All stories by Michael Billington on BroadwayStars

Tuesday, July 2, 2013

Silent Partners " review by Michael Billington

White Bear, LondonWhen the maverick playwright and director Charles Marowitz ran the Open Space theatre in London he did a fascinating adaptation of Wilde's The Critic as Artist. In this new…

SOURCE: The Guardian at 02:34PM[SHARE]

Is it OK to rewrite classic plays? by Michael Billington

By 'adapting' and updating historical texts " as the Royal Shakespeare Company is currently doing " aren't we just writing off the past?Do we need to rewrite the classics? Increasingly, peop…

SOURCE: The Guardian at 07:05AM[SHARE]
Friday, June 28, 2013

Derren Brown: Infamous " review by Michael Billington

Palace theatre, LondonDerren Brown begs us all, journalists included, not to reveal anything he has done in the course of two-and-a-half hours. Seeing him for the first time, however, I feel…

SOURCE: The Guardian at 07:33AM[SHARE]

Derren Brown: Infamous review by Michael Billington

Palace theatre, London Continue reading...

SOURCE: The Guardian at 07:33AM[SHARE]
Wednesday, June 26, 2013

Fences " review by Michael Billington

Duchess, LondonLenny Henry has won his spurs as a Shakespearean actor in Othello and The Comedy of Errors. Now he takes on the titanic role of Troy Maxson in August Wilson's Fences which won…

SOURCE: The Guardian at 07:55PM[SHARE]

Pride and Prejudice " review by Michael Billington

Regent's Park, LondonFollowing stage versions of works by William Golding, EL Doctorow and Harper Lee, this novel-hungry venue now brings us a new adaptation of Pride and Prejudice in time f…

SOURCE: The Guardian at 09:04AM[SHARE]
Tuesday, June 25, 2013

Charlie and the Chocolate Factory review by Michael Billington

Theatre Royal, Drury Lane, London Reviews roundup: what the other papers thought In pictures: behind the scenes at Charlie and the Chocolate Factory Interview: Director Sam Mendes talks to E…

SOURCE: The Guardian at 08:20PM[SHARE]

Charlie and the Chocolate Factory " review by Michael Billington

Theatre Royal, Drury Lane, LondonChocs away! At last, we get to see the much touted stage musical based on Roald Dahl's children's classic. Although there's been much talk of the technical c…

SOURCE: The Guardian at 06:00PM[SHARE]

This Is My Family " review by Michael Billington

Crucible, SheffieldTim Firth's first play, 1992's Neville's Island, showed four men stranded in the Lake District during a disastrous team-building exercise. This new musical comedy, for whi…

SOURCE: The Guardian at 12:45PM[SHARE]
Sunday, June 23, 2013

If Only " review by Michael Billington

Minerva, ChichesterDavid Edgar has always been hooked on the process of politics. And in this fascinating, if occasionally flawed, play he pre-empts the forthcoming TV adaptation of Andrew A…

SOURCE: The Guardian at 01:16PM[SHARE]
Thursday, June 20, 2013

The Night Alive " review by Michael Billington

Donmar Warehouse, LondonNo one is better than playwright Conor McPherson at dramatising the loneliness of the Irish male. Following a brilliant revival of The Weir at the Donmar earlier …

SOURCE: The Guardian at 12:46PM[SHARE]
Wednesday, June 19, 2013

Four Farces " review by Michael Billington

Wilton's Music Hall, LondonFarce is a serious business. It needs to be played with po-faced gravity to bring out its characters' desperation. But this evening of four short Victorian farces,…

SOURCE: The Guardian at 12:58PM[SHARE]
Tuesday, June 18, 2013

The Cripple of Inishmaan " review by Michael Billington

Noel Coward, LondonImagine a dramatic hero who stands no chance of being kissed "unless it was by a blind girl" and of whom it is said, by an adoptive aunt, "you'd see nicer eyes on a goat".…

SOURCE: The Guardian at 06:00PM[SHARE]

The Cripple of Inishmaan review by Michael Billington

Noel Coward, London Continue reading...

SOURCE: The Guardian at 06:00PM[SHARE]

Hard Feelings " review by Michael Billington

Finborough, LondonIt's hard to believe that it is 30 years since Doug Lucie's scathing portrait of a self-absorbed, style-conscious generation first appeared. I've never forgotten Mike Bradw…

SOURCE: The Guardian at 12:58PM[SHARE]

Bracken Moor " review by Michael Billington

Tricycle, LondonIn his last play, The Faith Machine, which opened at the Royal Court in 2011, Alexi Kaye Campbell dealt with the conflict between religious idealism and the free market. Now …

SOURCE: The Guardian at 12:56PM[SHARE]
Friday, June 14, 2013

A Mad World My Masters " review by Michael Billington

Swan, Stratford-upon-AvonThomas Middleton's brilliant 1605 comedy has been cut, "edited" and updated to 1950s Soho by Sean Foley and Phil Porter for the Royal Shakespeare Company. Whether pa…

SOURCE: The Guardian at 01:25PM[SHARE]
Thursday, June 13, 2013

Sweet Bird of Youth " review by Michael Billington

Old Vic, LondonEverything that art can do to boost this revival of Tennessee Williams's 1959 play has been done. Marianne Elliott's production is first-rate. The cast, led by Kim Cattrall, i…

SOURCE: The Guardian at 02:00AM[SHARE]
Wednesday, June 12, 2013

The Amen Corner " review by Michael Billington

Olivier, LondonI don't think The Amen Corner is a great play, but I get the feeling it is one that its author, James Baldwin, was compelled to write back in 1955. It also gets from Rufu…

SOURCE: The Guardian at 08:21AM[SHARE]
Tuesday, June 11, 2013

The Birthday Party " review by Michael Billington

Royal Exchange, ManchesterBlanche McIntyre is one of the flotilla of female directors coming to the forefront of British theatre. But, although she's assembled a cracking cast for this reviv…

SOURCE: The Guardian at 08:43AM[SHARE]
Monday, June 10, 2013

Women in Parliament/Socrates and His Clouds " review by Michael Billington

Theatro Technis/Jermyn Street theatre, LondonAside from Lysistrata, the plays of Aristophanes rarely get an outing these days. But these two wildly different updates prove one simple point: …

SOURCE: The Guardian at 01:03PM[SHARE]
Friday, June 7, 2013

Blair's Children/Don't Wake Me " review by Michael Billington

Cockpit, LondonBack in 1973, Kennedy's Children by Robert Patrick fondly surveyed the 1960s through the monologues of five characters seated in a bar. Using a similar format, Blair's Childre…

SOURCE: The Guardian at 02:08PM[SHARE]
Thursday, June 6, 2013

Trash Cuisine " review by Michael Billington

Young Vic, LondonIf there is a problem with Belarus Free Theatre, it lies in deciding whether you're responding to them aesthetically or politically. But, while it's easy to admire their res…

SOURCE: The Guardian at 12:07PM[SHARE]
Wednesday, June 5, 2013

Strange Interlude " review by Michael Billington

National Theatre, LondonEugene O'Neill's 1928 play is famous for many things: its inordinate length, its prolonged asides and its extensive portrait of one woman, Nina Leeds, over the course…

SOURCE: The Guardian at 01:44PM[SHARE]
Tuesday, June 4, 2013

Playing with Fire " review by Michael Billington

Drayton Arms, LondonAfter a surfeit of Miss Julies in London, it's refreshing to find this rare August Strindberg one-act play popping up in an attractive space above a South Kensington…

SOURCE: The Guardian at 01:49PM[SHARE]
Friday, May 31, 2013

Lionboy " review by Michael Billington

Bristol Old VicI normally associate the 30-year-old Complicite with extravagantly theatrical explorations of world literature. Here, however, they have come up with their first family show b…

SOURCE: The Guardian at 07:43AM[SHARE]
Thursday, May 30, 2013

Race " review by Michael Billington

Hampstead theatre, LondonDavid Mamet reminds me of some veteran pugilist with a pile of trophies yet still anxious for a fight: the old technique is still there, even if the punches no longe…

SOURCE: The Guardian at 10:34AM[SHARE]
Wednesday, May 29, 2013

Chimerica " review by Michael Billington

Almeida, LondonI complained of Lucy Kirkwood's last play, NSFW at London's Royal Court, that it was too short: no such problems with this gloriously rich, mind-expanding three-hour play, whi…

SOURCE: The Guardian at 08:10AM[SHARE]
Tuesday, May 28, 2013

Seven Year Twitch " review by Michael Billington

Orange Tree, RichmondThe therapist-patient relationship is rarely dramatised, but it lies at the heart of this sharp, perceptive comedy by David Lewis, which uses the circular structure of S…

SOURCE: The Guardian at 01:11PM[SHARE]
Monday, May 27, 2013

My Life After " review by Michael Billington

Corn Exchange, BrightonThe Brighton festival's theatre programme ended with this extraordinary import from Argentina in which five actors recalled, with the aid of photos, letters, home movi…

SOURCE: The Guardian at 12:39PM[SHARE]
Friday, May 24, 2013

Titus Andronicus " review by Michael Billington

Swan, Stratford-upon-AvonNo one any longer has to make a case for this once-despised play. But, whether it is viewed as a neo-Senecan study in stoic acceptance of grief or a Tarantino-like e…

SOURCE: The Guardian at 12:47PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off