Friday, October 31, 2025
The playwright Samuel D. Hunter tailors a family drama to the actress's specific gifts; at Powerhouse: International, the artist Carolina Bianchi explores violence against women.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Monday, October 20, 2025
Thursday, October 2, 2025
The British buzz merchant Jamie Lloyd directs Alex Winter and Keanu Reeves in Samuel Beckett's 1954 tragicomedy; plus, "All Right. Good Night.," from Rimini Protokoll.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Thursday, September 18, 2025
Thursday, September 11, 2025
Friday, August 22, 2025
At the newly renovated Delacorte, Saheem Ali directs a celebrity-packed production that is comically inventive but rarely stirring.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Sunday, August 17, 2025
In this year's offerings, the mood ranged from baffled sorrow to laughter in extremis, reflecting our unsettled times.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Friday, July 25, 2025
Jeremy O. Harris, at his first Williamstown Theatre Festival as creative director, turns up the heat under rare works by the great Southern playwright.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Tuesday, July 22, 2025
After years of progress in diversity, many companies' upcoming slates feature mostly, and in some cases entirely, male-writer lineups. The backslide has prompted an outcry.
SOURCE: The New Yorker Subscription at 01:11PM[SHARE]Thursday, June 26, 2025
Friday, June 13, 2025
Sunday, May 25, 2025
The spirit of August Strindberg infuses Hannah Moscovitch's "Sexual Misconduct of the Middle Classes" and Jen Silverman's adaptation of "Creditors."
SOURCE: The New Yorker Subscription at 03:23PM[SHARE]Monday, April 28, 2025
Adam Guettel and Tina Landau's 1996 musical about a trapped caver resurfaces on Broadway, and Shayok Misha Chowdhury and Mona Pirnot play metaphysical games.
SOURCE: The New Yorker Subscription at 01:54PM[SHARE]Friday, April 25, 2025
Funding shifts at three of the largest philanthropic foundations have brought turbulence and uncertainty to the intricate New York support system for the performing arts.
SOURCE: The New Yorker Subscription at 02:30PM[SHARE]Thursday, April 17, 2025
New productions of Shakespeare's "Richard II," Annie Ernaux's "The Years," Robert Icke's "Manhunt," Tennessee Williams's "The Glass Menagerie," and more.
SOURCE: The New Yorker Subscription at 08:32AM[SHARE]Friday, April 4, 2025
Kieran Culkin and Bob Odenkirk try to close the deal in David Mamet's classic, and George Clooney stars in a timely portrait of media courage.
SOURCE: The New Yorker Subscription at 08:05AM[SHARE]Friday, March 28, 2025
Denzel Washington and Jake Gyllenhaal lack direction, and "The Trojans," a spirited football-themed Iliad, heads for the end zone.
SOURCE: The New Yorker Subscription at 08:32AM[SHARE]Thursday, March 20, 2025
Branden Jacobs-Jenkins's latest offers another family battle royale, and Andrew Scott dazzles in a one-man tour de force.
SOURCE: The New Yorker Subscription at 09:42AM[SHARE]Sunday, March 16, 2025
The Australian actress, best known for her work on "Succession," brings all twenty-six characters in "The Picture of Dorian Gray" to Broadway.
SOURCE: The New Yorker Subscription at 08:20AM[SHARE]Friday, February 28, 2025
Fifty years apart, the playwrights Samuel D. Hunter and Sam Shepard examine our national obsession with family inheritance.
SOURCE: The New Yorker Subscription at 03:48PM[SHARE]Friday, January 31, 2025
In two new shows, the Oscar-nominated, Tony Award-winning star and F. Murray Abraham play against their younger selves.
SOURCE: The New Yorker Subscription at 10:11AM[SHARE]Friday, January 24, 2025
The Pulitzer Prize-winning play, set in an E.S.L. classroom in Iran, examines the internal displacements of learning a language.
SOURCE: The New Yorker Subscription at 08:55AM[SHARE]Saturday, December 21, 2024
In the latest revival of Arthur Laurents, Stephen Sondheim, and Jule Styne's iconic musical, George C. Wolfe humanizes a famously monstrous stage mother.
SOURCE: The New Yorker Subscription at 11:40AM[SHARE]Friday, December 20, 2024
Friday, December 13, 2024
Wednesday, December 11, 2024
In the nineteen-eighties and nineties, the actor, writer, and director ushered in a Golden Era of Shakespeare plays on film the likes of which we haven't seen since.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Friday, November 22, 2024
The audience gets what it paid for in both the musical adaptation of the 1992 film, with Megan Hilty and Jennifer Simard, and a new show about the treadmill of life.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Thursday, November 14, 2024
The playwright Branden Jacobs-Jenkins and the performance artist Alina Troyano summon downtown's wild spirit, and Elevator Repair Service revives its signature hit.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Friday, October 25, 2024
Jamie Lloyd casts Nicole Scherzinger as Norma Desmond, and Kit Connor and Rachel Zegler play a Gen Z version of Shakespeare's famous lovers.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Thursday, October 17, 2024
Kenneth Lonergan explores the emptiness of celebrity in "Hold On to Me Darling," while Thornton Wilder's "Our Town" proves as moving as ever.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Thursday, October 3, 2024
In Jez Butterworth's melancholy drama and David Henry Hwang's mischievously postmodern play, stardom is both a lure and a lie.
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