February 9, 2016