Thursday, May 2, 2024
With choreography by Kate Prince and 27 songs by Sting, this story of refugees has impressive dance moments, but handles narrative and emotion tritely.
SOURCE: The New York Times Subscription at 01:09PM[SHARE]Wednesday, April 24, 2024
Wednesday, April 17, 2024
Monday, April 15, 2024
As Harlem Stage's E-Moves dance series turns 25, Bill T. Jones and other major choreographers discuss its impact on Black dance in New York.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Monday, April 8, 2024
"We the People," Roberts's first dance for the Martha Graham Dance Company, finds the rage and resistance hidden in an upbeat score by Rhiannon Giddens.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Thursday, April 4, 2024
Ayodele Casel leads a program celebrating Roach's centenary that also includes works by Rennie Harris as well as by Ronald K. Brown and Arcell Cabuag.
SOURCE: The New York Times Subscription at 12:23PM[SHARE]Monday, April 1, 2024
As the second company of Alvin Ailey American Dance Theater has evolved, it has trained dancers and choreographers for tenacity as much as technique.
SOURCE: The New York Times Subscription at 05:03AM[SHARE]Friday, March 29, 2024
Monday, March 25, 2024
A new work, "The White Feather" is inspired by the history of the Iranian National Ballet, which went dark during the Islamic Revolution and was never revived.
SOURCE: The New York Times Subscription at 01:17PM[SHARE]Monday, March 18, 2024
Thursday, March 7, 2024
Wednesday, February 28, 2024
Saturday, February 24, 2024
With Judson Dance Theater and elsewhere, he expanded the possibilities of what dance could be, developing works around basic tasks like eating a pear or simply walking.
SOURCE: The New York Times Subscription at 12:34PM[SHARE]Friday, February 23, 2024
Friday, February 16, 2024
Jean Butler's "What We Hold," at the Irish Arts Center, is an installation-like work that seeks restrained classicism in a post-"Riverdance" world.
SOURCE: The New York Times Subscription at 02:00PM[SHARE]Wednesday, February 7, 2024
Saturday, January 27, 2024
Tiler Peck, a New York City Ballet star, is making her first work for the company. "It's my opportunity to pass on to the next generation anything that's been given to me."
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Wednesday, January 24, 2024
In Compagnie Hervé Koubi's "Sol Invictus" at the Joyce Theater, the dancers' extraordinary moves are integrated into a poetic vision.
SOURCE: The New York Times Subscription at 01:52PM[SHARE]Tuesday, January 16, 2024
The highlight of the street dance festival "Motion/Matter" at the Perelman Performing Arts Center came at the end: an all-styles battle that honored roots.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]Sunday, January 14, 2024
Lisa Fagan and Lena Engelstein's picaresque "Deepe Darknesse" models itself on the randomness of an ancient Roman novel, "The Golden Ass."
SOURCE: The New York Times Subscription at 11:57AM[SHARE]Wednesday, January 3, 2024
Thursday, December 21, 2023
Thursday, December 14, 2023
"The March" explores unison, while "Is It Thursday Yet?" concerns a dancer's struggle to understand herself after receiving a diagnosis of autism.
SOURCE: The New York Times Subscription at 02:32PM[SHARE]Sunday, December 10, 2023
The tap dancer Caleb Teicher and the beatboxer Chris Celiz have expanded an earlier collaboration into an evening-length work at the Joyce Theater.
SOURCE: The New York Times Subscription at 02:30PM[SHARE]Wednesday, December 6, 2023
New York City Ballet's 75th anniversary celebration and Dance Reflections from France delivered some of this year's brightest moments.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Tuesday, December 5, 2023
Amy Hall Garner is readying the new work "Century" for Alvin Ailey American Dance Theater, on the heels of other premieres and with more to come.
SOURCE: The New York Times Subscription at 12:05PM[SHARE]Friday, December 1, 2023
The five dance selections that are part of the Dance Reflections festival take varied approaches to piano exercises written by Philip Glass.
SOURCE: The New York Times Subscription at 03:37PM[SHARE]Wednesday, November 29, 2023
Okwui Okpokwasili and Peter Born's hybrid show, "Adaku, Part 1," about a precolonial African village, mixes dance theater, song and drama.
SOURCE: The New York Times Subscription at 12:11PM[SHARE]Wednesday, November 22, 2023
The best-selling album turned veteran Cuban musicians into global stars and inspired a documentary almost 30 years ago. Now it's an Off Broadway musical.
SOURCE: The New York Times Subscription at 05:06AM[SHARE]Friday, November 17, 2023
Loading more stories…
