Sunday, December 30, 2018
Michael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Saturday, December 22, 2018
Thursday, December 20, 2018
Michael Schulman writes on Bob Mackie's costumes for "The Cher Show," a Broadway bio-musical currently running at the Neil Simon Theatre.
SOURCE: The New Yorker Subscription at 01:58PM[SHARE]Monday, December 17, 2018
As Daniel Stiepleman wrote "On the Basis of Sex," which is centered on the Supreme Court Justice, he came to see the Ginsburgs' marriage as a model for his own, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Thursday, December 13, 2018
Michael Schulman interviews the director Rob Marshall about his new film, "Mary Poppins Returns," which starts Emily Blunt in the title role and features nostalgia-inducing cameos by Dick Va…
SOURCE: The New Yorker Subscription at 12:19PM[SHARE]Friday, December 7, 2018
Michael Schulman writes about the comedian Kevin Hart's ouster as the host of the Academy Awards, after Web users pointed to his history of homophobic jokes.
SOURCE: The New Yorker Subscription at 10:13AM[SHARE]Monday, December 3, 2018
Thursday, November 29, 2018
Sunday, November 4, 2018
Michael Schulman on the French writer and public intellectual Bernard-Henri Lévy's Off Broadway début, a solo play called "Looking for Europe."
SOURCE: The New Yorker Subscription at 10:00AM[SHARE]Friday, November 2, 2018
Michael Schulman on "Kiss Me, Kate," at Studio 54; "Be More Chill," at the Lyceum; "About Alice," at the Polonsky Shakespeare Center; and more.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Monday, October 29, 2018
Michael Schulman goes inside a custom control booth where a team of specialty puppeteers operates a twenty-foot-tall animatronic ape.
SOURCE: The New Yorker Subscription at 05:36AM[SHARE]Friday, October 26, 2018
Michael Schulman writes about the Drama Book Shop, a beloved New York City theatre institution that will soon be forced from its home and is hoping to find a new space.
SOURCE: The New Yorker Subscription at 04:41PM[SHARE]Wednesday, October 17, 2018
Michael Schulman interviews the actor Paul Dano about his directorial début, "Wildlife,"Â which is based on a novel by Richard Ford and stars Carey Mulligan and Jake Gyllenhaal.
SOURCE: The New Yorker Subscription at 06:15PM[SHARE]Monday, October 15, 2018
Monday, October 8, 2018
Wednesday, September 26, 2018
Michael Schulman interviews the actress and activist Jane Fonda about talking to voters, supporting \#MeToo, and growing into herself.
SOURCE: The New Yorker Subscription at 04:18PM[SHARE]Tuesday, September 18, 2018
Monday, September 17, 2018
In shows such as "The Leftovers" and "Fargo," she exudes a Midwestern pragmatism that has its own kind of mystery, Michael Schulman writes.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Monday, September 10, 2018
Sunday, September 2, 2018
Michael Schulman writes on the inability to see actors as laborers in light of the recent shaming of the actor Geoffrey Owens, of "The Cosby Show," after he was photographed working at a Tra…
SOURCE: The New Yorker Subscription at 06:06PM[SHARE]Wednesday, August 29, 2018
Michael Schulman reviews the new film "The Wife," starring Glenn Close, and writes about the parallels between Close's life and personality and those of the character she plays in the movie.
SOURCE: The New Yorker Subscription at 10:00AM[SHARE]Monday, August 20, 2018
Friday, August 17, 2018
Thursday, August 16, 2018
Michael Schulman reviews the newly opened Broadway musical "Pretty Woman," at the Nederlander Theatre, starring Samantha Barks, Andy Karl, Eric Anderson, and Orfeh.
SOURCE: The New Yorker Subscription at 10:42PM[SHARE]Thursday, August 9, 2018
Michael Schulman on Matt Tyrnauer's new documentary, "Scotty and the Secret History of Hollywood," about the nonagenarian Scotty Bowers, whose 2012 tell-all book, "Full Service," recounted X…
SOURCE: The New Yorker Subscription at 02:00PM[SHARE]Monday, July 30, 2018
Friday, July 27, 2018
Michael Schulman reviews the musical "Head Over Heels,"at the Hudson Theatre, which features the first openly transgender woman to originate a major role on Broadway.
SOURCE: The New Yorker Subscription at 12:06PM[SHARE]Saturday, July 7, 2018
Monday, June 25, 2018
Michael Schulman writes about the film "Eighth Grade," in which the former YouTube star turns on the medium that made him famous.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Friday, June 22, 2018
Monday, June 18, 2018
Michael Schulman on the in-demand character actress Ann Dowd, and her adventures with cattle prods, nuns, and hoarders.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Loading more stories…
