Tricycle, LondonIn his last play, The Faith Machine, which opened at the Royal Court in 2011, Alexi Kaye Campbell dealt with the conflict between religious idealism and the free market. Now he pursues a similar battle between mysticism and materialism in the specific setting of Yorkshire in the winter of 1937. For much of the time I was gripped but, in the end, Campbell seems unsure of whether he's writing a ghost st…
SOURCE: The Guardian at 12:56PM on June 18, 2013