Monday, July 25, 2022
Houshang Touzie parked cars and got punched by Mr. T on "The A-Team" before being cast in the theatrical version of Khaled Hosseini's "The Kite Runner."
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Monday, June 13, 2022
Ariana DeBose shined as the host, Michael R. Jackson's "A Strange Loop" was deservedly awarded, and the night was high-spirited fun.
SOURCE: The New Yorker Subscription at 12:39PM[SHARE]Friday, May 6, 2022
Danai Gurira plays Richard III at Shakespeare in the Park, "The Kite Runner" opens on Broadway, Elevator Repair Service adapts Chekhov for "Seagull," and more.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Monday, March 21, 2022
Friday, March 4, 2022
Michael R. Jackson's salty musical "A Strange Loop," Beanie Feldstein in "Funny Girl," Daniel Craig and Ruth Negga in "Macbeth," and more.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Saturday, November 27, 2021
Sunday, November 14, 2021
The "Hamilton" creator's directorial début, "Tick, Tick . . . Boom!," channels the bohemian life and spirit of the theatre composer Jonathan Larson.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Friday, November 5, 2021
Monday, October 18, 2021
To plug Keenan Scott II's new play, "Thoughts of a Colored Man," the producers sent a mobile barbershop around the city, in an attempt to diversify a Broadway audience that, Scott says, ofte…
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Monday, September 27, 2021
Friday, August 6, 2021
Last spring's doomed Broadway season is revived, along with plays by Lynn Nottage, Alice Childress, Lucas Hnath, Annie Baker, and more.
SOURCE: The New Yorker Subscription at 06:00AM[SHARE]Friday, June 18, 2021
The actress, now eighty-nine, spent decades being typecast and belittled. In a new documentary, she tries to recover her story.
SOURCE: The New Yorker Subscription at 06:53AM[SHARE]Friday, May 7, 2021
Shakespeare in the Park returns with "Merry Wives," Aleshea Harris's "What to Send Up When It Goes Down" at the Brooklyn Botanic Garden, and more.
SOURCE: The New Yorker Subscription at 07:34AM[SHARE]Monday, May 3, 2021
After a rehearsal for a virtual production of the play, Hawke and his co-star John Leguizamo ponder how all dialogue now sounds like Beckett.
SOURCE: The New Yorker Subscription at 09:11AM[SHARE]Wednesday, June 12, 2019
Michael Schulman reviews the telecast of the Tony Awards, hosted by James Corden, in which Rachel Chavkin, Elaine May, and others gave winning speeches.
SOURCE: The New Yorker Subscription at 09:07AM[SHARE]Thursday, April 25, 2019
Michael Schulman reviews Joe Mantello's Broadway production of Lucas Hnath's play "Hillary and Clinton," about the life of the former Presidential candidate Hillary Clinton and the 2008 Pres…
SOURCE: The New Yorker Subscription at 05:06PM[SHARE]Tuesday, April 16, 2019
Michael Schulman writes on "Oklahoma!" and "What the Constitution Means to Me," two current theatre productions that have unsettling stories to tell about statehood.
SOURCE: The New Yorker Subscription at 11:47AM[SHARE]Monday, April 1, 2019
Shoved into a locker as a teen, the actor Will Roland vowed to transform himself"and made it to the nerd-heaven of Broadway, Michael Schulman writes.Â
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Friday, March 1, 2019
Revivals offer enticing actor pairings, including Adam Driver and Keri Russell, in "Burn This," and Annette Bening and Tracy Letts, in Arthur Miller's "All My Sons."
SOURCE: The New Yorker Subscription at 04:00AM[SHARE]Monday, February 25, 2019
Sunday, February 24, 2019
Michael Schulman writes on the fraught Oscars season"including controversy surrounding the film "Green Book" and Kevin Hart"and the broadcast, on Sunday night, of the Academy Awards.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Sunday, February 17, 2019
Michael Schulman interviews the actress Jane Curtin on her sitcom years, the early, turbulent days of "S.N.L.," and the shifting sands of the present.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Tuesday, February 12, 2019
The New Yorker writers Michael Schulman and Naomi Fry discuss the history of the red carpet, from Aeschylus to Joan Rivers, in anticipation of the Academy Awards.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Monday, February 11, 2019
Monday, February 4, 2019
Michael Schulman on the star of the one-woman show, who learned, after a curtain-call tumble, that having two broken arms is not unlike being an astronaut.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Monday, January 21, 2019
Michael Schulman and Rick Negron, who plays a Trumpish King George III in the hit musical "Hamilton," stroll the plazas of Negron's home town.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Thursday, January 17, 2019
Michael Schulman on Lin-Manuel Miranda's return to "Hamilton" this month, bringing the play to the Centro de Bellas Artes Luis A. Ferré, in San Juan, Puerto Rico, and its significance to th…
SOURCE: The New Yorker Subscription at 10:09AM[SHARE]Monday, January 7, 2019
Michael Schulman reviews the 2019 Golden Globe awards, an odd night in terms of winners, in which Sandra Oh and Glenn Close gave memorable speeches.
SOURCE: The New Yorker Subscription at 08:03AM[SHARE]Monday, December 31, 2018
Yalitza Aparicio was studying to be a schoolteacher in a small town in Mexico when she was cast in Alfonso Cuarón's lauded film.Â
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Sunday, December 30, 2018
Michael Schulman interviews the actor Robert De Niro on getting a pipe bomb in the mail, on his acting career, and on his public denunciation of Donald Trump.
SOURCE: The New Yorker Subscription at 05:00AM[SHARE]Loading more stories…
