
A new Off Broadway play and Shakespeare’s tragedy hinge on a universal anxiety: How well do you know your partner?
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Boots Riley’s zany movies combine pop aesthetics with radical politics.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Camp has become the go-to aesthetic for Broadway musicals. These two new shows dare to be sincere.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Gina Gionfriddo's zinger-filled sex farce and the celebratory ballroom-culture adaptation of Andrew Lloyd Webber's confounding musical are cathartic catnip.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Sidney Lumet's kinetic, emotionally complex film has been transformed into a hokey sitcom with gunshots.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Clare Barron's "You Got Older" is a rare play about a good dad. Wallace Shawn's "What We Did Before Our Moth Days" is defiantly tender about an amoral one.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]A jolting play about the Rwandan genocide takes liberties in order to capture dark truths.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Two plays soaked in technological anxiety.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]A Broadway revival arrives at a moment when paranoia plots are everywhere.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]On the eve of his new book, "Never Mind the Happy," the composer dishes on his career ups and downs"from touring with Bette Midler to getting caught in Twitter wars.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]After quitting his gig with the Kennedy Center in protest, the Gen X indie rocker is turning his talents toward MAGA trolls and Charlie Brown.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]The "Real Pain" director teamed up with the TV writer Meredith Scardino to compete in the 24 Hour Musicals, for charity. Their muse? A West Elm lamp.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Gertrude Berg's "The Goldbergs" was a bold, beloved portrait of a Jewish family. Then the blacklist obliterated her legacy.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Despite my profession, there’s plenty of television I don’t watch: cooking shows and Fox News, the sixteen post-Vegas seasons of “The Real World,” sports that are not…
SOURCE: The New Yorker Subscription at 12:00AM[SHARE]An old lady sways back and forth onstage, working her jaw. “Can’t no old man do nothin’ for me but bring me a message from a young man,” she says. Her eyes widen, her…
SOURCE: The New Yorker Subscription at 12:00AM[SHARE]The sixth episode of "Bunheads," a new series on ABC Family, ended with an odd sequence worth rewinding. Three teen ballerinas stared straight into the camera"eyelids smudged, beatnik-style"…
SOURCE: The New Yorker Subscription at 12:00AM[SHARE]Since its delightful pilot, the show has taken a nosedive so deep I'm surprised my ears haven't popped. All the caveats I noted but dismissed in my earlier review have become the definingly …
SOURCE: The New Yorker Subscription at 12:52PM[SHARE]Backstage and out on the town with the feminist TV pioneer, now in the limelight again, as a "dumb blonde."
SOURCE: New York Magazine at 09:50PM[SHARE]

