All stories by Michael Billington on BroadwayStars

Sunday, August 12, 2012

Michael Billington on experimental Shakespeare by Michael Billington

'I've seen some woeful off-the-wall Shakespeare, including a Macbeth with Mark Rylance and Jane Horrocks where the sleepwalking Lady M peed on stage'Critics, like actors, need to avoid typec…

SOURCE: The Guardian at 02:30PM[SHARE]
Friday, August 10, 2012

Coriolan/us " review by Michael Billington

Hangar 858, RAF St Athan, Vale of GlamorganTwo summers ago, National Theatre Wales stunned us with a version of Aeschylus's The Persians set in a military training camp. Now the same directo…

SOURCE: The Guardian at 01:08PM[SHARE]
Thursday, August 9, 2012

Troilus and Cressida " review by Michael Billington

Swan, Stratford-upon-AvonOn paper, it looked an intriguing prospect. In reality, the union of New York's experimental Wooster Group and the RSC on this cynic's Iliad proves strangely inferti…

SOURCE: The Guardian at 07:00AM[SHARE]

Troilus and Cressida " review by Michael Billington

Swan, Stratford-upon-Avon Continue reading...

SOURCE: The Guardian at 07:00AM[SHARE]
Tuesday, August 7, 2012

Hysteria " review by Michael Billington

Theatre Royal, BathTerry Johnson's dazzlingly original play reminds us that farce can be a vehicle for ideas. Even if the piece has lost some of its shock value since it was first seen at th…

SOURCE: The Guardian at 12:00PM[SHARE]
Friday, August 3, 2012

The Curious Incident of the Dog in the Night-Time " review by Michael Billington

Cottesloe, LondonIt doesn't matter a damn what I or my colleagues say about this adaptation of Mark Haddon's bestselling novel. Last night it was greeted with a great roar of approval. And, …

SOURCE: The Guardian at 06:55AM[SHARE]
Thursday, August 2, 2012

Much Ado About Nothing " review by Michael Billington

Courtyard, Stratford-on-AvonThis is not the first RSC Much Ado to be set in India. Veteran playgoers will recall John Barton's 1976 production, which set the action in a garrison town during…

SOURCE: The Guardian at 06:52AM[SHARE]
Wednesday, August 1, 2012

Philadelphia, Here I Come! " review by Michael Billington

Donmar Warehouse, LondonExile and emigration are constant themes of Irish drama. But Brian Friel's 1964 play, beautifully directed by Lyndsey Turner, lends fresh life to a stock situation in…

SOURCE: The Guardian at 10:09AM[SHARE]
Tuesday, July 31, 2012

Taking Part/After the Party " review by Michael Billington

Criterion, LondonUnlike those theatre producers who regard the Olympics as an obstacle, Samuel Hodges, who founded Suffolk's High Tide festival, sees them as an opportunity. Accordingly he h…

SOURCE: The Guardian at 01:32PM[SHARE]
Friday, July 27, 2012

Olympics opening ceremony: the theatre review by Michael Billington

Technical triumph showed Danny Boyle's great capacity for spectacle but was marred by strange shifts in toneWatching Danny Boyle's £27m spectacular, I was reminded of an old rhyme about a…

SOURCE: The Guardian at 07:10PM[SHARE]
Wednesday, July 25, 2012

Richard III " review by Michael Billington

Shakespeare's Globe, LondonHow to follow a phenomenal performance like Rooster Byron in Jerusalem? One answer is to play Shakespeare's dissembling double-Gloucester. And, although Mark Rylan…

SOURCE: The Guardian at 07:23PM[SHARE]

The Doctor's Dilemma " review by Michael Billington

Lyttelton, LondonHaving overcome his indifference to Shaw, Nicholas Hytner has now made the old boy a regular part of the National repertory. Once again the decision pays off handsomely, in …

SOURCE: The Guardian at 01:12PM[SHARE]
Sunday, July 22, 2012

The Fear of Breathing " review by Michael Billington

Finborough, LondonIt show enormous enterprise for an unsubsidised theatre to stage a verbatim piece based on reports from inside Syria. One also has to applaud the courage of BBC corresponde…

SOURCE: The Guardian at 11:47AM[SHARE]
Thursday, July 19, 2012

Ten Billion " review by Michael Billington

Royal Court, LondonThis is one of the most disturbing evenings I have ever spent in a theatre. Stephen Emmott, an acclaimed scientist, stands in a re-creation of his cluttered Cambridge offi…

SOURCE: The Guardian at 03:38PM[SHARE]

Shakespeare: Staging the World " review by Michael Billington

British Museum, LondonHow on earth do you represent Shakespeare in an exhibition? The short answer, in the exciting new show mounted by the British Museum in collaboration with the RSC, is t…

SOURCE: The Guardian at 09:14AM[SHARE]
Tuesday, July 17, 2012

Timon of Athens - Review by Michael Billington

Olivier Theatre, LondonAlthough seldom seen, Timon of Athens always seems topical. It deals with a spendthrift hero who, fawned on when his credit is good, is rejected when poor and retreats…

SOURCE: The Guardian at 08:23PM[SHARE]

Surprises " theatre review by Michael Billington

Stephen Joseph Theatre, ScarboroughAlan Ayckbourn has always had an eye to the future, as we know from predictive pieces such as Henceforward and Communicating Doors. Now, in his 76th play, …

SOURCE: The Guardian at 07:29AM[SHARE]
Monday, July 16, 2012

Henrik Ibsen: the demon inside A Doll's House by Michael Billington

Three new Ibsen productions suggest our fascination with the sage of Skien hasn't waned. What keeps us so enthralled?"Do you think Shaw is coming back?" a student once rashly asked the late …

SOURCE: The Guardian at 11:08AM[SHARE]
Sunday, July 15, 2012

Theatre critic Michael Billington reviews the GB Olympics women's fencing team by Michael Billington

Can they rival Hamlet's final duel? And how do they channel all that concealed aggression?"A hit, a very palpable hit." How often have I heard that cry go up while watching the climactic due…

SOURCE: The Guardian at 02:10PM[SHARE]

St John's Night " review by Michael Billington

Jermyn Street, LondonImagine A Midsummer Night's Dream crossed with Gilbert and Sullivan's Patience, and you get some idea of the wonderful weirdness of this early 1851 play by Ibsen only no…

SOURCE: The Guardian at 01:29PM[SHARE]
Friday, July 13, 2012

Heartbreak House " review by Michael Billington

Chichester festival theatreWhile Bertolt Brecht triumphs at the Chichester Minerva with Arturo Ui, George Bernard Shaw is blandly revived in the city's main house. In its angry indictment of…

SOURCE: The Guardian at 07:23AM[SHARE]
Wednesday, July 11, 2012

Hedda Gabler " review by Michael Billington

Royal and Derngate, NorthamptonIt might at first seem odd to find Ibsen's tight-structured play forming the climax to a Festival of Chaos that has already brought us The Bacchae and Blood We…

SOURCE: The Guardian at 12:33PM[SHARE]

Hedda Gabler review by Michael Billington

Royal and Derngate, Northampton Continue reading...

SOURCE: The Guardian at 12:33PM[SHARE]
Tuesday, July 10, 2012

A Doll's House " review by Michael Billington

Young Vic, LondonCarrie Cracknell's production certainly puts a new spin on Ibsen's 1879 classic. As if to remind us that this is a play about domestic revolution, Ian MacNeil's design revol…

SOURCE: The Guardian at 07:07AM[SHARE]
Monday, July 9, 2012

The Two Most Perfect Things " review by Michael Billington

Riverside Studios, LondonThis delightful piece, conceived by Adrian Fisher and Stuart Barham, celebrates the lives and careers of Noël Coward and Ivor Novello. They had a lot in common: b…

SOURCE: The Guardian at 01:37PM[SHARE]
Friday, July 6, 2012

A Soldier in Every Son " review by Michael Billington

Swan, Stratford-upon-AvonThe best intentions sometimes go awry. On paper, it might have seemed a good idea to commission a Mexican dramatist, Luis Mario Moncada, to write a play ab…

SOURCE: The Guardian at 07:01AM[SHARE]
Thursday, July 5, 2012

The Taming of the Shrew " review by Michael Billington

Shakespeare's Globe, LondonToby Frow's new Shrew starts with a Bermondsey drunk clambering on stage and threatening to disrupt the evening's entertainment. Older playgoers may recall a simil…

SOURCE: The Guardian at 01:15PM[SHARE]
Wednesday, July 4, 2012

Dandy Dick " review by Michael Billington

Theatre Royal BrightonNew ventures are always welcome and this show marks an attempt to restore this handsome 1807 theatre to its function as a producing house that can feed work into the We…

SOURCE: The Guardian at 07:35AM[SHARE]
Sunday, July 1, 2012

Michael Billington on marathon-length theatre by Michael Billington

A five-hour show? That's not nearly long enoughCan you ever have too much of a good thing? Audiences don't seem to think so. Advertise an event that lasts the best part of a day and you will…

SOURCE: The Guardian at 04:30PM[SHARE]

Birthday " review by Michael Billington

Royal Court, LondonIn Some Voices and Blue/Orange, Joe Penhall dealt with society's incapacity to cope with mental illness. Now he turns to the subject of male pregnancy; and what starts out…

SOURCE: The Guardian at 11:30AM[SHARE]
Thursday, June 28, 2012

Kiss Me Kate " review by Michael Billington

Chichester Festival TheatreCole Porter's cosmopolitan chic essentially belonged to the 1930s, but he enjoyed a late, great hit in 1948 with this backstage story: one that shows the battling …

SOURCE: The Guardian at 01:25PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off