Monday, July 29, 2024
The jeweler's generously funded Dance Reflections program is having a major influence on the city's scene. How much impact is too much?
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Tuesday, July 23, 2024
Wednesday, July 17, 2024
Jakob Karr, from "So You Think You Can Dance?," has conceived and choreographed a show set to songs by the country musician Orville Peck.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Monday, July 15, 2024
Wednesday, July 10, 2024
The best dance by far on Smuin Contemporary Ballet's program at the Joyce is by Amy Seiwert, who is about to be the company's director.
SOURCE: The New York Times Subscription at 11:51AM[SHARE]Monday, July 1, 2024
Tap festivals have been pivotal in passing on tradition. But New York's has been canceled and the institution that supports it faces an uncertain future.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Wednesday, June 26, 2024
Wayne McGregor's 2015 work, making its New York debut with American Ballet Theater, fails to make dance poetry of Virginia Woolf's novels.
SOURCE: The New York Times Subscription at 12:27PM[SHARE]Monday, June 17, 2024
Sunday, June 16, 2024
Wednesday, June 5, 2024
Monday, May 27, 2024
Tuesday, May 14, 2024
Wednesday, May 8, 2024
Monday, May 6, 2024
Carol Mullins, who has been lighting boundary-pushing shows at Danspace Project since the 1970s, will be honored at its 50th anniversary.
SOURCE: The New York Times Subscription at 11:16AM[SHARE]Friday, May 3, 2024
Thursday, May 2, 2024
With choreography by Kate Prince and 27 songs by Sting, this story of refugees has impressive dance moments, but handles narrative and emotion tritely.
SOURCE: The New York Times Subscription at 01:09PM[SHARE]Wednesday, April 24, 2024
Wednesday, April 17, 2024
Monday, April 15, 2024
As Harlem Stage's E-Moves dance series turns 25, Bill T. Jones and other major choreographers discuss its impact on Black dance in New York.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Monday, April 8, 2024
"We the People," Roberts's first dance for the Martha Graham Dance Company, finds the rage and resistance hidden in an upbeat score by Rhiannon Giddens.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Thursday, April 4, 2024
Ayodele Casel leads a program celebrating Roach's centenary that also includes works by Rennie Harris as well as by Ronald K. Brown and Arcell Cabuag.
SOURCE: The New York Times Subscription at 12:23PM[SHARE]Monday, April 1, 2024
As the second company of Alvin Ailey American Dance Theater has evolved, it has trained dancers and choreographers for tenacity as much as technique.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Friday, March 29, 2024
Monday, March 25, 2024
A new work, "The White Feather" is inspired by the history of the Iranian National Ballet, which went dark during the Islamic Revolution and was never revived.
SOURCE: The New York Times Subscription at 01:17PM[SHARE]Monday, March 18, 2024
Thursday, March 7, 2024
Wednesday, February 28, 2024
Saturday, February 24, 2024
With Judson Dance Theater and elsewhere, he expanded the possibilities of what dance could be, developing works around basic tasks like eating a pear or simply walking.
SOURCE: The New York Times Subscription at 12:34PM[SHARE]Friday, February 23, 2024
Friday, February 16, 2024
Jean Butler's "What We Hold," at the Irish Arts Center, is an installation-like work that seeks restrained classicism in a post-"Riverdance" world.
SOURCE: The New York Times Subscription at 02:00PM[SHARE]Wednesday, February 7, 2024
Loading more stories…
