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Tuesday, November 7, 2023

Barbra Streisand Is Ready to Tell All. Pull Up a Seat. by Wesley Morris

At home in California, Streisand talks about her new memoir, exploring the movies and men of her life, and her determination to control her own art.

SOURCE: The New York Times Subscription at 12:24PM[SHARE]

Tuesday, July 25, 2023

Aaron Rodgers Is Now a Jet (and Becoming a New Yorker, Too) by Wesley Morris

The Jets' starting quarterback has thrown himself into the culture of his new professional home before he's thrown a single pass.

SOURCE: The New York Times Subscription at 08:19PM[SHARE]

Friday, November 4, 2022

Barbra Streisand on Her Early Recordings: 'That Girl Can Sing' by Wesley Morris

"Live at the Bon Soir," a restored set of songs from November 1962, allows listeners today " and Streisand, herself " to rediscover the sounds of a star being born.

SOURCE: The New York Times Subscription at 12:32PM[SHARE]

Friday, January 29, 2021

Cicely Tyson Kept It Together So We Didn't Fall Apart by Wesley Morris

A wonder of poise and punch, the actress dared to declare herself a moral progenitor, taking on roles that reflected the dignity of Black women.

SOURCE: The New York Times Subscription at 03:24PM[SHARE]

Friday, December 4, 2020

Best Performances of 2020 by Wesley Morris

One day, we'll look back on this year and bawl. But we should also remember that there were professionals out there who dared to bring joy to our screens.

SOURCE: The New York Times Subscription at 05:12AM[SHARE]

Thursday, June 4, 2020

Art That Confronts and Challenges Racism: Start Here by Melena Ryzik, Wesley Morris, Mekado Murphy, Reggie Ugwu, Pierre-Antoine Louis, Salamishah Tillet and Siddhartha Mitter

Our writers suggest works that illuminate and tackle issues of police brutality, social injustice and racial inequity.

SOURCE: The New York Times Subscription at 05:48PM[SHARE]

Thursday, April 25, 2019

Critic's Notebook: A Radical Moment in American Theater and Beyond by Wesley Morris

A cadre of writers making fierce, fearless theater that plays by its own rules.

SOURCE: The New York Times Subscription at 03:46AM[SHARE]

Friday, December 7, 2018

The Best Performances of 2018 by Wesley Morris

The movies and the plays and the TV shows are great, but what about the people in them? They're right here " well, some of the very best are.

SOURCE: The New York Times Subscription at 04:54AM[SHARE]

Thursday, August 2, 2018

'The Boys in the Band' and a Generational Divide by Stuart Emmrich, Wesley Morris, Matthew Schneier and Zachary Woolfe

Four gay men who recently attended the Broadway revival of this 50-year-old play " three seeing it for the first time " debate its significance and relevance.

SOURCE: The New York Times Subscription at 04:13AM[SHARE]

Monday, February 27, 2017

'Moonlight,' 'La La Land' and What an Epic Oscars Fail Really Says by Manohla Dargis, Wesley Morris and A.o. Scott

Three New York Times critics share their reactions to the wrong best picture being announced at the awards show.

SOURCE: The New York Times Subscription at 03:49PM[SHARE]

Thursday, February 23, 2017

Still Processing: 'La La Land' Is Going to Win a Lot of Oscars, and That's O.K. by Wesley Morris and Jenna Wortham

The film critic A. O. Scott joins in advance of the Academy Awards to discuss predictions and preferences.

SOURCE: The New York Times Subscription at 06:37AM[SHARE]

Wednesday, January 11, 2017

What August Wilson Means Now by Ben Brantley and Wesley Morris

Our critics Ben Brantley and Wesley Morris talk about listening to the playwright, a great chronicler of the 20th century.

SOURCE: The New York Times Subscription at 06:02AM[SHARE]

Thursday, December 29, 2016

An Appraisal: The Unsinkable Debbie Reynolds by Wesley Morris

Recalling a singular Hollywood star and an era we won't see again.

SOURCE: The New York Times Subscription at 06:24PM[SHARE]

Wednesday, December 7, 2016

The Best Performances of 2016 by Wesley Morris

This list includes feats of acting and core strength, performances that made the author happy even when they raised his blood pressure or made him cry.

SOURCE: The New York Times Subscription at 02:24PM[SHARE]

Monday, October 10, 2016

Review: Taylor Mac's 24-Hour Concert Was One of the Great Experiences of My Life by Wesley Morris

I've slept on it, and I'm sure. 'A 24-Decade History of Popular Music' is sublime.

SOURCE: The New York Times Subscription at 05:38PM[SHARE]

Thursday, June 16, 2016

Critic's Notebook: Defining, and Proclaiming, a New Black Power by Wesley Morris

In shows like "Shuffle Along" and albums like "Lemonade," a form of black self-love and empowerment is emerging, in ways not seen since the 1970s.

SOURCE: The New York Times Subscription at 06:43PM[SHARE]

Friday, December 4, 2015

Review: In 'The Wiz Live!' on NBC, a Search for More in the Emerald City by Wesley Morris

The show, the third live musical the network has done lately, moved away from the ornately staged superproductions of the past, with a kind of minimalism, relatively speaking.

SOURCE: The New York Times Subscription at 06:52PM[SHARE]

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