
Adrien Brody and Tessa Thompson make confident Broadway debuts, but the uneven script makes for a narratively slippery prison drama.
SOURCE: The New York Times Subscription at 11:18PM[SHARE]Arthur Miller's classic tragedy returns to Broadway, starring Nathan Lane and Laurie Metcalf. Yet again, it is a triumph.
SOURCE: The New York Times Subscription at 10:12PM[SHARE]For their 10th life, the cats strut and duckwalk in a reappraisal of Andrew Lloyd Webber's 1981 musical, which has shifted to the queer ballroom scene.
SOURCE: The New York Times Subscription at 09:06PM[SHARE]The directors Michael DeFilippis, Dmitry Krymov and Aleksandr Molochnikov all infuse their current productions with a burning, modern rage.
SOURCE: The New York Times Subscription at 11:48AM[SHARE]In Mark Rosenblatt's play, a powerful portrayal of the beloved children's book author who almost gleefully exposes his bigotry.
SOURCE: The New York Times Subscription at 11:32PM[SHARE]Antigone, an ancient Greek play, is being adapted in several theaters across New York City. Our critic Helen Shaw explains why Sophocles's anti-heroine is such a relevant figure today.
SOURCE: The New York Times Subscription at 12:32AM[SHARE]"Antigone" gave us the original "bad girl," but its themes go beyond that. How do adaptations keep making Sophocles' ideas about democracy and theater new?
SOURCE: The New York Times Subscription at 12:32AM[SHARE]Two monologue revivals " Jesse Tyler Ferguson as Truman Capote and Wallace Shawn's solo " reveal how wealth warps our perceptions. Only one pays dividends.
SOURCE: The New York Times Subscription at 10:06AM[SHARE]Encores! revisits a Jazz Age tale of debauchery, with showstoppers from Jasmine Amy Rogers, Adrienne Warren, Jordan Donica, Tonya Pinkins and others.
SOURCE: The New York Times Subscription at 04:24PM[SHARE]The actor's fondness for the audience radiates outward in this delightful interactive play about naming and noticing the good in the world.
SOURCE: The New York Times Subscription at 11:24PM[SHARE]Anna Ziegler's feminist take on Sophocles tries to tie in reproductive politics, but the play keeps trampling over its own ideas.
SOURCE: The New York Times Subscription at 09:36PM[SHARE]The Times's new chief theater critic is taking up the mantle as the industry moves over rocky ground.
SOURCE: The New York Times Subscription at 05:18AM[SHARE]The playwright and his collaborator André Gregory are together again, delivering a sumptuous set of interlinked monologues about life, death and betrayal.
SOURCE: The New York Times Subscription at 10:06PM[SHARE]In the stage versions of two beloved books, the most impressive moments emerge when the productions stray from the source material.
SOURCE: The New York Times Subscription at 01:31PM[SHARE]Clare Barron's gorgeous play, about an unmoored young woman returning home to care for her father, finds a new home at Cherry Lane Theater.
SOURCE: The New York Times Subscription at 12:12PM[SHARE]Without the usual flood of new musicals, the playwrights of works like "Becky Shaw," "Dog Day Afternoon" and "Giant" are getting a chance to shine.
SOURCE: The New York Times Subscription at 05:12AM[SHARE]Theater for a New Audience's reimagining of the Shakespearean tragedy misses an opportunity to engage the play's many echoes with our own tense era.
SOURCE: The New York Times Subscription at 12:42PM[SHARE]Milo Rau's examination of the infamous broadcast that preceded the Rwandan genocide is onstage now. Two other works, including "The Pelicot Trial," arrive in March.
SOURCE: The New York Times Subscription at 11:18AM[SHARE]The chameleonic actor takes on several characters in David Cale's solo play about a writer in pursuit of his stalker. Or is it all in his mind?
SOURCE: The New York Times Subscription at 11:18PM[SHARE]In Alexander Zeldin's naturalistic adaptation of "Antigone," Tobias Menzies and Emma D'Arcy star as a feuding uncle and niece.
SOURCE: The New York Times Subscription at 09:24PM[SHARE]Ten actors wear the crowns in Karin Coonrod's production, which is rich with twilight revelation, at La MaMa in Manhattan.
SOURCE: The New York Times Subscription at 05:36AM[SHARE]Libby Howes was an imposing presence onstage with the Wooster Group. But after abruptly leaving New York in 1981 she became a theater world mystery. What happened?
SOURCE: The New York Times Subscription at 09:54AM[SHARE]"Watch Me Walk," "Ulysses" and other offerings from Under the Radar and the Exponential Festival engage with personal histories and the works of literary lions.
SOURCE: The New York Times Subscription at 11:01AM[SHARE]Erica Schmidt's discordant comedy, starring Hamish Linklater and Miriam Silverman, is a farce clumsily straddling two genres.
SOURCE: The New York Times Subscription at 01:36PM[SHARE]It's been the year of Molière, and therefore the year of the liar, the hypocrite, the poseur, the clown.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Helen Shaw reviews "Marjorie Prime," with June Squibb, Cynthia Nixon, and Danny Burstein,
SOURCE: The New Yorker Subscription at 04:00PM[SHARE]It was a banner year for generation-defining performance, both up- and downtown.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The playwright offered a kind of on-ramp to the literary canon, a way into a life of unabashed, unstoppable thinking.
SOURCE: The New Yorker Subscription at 04:30PM[SHARE]"Coyote," a new biography by Robert M. Dowling, recounts how the cowboy laureate of American theatre invented himself.
SOURCE: The New Yorker Subscription at 01:59PM[SHARE]The Broadway veteran stars as a Marie Antoinette wannabe in a musical about excess, and Anne Washburn goes post-apocalyptic with "The Burning Cauldron of Fiery Fire."
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The playwright Samuel D. Hunter tailors a family drama to the actress's specific gifts; at Powerhouse: International, the artist Carolina Bianchi explores violence against women.
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