All stories by Michael Schulman on BroadwayStars

Friday, March 25, 2016

The Room Where It Happens by Michael Schulman

Of the many allusions woven throughout Lin-Manuel Miranda's score for "Hamilton"""The Pirates of Penzance," the Notorious B.I.G."one of the funniest comes in Act II, when Alexander Hamilton …

SOURCE: The New Yorker Subscription at 08:44AM[SHARE]
Sunday, March 13, 2016

How Broadway Imagines Africa by Michael Schulman

Until a few weeks ago, if you wanted to see Africa represented in a Broadway show, you had two options, both ridiculous. There is the colorful puppet wilderness of "The Lion King," in which …

SOURCE: The New Yorker Subscription at 06:07PM[SHARE]
Tuesday, November 17, 2015

Theatre's Superpower by Michael Schulman

The theatre has the power"more like the prerogative"to warp reality to suit its own ends, exiting the literal world through whatever trapdoors it creates. Why does an angel crash through a g…

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Friday, August 21, 2015

Fall Preview by Michael Schulman

Movie stars crash-landing on Broadway seems de rigueur, but last season "Fun Home" and "The Curious Incident of the Dog in the Night-Time" led the pack without famous names. This fall, star …

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Friday, August 7, 2015

The Women of "Hamilton" by Michael Schulman

Lin-Manuel Miranda's rightfully lauded hip-hop musical "Hamilton," which has just opened on Broadway after a smash run at the Public, is about many things, among them men: how they fight, wr…

SOURCE: The New Yorker Subscription at 06:45AM[SHARE]
Wednesday, June 10, 2015

The Best Broadway Musical That Doesn't Exist by Michael Schulman

Broadway loves a messy, washed-up diva who cleans up (only so much) for a comeback, and on Monday night that diva was "Smash." It's been two years since NBC cancelled the series, a musical d…

SOURCE: The New Yorker Subscription at 07:22PM[SHARE]
Monday, June 8, 2015

The Tony Awards Phone Home by Michael Schulman

The Tony Awards broadcast is an act of contortion, in which one medium (live theatre) simultaneously puffs itself up and scrunches itself down to fit into another (television). Every once in…

SOURCE: The New Yorker Subscription at 03:46PM[SHARE]
Monday, May 25, 2015

The Boards: Playoff by Michael Schulman

Broadway and football: it was only a matter of time before someone put the two together.

SOURCE: The New Yorker Subscription at 05:58PM[SHARE]
Tuesday, April 28, 2015

The Tony Nominations: Kings, Queens, and Lesbian Cartoonists by Michael Schulman

It's a bad day to be Harvey Weinstein's assistant. That is, a particularly bad day. The Pooh-Bah of Oscar campaigning cannonballed into Broadway this year, as the lead producer of "Finding N…

SOURCE: The New Yorker Subscription at 02:43PM[SHARE]
Friday, March 27, 2015

How to Write for the Rockettes by Michael Schulman

The playwright Joshua Harmon is thirty-one years old and currently in his third year at Juilliard. He lives on the Upper West Side, because Wendy Wasserstein lived there, too. The first play…

SOURCE: The New Yorker Subscription at 09:30AM[SHARE]
Friday, February 27, 2015

Spring Preview by Michael Schulman

Broadway is an old dog, slow to learn new tricks. But every now and then it aces one of its old tricks. The audiences who flocked to Lincoln Center's 2008 revival of "South Pacific" won't so…

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Wednesday, December 24, 2014

Why "Into the Woods" Matters by Michael Schulman

For the past year or so, a certain segment of the population"musical-theatre fans who were children in the eighties and thought they were too good for Andrew Lloyd Webber"has experienced a p…

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Friday, October 3, 2014

For Alan Cumming, Life Isn't Always a Cabaret by Michael Schulman

As revealed in a new memoir, "Not My Father's Son," Mr. Cumming lived for years under the long shadow of his father " or, at least, the man he thought was his father.

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Monday, June 23, 2014

Michael Schulman: Amanda Burden sees herself in “If/Then.” by Michael Schulman

One night this spring, Amanda Burden went to see the new Broadway musical “If/Then.” She had recently returned from a “psychic healing” retreat in Arizona, having spe…

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Monday, June 9, 2014

The 2014 Tony Awards Go All the Way by Michael Schulman

At their best, the Tony Awards dance like nobody’s watching.

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Monday, June 2, 2014

Michael Schulman: The cast of “The Cripple of Inishmaan” break some eggs. by Michael Schulman

Among the trends on Broadway this season: musicals about sixties girl rockers (Janis Joplin, Carole King); bravura performances by men in drag (Neil Patrick Harris, Mark Rylance); and raw eg…

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Friday, May 30, 2014

Michael Schulman: Lily Rabe in “Much Ado About Nothing,” at the Delacorte. by Michael Schulman

Shakespeare’s women, Harold Bloom has observed, are always marrying down. Is Orlando truly worthy of Rosalind, with her panoptic wit? How does Viola wind up with that ninny Orsino? Per…

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Wednesday, May 28, 2014
Monday, April 14, 2014

Michael Schulman: Trampolining with Toni Collette. by Michael Schulman

Two aspiring trampoliners arrived the other day at Streb Lab for Action Mechanics (SLAM), a fitness and dance studio in Williamsburg, described by its founder, Elizabeth Streb, as a “b…

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Sunday, April 13, 2014

Watching the Obamas Watch “A Raisin in the Sun” by Michael Schulman

It’s not often that a single member of the audience commands more attention than the action onstage.

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Friday, February 21, 2014

Who’s Afraid of Elaine Stritch? by Michael Schulman

The new documentary “Elaine Stritch: Shoot Me” shows its eighty-nine-year-old subject’s ferocious dual nature.

SOURCE: The New Yorker Subscription at 01:31PM[SHARE]
Monday, November 11, 2013

Michael Schulman: Backstage with Mark Rylance and Claire van Kampen. by Michael Schulman

Somewhere in the bowels of the Belasco Theatre, long considered to be haunted by its namesake, the actor Mark Rylance has installed a Ping-Pong table. “I like to encourage a playful pl…

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Thursday, October 31, 2013

Watching Sondheim Watch “Fun Home” by Michael Schulman

I sat directly behind Stephen Sondheim at a performance of “Fun Home,” a new musical at the Public.

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Tuesday, October 29, 2013

My Big Sister, Janis Joplin by Michael Schulman

Since Janis Joplin died, in the fall of 1970, her younger siblings, Laura and Michael Joplin, have jointly watched over her estate.

SOURCE: The New Yorker Subscription at 02:08PM[SHARE]
Monday, September 2, 2013

Michael Schulman: An opera about Anna Nicole Smith. by Michael Schulman

By the time Vickie Lynn Hogan was twenty-six, she had made a name for herself, having modelled for Guess jeans and appeared on the cover of Playboy. The name was Anna Nicole Smith. A native …

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Friday, July 19, 2013

Dzhokhar Tsarnaev and Roxie Hart by Michael Schulman

“Chicago” captures something canny about the metabolism of fame and about the symbiosis between criminals and the hankering public.

SOURCE: The New Yorker Subscription at 02:55PM[SHARE]
Monday, June 10, 2013

The Tony Awards Get Kinky by Michael Schulman

The sixty-seventh annual Antoinette Perry Awards were handed out last night, and they began with Neil Patrick Harris dissing Shia LaBeouf. (“I wouldn’t be here if someone else ha…

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Friday, June 7, 2013

Tony Races to Watch by Michael Schulman

Sunlight gleams over the savannah. The cicadas are descending on “Mamma Mia.” June is busting out all over, and, as Leslie Uggams once sang, the lidda bidda drigdes and the hucka…

SOURCE: The New Yorker Subscription at 12:22PM[SHARE]
Friday, May 24, 2013

Farewell, “Smash” by Michael Schulman

If most of its promises ended up, well, smashed, the show’s two seasons still offered a Minnelli of delights (it’s like a flock of seagulls) for theatre lovers, who regarded it w…

SOURCE: The New Yorker Subscription at 04:39PM[SHARE]
Friday, May 17, 2013

Natasha, Pierre, and the Great Cell-Phone Smashing of 2013 by Michael Schulman

Should everyone follow Williamson’s lead and throw the offending cell phone? Of course not: theatregoing would turn into a Hobbesian state of nature, or, worse, the L train after midni…

SOURCE: The New Yorker Subscription at 04:23PM[SHARE]
Monday, April 15, 2013

Lucky Guys by Michael Schulman

The legend of Mike McAlary—tabloid chronicler of the crime-ridden, crack-laden New York City of the Koch-Dinkins era—has been burnished twice over: first by the man himself, who,…

SOURCE: The New Yorker Subscription at 12:28PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off