All stories by Matt Wolf on BroadwayStars

Wednesday, September 25, 2013

Kristen Beth Williams on Making the Leap from Broadway Understudy to West End Star in Top Hat by Matt Wolf

Not so long ago, Kristen Beth Williams was a Broadway ensemble player and understudy in such shows as Promises, Promises and Nice Work If You Can Get It. But the 32-year-old Texan has been s…

SOURCE: Broadway.com at 12:10PM[SHARE]
Wednesday, September 18, 2013

Tristan Gemmill on the Lure of the Title Role in the London Musical Hit The Bodyguard by Matt Wolf

As The Bodyguard heads towards its first birthday on the West End in December, the musical is welcoming two new leads: Beverley Knight has replaced Tony winner Heather Headley in the late Wh…

SOURCE: Broadway.com at 03:01PM[SHARE]
Tuesday, September 17, 2013

Theater Review: On the London Stage, Tragedy, From Kings on Down by Matt Wolf

Productions of "Edward II," "The Ritual Slaughter of Gorge Mastromas," and "Fleabag" show that London theater is in a fearsome mood these days.    

SOURCE: The New York Times Subscription at 09:26AM[SHARE]
Sunday, September 15, 2013

Springs Eternal, Orange Tree Theatre by Matt Wolf

The American repertoire has featured big-time on the London stage this year but perhaps nowhere more oddly than courtesy the ever-adventurous Orange Tree's staging of a World War Two play fr…

SOURCE: The Arts Desk at 08:00PM[SHARE]
Wednesday, September 11, 2013

Colman Domingo on The Butler and His London Debut in A Boy and His Soul & The Scottboro Boys by Matt Wolf

Rare is the Broadway performer who lands two London gigs in a single season, but Tony nominee Colman Domingo is celebrating his first-ever trip to the U.K. with back-to-back runs of his 2009…

SOURCE: Broadway.com at 02:09PM[SHARE]

Colman Domingo on The Butler and His London Debut in A Boy and His Soul & The Scottsboro Boys by Matt Wolf

Rare is the Broadway performer who lands two London gigs in a single season, but Tony nominee Colman Domingo is celebrating his first-ever trip to the U.K. with back-to-back runs of his 2009…

SOURCE: Broadway.com at 02:09PM[SHARE]
Wednesday, September 4, 2013

James Earl Jones Romances Vanessa Redgrave and Sheridan Smith Reigns in This Month's London Datebook by Matt Wolf

September’s here, which means it’s all systems go on London stages, on and off the West End. The lineup ranges from visiting American stars (James Earl Jones, Colman Domingo) to …

SOURCE: Broadway.com at 03:33PM[SHARE]
Tuesday, September 3, 2013

Theater Review: Starring Roles for Women at the Globe by Matt Wolf

It's not just Shakespeare as the theater examines a fight for freedom with new female-centric plays like "Blue Stockings," by the director-turned-writer Jessica Swale.    

SOURCE: The New York Times Subscription at 07:18AM[SHARE]
Wednesday, August 28, 2013

Hattie Morahan on Bringing Her Acclaimed Doll's House to the West End and Acting With an Infant by Matt Wolf

After enjoying two sellout runs at London’s Young Vic, Hattie Morahan is bringing her acclaimed performance as the famously emancipated heroine Nora in A Doll’s House to the West…

SOURCE: Broadway.com at 11:54AM[SHARE]
Wednesday, August 21, 2013

Chimerica's Stephen Campbell Moore on Overcoming Illness & Playing Americans on the London Stage by Matt Wolf

Since his 2006 run as a teacher in the Broadway transfer of Alan Bennett’s much-laureled play The History Boys, English actor Stephen Campbell Moore has played Americans in the UK prem…

SOURCE: Broadway.com at 03:28PM[SHARE]
Tuesday, August 20, 2013

Theater Review: Nick Payne's Latest Play Takes Him in a New Direction by Matt Wolf

"The Same Deep Water As Me" takes an uncompromising view of Britain's so-called compensation culture and raises laughs where a more hectoring view of events would find a lament.  &…

SOURCE: The New York Times Subscription at 07:07AM[SHARE]
Wednesday, August 14, 2013

Douglas Hodge on How Willy Wonka is Like Michael Jackson and the Broadway Timetable for Charlie and the Chocolate Factory by Matt Wolf

Douglas Hodge won Olivier and Tony Awards for his flamboyant yet poignant turn in La Cage aux Folles, catapulting this veteran of Shakespeare, Chekhov and Pinter into the musical theater pan…

SOURCE: Broadway.com at 01:09PM[SHARE]
Sunday, August 11, 2013

Making Shakespeare Sing Anew With Debut of Love's Labour's Lost Musical by Matt Wolf

Playbill.com offers an inside look at the original musical Love's Labour's Lost at the Delacorte Theater in Central Park.

SOURCE: Playbill at 12:00AM[SHARE]
Wednesday, August 7, 2013

Jill Winternitz on Having the Time of Her Life as Baby in the West End Return of Dirty Dancing by Matt Wolf

Why give up on a lucrative thing? That’s the thinking behind the return of Dirty Dancing, which has arrived at London’s Piccadilly Theatre for an encore engagement after breaking…

SOURCE: Broadway.com at 01:54PM[SHARE]
Tuesday, August 6, 2013

Theater Review: Black-Themed Theater Abounds in London by Matt Wolf

London's stages currently are offering an unusual wealth of plays written and performed by black dramatists and actors.    

SOURCE: The New York Times Subscription at 12:04PM[SHARE]
Wednesday, July 31, 2013

A Rich Stew of Classics, Revivals and New Plays Lure London Visitors in this Month's Datebook by Matt Wolf

Planning a late summer trip to London? There’s lots of great theater to choose from beyond the West End’s many long-running hits. If you’ve got a thirst for what’s ne…

SOURCE: Broadway.com at 10:59AM[SHARE]
Wednesday, July 24, 2013

Lenny Henry on Fulfilling a Prophecy from James Earl Jones in the Acclaimed West End Revival of Fences by Matt Wolf

Lenny Henry has long been known as one of Britain’s best and brightest comedians, but the strapping 6’3” talent has been no less impressive in recent shifts to “strai…

SOURCE: Broadway.com at 02:29PM[SHARE]
Tuesday, July 23, 2013

Theater Review: A Fresh Start for Royal Court Theater by Matt Wolf

A new boss precedes her ascendancy with an exhilarating summer lineup.    

SOURCE: The New York Times Subscription at 06:31AM[SHARE]
Wednesday, July 17, 2013

A Star Is Born! Meet Cynthia Erivo, Who Plays Celie in John Doyle's London Premiere of The Color Purple by Matt Wolf

At 26, and only a few years out of drama school, Cynthia Erivo is making the sort of London theater splash of which dreams are made. The diminutive powerhouse opened on July 15 at the Menier…

SOURCE: Broadway.com at 02:58PM[SHARE]
Wednesday, July 10, 2013

John Gordon Sinclair on His Chilling Role in the West End Black Comedy The Ladykillers by Matt Wolf

John Gordon Sinclair wasn’t yet 20 when he burst on to the screen in the 1981 Bill Forsyth film Gregory’s Girl, and the Scottish-born actor has distinguished himself on stage in …

SOURCE: Broadway.com at 03:00PM[SHARE]
Tuesday, July 9, 2013

Theater Review: A British Comedian in August Wilson's 'Fences' by Matt Wolf

The British comedian Lenny Henry is giving one of the performances of the year as the Pittsburgh sanitation worker whose world implodes around him in August Wilson's American tragedy. &…

SOURCE: The New York Times Subscription at 08:16AM[SHARE]
Sunday, July 7, 2013

Macbeth, St. Peter's Church, Manchester by Matt Wolf

Talk about absence making the heart grow fonder! I'm referring not simply to the news value of Kenneth Branagh making one of his comparatively rare returns to the theater, this from an actor…

SOURCE: The Arts Desk at 07:51AM[SHARE]
Wednesday, July 3, 2013

Anna-Jane Casey on Missing a Chance at Broadway, Stalking Seth MacFarlane and Finally Getting a Turn in London's Billy Elliot by Matt Wolf

Anna-Jane Casey has sung Sondheim at the Menier Chocolate Factory and Rodgers and Hammerstein at the annual Royal Albert Hall Proms and co-starred in the most recent London incarnation of Fo…

SOURCE: Broadway.com at 08:03PM[SHARE]
Thursday, June 27, 2013

Kenneth Branagh, Toby Stephens & the British Debut of The Color Purple Make for a Lively London Datebook by Matt Wolf

At last, warm weather has come to London, and the theater season continues to sizzle, as well. This month’s pickings include new projects from 2013 Olivier Award winner Imelda Staunton…

SOURCE: Broadway.com at 04:07PM[SHARE]
Tuesday, June 25, 2013

Theater Review: 2 Actors Overcome Their Film Personas by Matt Wolf

Reviews of Tennessee Williams's "Sweet Bird of Youth," with Kim Cattrall, and Martin McDonagh's "The Cripple of Inishmaan," with Daniel Radcliffe.    

SOURCE: The New York Times Subscription at 06:50AM[SHARE]
Wednesday, June 19, 2013

The Night Alive, Donmar Warehouse by Matt Wolf

Can theatrical lightning strike twice? That certainly looks to be the case at the Donmar, which has followed Josie Rourke's expert revival of Conor McPherson's contemporary classic, The Weir…

SOURCE: The Arts Desk at 08:30PM[SHARE]

Dianne Pilkington on Wicked Memories and the Fun of Singing ABBA in London's Mamma Mia! by Matt Wolf

London stage favorite Dianne Pilkington spent three years on the West End as Glinda in Wicked and was one of Tyne Daly’s students in the London transfer of Master Class early last year…

SOURCE: Broadway.com at 11:38AM[SHARE]

Theatre review: Patti LuPone wreaks vengeance on Andrew Lloyd Webber by Matt Wolf

Patti LuPone says she loves London though one sometimes wonders why, given the treatment that Broadway's original Evita has endured at the hands of a particular English composer, who also ha…

SOURCE: The Independent at 05:14AM[SHARE]
Tuesday, June 18, 2013

Hard Feelings, Finborough Theatre by Matt Wolf

Doug Lucie's signature spikiness remains intact, and then some, in the Defibrillator production of Hard Feelings, which is sure to pack out west London's tiny Finborough and might well be a …

SOURCE: The Arts Desk at 03:45AM[SHARE]
Wednesday, June 12, 2013

Gary Wood on Attacking Brad Pitt in World War Z & Stopping the Show in London's Chorus Line by Matt Wolf

At 28, Gary Wood is appearing in his third production of A Chorus Line, this time at the London Palladium. As Paul, the soft-spoken gay Puerto Rican whose monologue stops the show with no si…

SOURCE: Broadway.com at 03:40PM[SHARE]
Tuesday, June 11, 2013

Theater Review: A Riveting Viewing of Eugene O'Neill's 'Strange Interlude' by Matt Wolf

Simon Godwin directs a new National Theatre production of an American drama for which the British would seem to have more of an affinity than compatriots back home.    

SOURCE: The New York Times Subscription at 08:16AM[SHARE]

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