
There's not much indecision from Shakespeare's prince in "Hamyul/Hamlet," a Korean-language adaptation of the play at La MaMa.
SOURCE: The New York Times Subscription at 05:30PM[SHARE]At 59E59 Theaters, a musical about the woman who became the wife of Wyatt Earp.
SOURCE: The New York Times Subscription at 04:52PM[SHARE]"The Human Comedy," a musical based on a story by William Saroyan, is an ambitiously staged production by a talented troupe.
SOURCE: The New York Times Subscription at 05:48PM[SHARE]"One-Third of a Nation," a play about housing written for the Living Newspaper unit of the Federal Theater Project, still proves timely in the Metropolitan Playhouse's revival.
SOURCE: The New York Times Subscription at 05:19PM[SHARE]The Acting Company offers a zippy take on Shakespeare's "Comedy of Errors."
SOURCE: The New York Times Subscription at 05:30PM[SHARE]Experimental theater often requires your forbearance, and "Storm Still," a riff on Shakespeare's "King Lear," tests the audience's boundaries.
SOURCE: The New York Times Subscription at 03:51PM[SHARE]In "Molly Sweeney," at the Irish Repertory Theater, a woman who has been blind almost since birth undergoes an operation, with profound consequences.
SOURCE: The New York Times Subscription at 05:37PM[SHARE]"Carnival Round the Central Figure" is an absurd and macabre meditation on death.
SOURCE: The New York Times Subscription at 04:28PM[SHARE]"Momentum," from the Tel Aviv performance troupe Mayumana, has an infectious beat and physical pyrotechnics to match.
SOURCE: The New York Times Subscription at 03:56PM[SHARE]The Pearl Theater Company's production of Ibsen's "Rosmersholm" is compelling, as the characters grapple with unvoiced emotions.
SOURCE: The New York Times Subscription at 05:20PM[SHARE]In "Bintou," the child of African immigrants fights with her family when she's not roaming the streets with her gang.
SOURCE: The New York Times Subscription at 05:18PM[SHARE]Almost every line of "Do Not Go Gentle" is so lovely that when the whole proves to be less than the sum of its parts, the result doesn't feel as disappointing as it otherwise might.
SOURCE: theater2.nytimes.com at 11:12PM[SHARE]

