All stories by Alexis Soloski on BroadwayStars

Wednesday, November 16, 2022

Review: In 'Evanston Salt Costs Climbing,' Co-Workers Weather the Storm by Alexis Soloski

Will Arbery's play explores the existential dread filling the minds of an Illinois city's public employees with the subtlety of a polar vortex.

SOURCE: The New York Times Subscription at 08:24PM[SHARE]
Wednesday, November 9, 2022

Sarah Ruhl and Rebecca Taichman on Conjuring 'Becky Nurse of Salem' by Alexis Soloski

Their new Off Broadway play, a dark comedy about power, inheritance and, of course, witchcraft, is now in previews at Lincoln Center Theater.

SOURCE: The New York Times Subscription at 10:24AM[SHARE]
Monday, November 7, 2022

'My Broken Language' Review: Piecing Together a Life of Many Dialects by Alexis Soloski

In Quiara Alegría Hudes's new play at the Signature Theater, five performers try to summon generations of willful women.

SOURCE: The New York Times Subscription at 03:36PM[SHARE]
Thursday, October 27, 2022

'Walking With Ghosts' Review: Gabriel Byrne Roams His Past by Alexis Soloski

The Irish actor's one-man show on Broadway delves into painful and playful memories alike. He even imitates the oddballs of his Dublin boyhood.

SOURCE: The New York Times Subscription at 08:55PM[SHARE]
Tuesday, October 25, 2022

'Montag' Review: A Dark Hymn to Female Friendship by Alexis Soloski

Not quite a comedy and not quite a thriller, Kate Tarker's play is an antic study of two women preparing for a game (or possibly an attack).

SOURCE: The New York Times Subscription at 09:19PM[SHARE]

'Tell the Story Every Way You Can': Bess Wohl on 'Camp Siegfried' by Alexis Soloski

How a real-life pro-Nazi summer camp on Long Island inspired a "deeply American play" about seduction.

SOURCE: The New York Times Subscription at 10:33AM[SHARE]
Tuesday, October 11, 2022

Review: In 'Peerless,' Elite College Admissions Are Something Wicked by Alexis Soloski

The playwright Jiehae Park's sly and polished adaptation of "Macbeth" transports the characters from the Scottish heath to the halls of a Midwestern high school.

SOURCE: The New York Times Subscription at 08:19PM[SHARE]
Thursday, October 6, 2022

1776 review " musical revival needs more independence from the original by Alexis Soloski

American Airlines Theatre, New York A diverse re-envisioning of the 1969 historical musical offers up some great opportunities for a game cast but struggles to justify its existence The firs…

SOURCE: The Guardian at 10:00PM[SHARE]

'Complicity' Review: A Muddled #MeToo Drama by Alexis Soloski

A new play by Diane Davis at the New Ohio Theater addresses the topic head-on, but clumsily, our critic writes.

SOURCE: The New York Times Subscription at 12:55PM[SHARE]
Monday, October 3, 2022

Cost of Living review " Pulitzer prize winner lands on Broadway with a splash by Alexis Soloski

Manhattan Theater Club at the Samuel J Friedman Theater, New York Martyna Majok's sensitive drama about four characters on the margins is empathetically acted and unusually compassionate The…

SOURCE: The Guardian at 08:30PM[SHARE]
Sunday, October 2, 2022

Review: Revisiting 'Baldwin and Buckley at Cambridge' by Alexis Soloski

Elevator Repair Service, the experimental theater company, brings to life the 1965 debate between James Baldwin and William F. Buckley Jr.

SOURCE: The New York Times Subscription at 09:19PM[SHARE]
Wednesday, September 28, 2022

Wendell Pierce Steps Into 'Death of a Salesman' by Alexis Soloski

A Broadway revival of "Death of a Salesman" has a Black lead for the first time, giving Pierce a chance to step into a role he was "born to play."

SOURCE: The New York Times Subscription at 10:37AM[SHARE]
Thursday, September 22, 2022

Making a Meal of the Philadelphia Fringe Festival by Alexis Soloski

A handful of works deal with the many questions of nourishment and nurture. How we feed. How we are fed.

SOURCE: The New York Times Subscription at 09:37AM[SHARE]
Monday, September 19, 2022

Review: 'Marie It's Time' Pieces Together a Woman in Fragments by Alexis Soloski

This three-actor play initiates a dialogue with Georg Büchner's "Woyzeck," examining men's violence against women.

SOURCE: The New York Times Subscription at 12:07PM[SHARE]
Thursday, September 15, 2022

'Remember This' Review: Finding Strength Amid Moral Failure by Alexis Soloski

David Strathairn is remarkable in a solo show about Jan Karski, who was profoundly changed by what he witnessed during World War II.

SOURCE: The New York Times Subscription at 09:37PM[SHARE]
Thursday, September 8, 2022

'I'm Enough': Gregg Mozgala on His Debut in 'Cost of Living by Alexis Soloski, Elisabeth Vincentelli, Laura Collins-Hughes and Scott Heller

We spoke to three actors and a playwright " Gregg Mozgala, Bonnie Milligan, Solea Pfeiffer and Noah Diaz " who are taking big shots this season.

SOURCE: The New York Times Subscription at 12:34PM[SHARE]
Wednesday, September 7, 2022

Review: In 'Kate,' Tracing the Tears of a Clown by Alexis Soloski

The comedian Kate Berlant's latest experiment, directed by Bo Burnham at the Connelly Theater, positions her as an actress with a semi-traumatic origin story.

SOURCE: The New York Times Subscription at 08:07PM[SHARE]
Tuesday, September 6, 2022

Audra McDonald: 'I go all the way deep down into my truth and sing it' by Alexis Soloski

The Broadway legend, who has won more Tony awards than any other performer, on what 'the American songbook' means to her "I'm trying to get to the truth of why I'm singing this song," says A…

SOURCE: The Guardian at 06:37PM[SHARE]
Wednesday, August 31, 2022

In 'Once Upon a (korean) Time,' Bedtime Stories to Keep You Up at Night by Alexis Soloski

Daniel K. Isaac's stylistically daring play at La MaMa doesn't quite fulfill its promise, but it suggests the playwright has more stories to tell.

SOURCE: The New York Times Subscription at 07:18PM[SHARE]
Tuesday, August 30, 2022

Review: Finding Community in 'As You Like It' by Alexis Soloski

This shimmering Shakespeare adaptation at the Delacorte Theater retains the outline of the original, while making space for songs. You don't have to sing along, though you may want to.

SOURCE: The New York Times Subscription at 10:24PM[SHARE]
Tuesday, August 23, 2022

Patina Miller Chooses High Drama by Alexis Soloski

The Tony-winning Broadway actor has made a career playing powerful women. Her latest is a drug queenpin inspired by 50 Cent's mother in the newest "Power" series on Starz.

SOURCE: The New York Times Subscription at 11:07AM[SHARE]
Monday, August 8, 2022

'The Devil Wears Prada' Review: An Adaptation That Needs Tailoring by Alexis Soloski

The new Elton John-Shaina Taub musical, based on the popular film about a fashion-world ingénue and her demanding boss, isn't yet ready-to-wear.

SOURCE: The New York Times Subscription at 02:54PM[SHARE]
Friday, July 29, 2022

Review: In 'Bottom of the Ocean,' a Deep Dive Into the Soul by Alexis Soloski

Themes of change, death and rebirth abound in this peculiar production, a triumph of style and low-budget ingenuity.

SOURCE: The New York Times Subscription at 12:33PM[SHARE]
Wednesday, July 27, 2022

Review: In 'Mr. Burns,' Apocalypse Now, With 'The Simpsons' and Songs by Alexis Soloski

Anne Washburn's 2012 play about a post-pandemic society reckoning with loss has not aged at all, our critic writes.

SOURCE: The New York Times Subscription at 01:07PM[SHARE]
Sunday, July 10, 2022

'Into the Woods' Review: Do You Believe in Magic? by Alexis Soloski

The Encores! revival of this fairy-tale musical, with songs by Stephen Sondheim, arrives on Broadway with its humor, wonder and humanity intact.

SOURCE: The New York Times Subscription at 08:42PM[SHARE]
Sunday, July 3, 2022

'Dom Juan' Review: The Perks of Being a Professional Hypocrite by Alexis Soloski

Piety is just a pose in Ashley Tata's gender-swapped production of Molière's tragicomedy at Bard's SummerScape festival.

SOURCE: The New York Times Subscription at 05:42PM[SHARE]
Friday, July 1, 2022

'53% Of' Review: Zinging Pro-Trump Women, and Everyone Else by Alexis Soloski

A new comedy by Steph Del Rosso starts as a satire of conservatives, then takes aim at progressives. Too bad the jokes barely cut either side.

SOURCE: The New York Times Subscription at 02:18PM[SHARE]
Friday, June 24, 2022

Immersed in 'Stranger Things,' Then Strolling to Beckett by Alexis Soloski

Our writer checked out two very different experiences in New York. In Netflix's TV re-creation, you fight Demogorgons. In "Cascando," you walk off your existential angst.

SOURCE: The New York Times Subscription at 03:03PM[SHARE]
Friday, June 17, 2022

She Won a Tony. But Deirdre O'Connell 'Can't Think About That.' by Alexis Soloski

We spoke to the veteran actress as she returned to work, preparing for the opening of her new Off Broadway show "Corsicana."

SOURCE: The New York Times Subscription at 05:06AM[SHARE]
Sunday, June 12, 2022

Review: In 'Spindle Shuttle Needle,' History With Strings Attached by Alexis Soloski

With war as a backdrop, Gab Reisman's lively comedy is content to hang out with a motley group of women at the dawn of modern capitalism.

SOURCE: The New York Times Subscription at 11:03AM[SHARE]
Thursday, June 9, 2022

Review: In 'Snow in Midsummer,' It's Not Just the Forecast That's Amiss by Alexis Soloski

Adapted from a 13th-century drama, Frances Ya-Chu Cowhig's play is part ghost story, murder mystery and family melodrama.

SOURCE: The New York Times Subscription at 11:18AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off