Cottesloe, LondonIt doesn't matter a damn what I or my colleagues say about this adaptation of Mark Haddon's bestselling novel. Last night it was greeted with a great roar of approval. And, even though I found myself resisting occasional touches of self-conscious cuteness and sentimentality in Marianne Elliott's production, I readily acknowledge the whole thing is done with enormous flair.Playwright Simon Stephens, f…
SOURCE: The Guardian at 06:55AM on August 3, 2012