Friday, March 7, 2025
Batsheva Dance Company's performance of Ohad Naharin's masterful "Momo" at the Brooklyn Academy of Music was inevitably colored by events in Israel and Gaza.
SOURCE: The New York Times Subscription at 01:42PM[SHARE]Thursday, February 27, 2025
Wednesday, February 26, 2025
Thursday, February 13, 2025
Wednesday, February 5, 2025
Thursday, January 30, 2025
Sunday, January 12, 2025
The Out-Front! Festival at the Brooklyn Academy of Music on Saturday featured thrilling works by Angie Pittman ("Black Life Chord Changes") and Kyle Marshall ("Joan").
SOURCE: The New York Times Subscription at 01:59PM[SHARE]Thursday, January 9, 2025
Monday, January 6, 2025
651 Arts, dedicated to African diasporic performance, now has its own space to support work like the choreographer André Zachery's "Against Gravity."
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Monday, December 30, 2024
An oral history project, "Planting Seeds," considers the history and impact of an American Dance Festival program to train dancers in China.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Tuesday, December 17, 2024
Writing for The New Yorker, she was both admired and feared, wielding a sometimes merciless pen. Her study of Fred Astaire and Ginger Rogers drew accolades.
SOURCE: The New York Times Subscription at 11:15AM[SHARE]Sunday, December 15, 2024
Wednesday, December 11, 2024
Monday, December 9, 2024
A solo by the choreographer Bintou Dembélé, the first showing of her work in the United States, explored the crossover between hip-hop and diasporic African ritual.
SOURCE: The New York Times Subscription at 03:39PM[SHARE]Thursday, November 21, 2024
Friday, November 15, 2024
This Ralph Lemon work, part of a MoMA PS1 exhibition, is an experience of sound as much as dance. His collaborators can lead an audience to ecstasy.
SOURCE: The New York Times Subscription at 12:29PM[SHARE]Monday, November 11, 2024
Saturday, November 9, 2024
She became an international star as a member of the company and later directed it, guiding it out of debt and boosting its popularity.
SOURCE: The New York Times Subscription at 06:43PM[SHARE]Thursday, October 31, 2024
Tuesday, October 29, 2024
"Why can't ballet be a roller coaster?" Helen Pickett said of her and James Bonas's full-length work, premiering this week at American Ballet Theater.
SOURCE: The New York Times Subscription at 11:21AM[SHARE]Monday, October 28, 2024
The Paul Taylor Dance Company joins a very short list of dance troupes with substantial real estate in one of the world's most expensive markets.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Friday, October 25, 2024
The choreographer Nadia Beugré, who brought her "Quartiers Libres Revisited" to New York Live Arts, likes to keep her audience close. And involved.
SOURCE: The New York Times Subscription at 01:03PM[SHARE]Thursday, October 24, 2024
At the Baryshnikov Arts Center, an adaptation of Smith's poem-memoir "Woolgathering" features Smith reciting, others dancing and a surprise guest.
SOURCE: The New York Times Subscription at 12:34PM[SHARE]Friday, October 11, 2024
The Greek-born choreographer Lenio Kaklea made her American debut at Governors Island, a fitting spot for work about the boundaries between nature and culture.
SOURCE: The New York Times Subscription at 01:09PM[SHARE]Monday, October 7, 2024
Osvaldo Golijov's opera about Federico GarcÃa Lorca makes its Met debut in a dance-heavy production, directed by the choreographer Deborah Colker.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Wednesday, October 2, 2024
Dayton Contemporary Dance Company brought a mixed bill to the Joyce Theater, including a Paul Taylor classic and a dance by the great Rennie Harris.
SOURCE: The New York Times Subscription at 01:17PM[SHARE]Monday, September 30, 2024
Botis Seva, a rising British choreographer who mixes hip-hop and contemporary dance, brings his Olivier Award-winning "BLKDOG" to New York.
SOURCE: The New York Times Subscription at 05:05AM[SHARE]Friday, September 20, 2024
Sunday, September 8, 2024
"People came from everywhere to see her shows," an admirer said " including, on at least one occasion, the ballet superstar Mikhail Baryshnikov.
SOURCE: The New York Times Subscription at 05:19PM[SHARE]Friday, September 6, 2024
The choreographer Sharon Eyal turns the Drill Hall of the Armory into a club at which her dancers appear at intervals, behaving oddly.
SOURCE: The New York Times Subscription at 12:39PM[SHARE]Monday, July 29, 2024
The jeweler's generously funded Dance Reflections program is having a major influence on the city's scene. How much impact is too much?
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Loading more stories…
