All stories by Michael Billington on BroadwayStars

Wednesday, November 11, 2015

Waste review " a remarkable dissection of English malaise by Michael Billington

Lyttelton theatre, LondonMorals, sexual politics and hypocrisy are the big themes in this tragic psychological portrait of a man for whom ideals matter more than individuals Harley Granville…

SOURCE: The Guardian at 10:00AM[SHARE]
Tuesday, November 10, 2015

Medea review " domestic drama seen through children's frightened eyes by Michael Billington

Gate, LondonKate Mulvany and Anne-Louise Sarks's radical update of Euripides' tragedy shows events from the perspective of the heroine's two sonsEuripides' Medea has achieved such mythical s…

SOURCE: The Guardian at 07:26AM[SHARE]
Sunday, November 8, 2015

Harlequinade/All on Her Own review " Branagh and co send up vanished theatrical world by Michael Billington

Garrick, LondonZoë Wanamaker is in soul-baring form in Rattigan double-bill depicting the actor-manager tradition the Branagh season is designed to subvertIronically, co-directors Rob Ash…

SOURCE: The Guardian at 08:50AM[SHARE]

The Winter's Tale review " Kenneth Branagh and Judi Dench offer intriguing touches by Michael Billington

Garrick, LondonIn a production unafraid to hint at the darker elements of Shakespeare's fable, Branagh and Dench are surrounded by a first-rate teamThe image of the West End suddenly brighte…

SOURCE: The Guardian at 08:50AM[SHARE]
Friday, November 6, 2015

Elf the Musical review " don't come, all ye faithful by Michael Billington

Dominion, LondonBen Forster sleighs them as Buddy, the Christmas-loving Laplander set down in Manhattan with Girls Aloud's Kimberley Walsh, but this show doesn't so much invoke the festive s…

SOURCE: The Guardian at 08:34AM[SHARE]
Thursday, November 5, 2015

Love for Love review " sex and scandal in Congreve's mad world by Michael Billington

The Swan, Stratford-upon-AvonDirector Selina Cadell gives a fine cast room to breathe in this delightful RSC revival of the sharp-witted restoration comedyWhy is William Congreve's great 169…

SOURCE: The Guardian at 08:09AM[SHARE]
Wednesday, November 4, 2015

As You Like It review " love gets lost in a forest of chairs at the National by Michael Billington

Olivier, LondonRosalie Craig gives us an eminently sane Rosalind in director Polly Findlay's richly textured version, where Lizzie Clachan's set is the starOur march towards a Germanic direc…

SOURCE: The Guardian at 08:20AM[SHARE]
Tuesday, November 3, 2015

Tomcat review " paternal love lends heart to a genetic dilemma by Michael Billington

Southwark Playhouse, London The tender bond between a girl and her carer illuminates the debate about the ethics of genetic screening in James Rushbrooke's intelligent debut The annual Papat…

SOURCE: The Guardian at 09:48AM[SHARE]
Sunday, November 1, 2015

Alan Bennett: a quiet radical by Michael Billington

A critic once described Alan Bennett as 'England's cultural teddy bear'. As his new play, People, prepares to open in London, Michael Billington argues that he is a more complicated " a…

SOURCE: The Guardian at 11:08AM[SHARE]
Friday, October 30, 2015

The Moderate Soprano review " sex and the sublime in Hare's moving Glyndebourne play by Michael Billington

Hampstead theatre, LondonSexual passion, art, Englishness and the creativity of refugees blend in David Hare's enjoyably complex story of the foundation of Glyndebourne opera houseIt initial…

SOURCE: The Guardian at 09:10AM[SHARE]
Thursday, October 29, 2015

The Hairy Ape review " an expressionist spectacle of caged humanity by Michael Billington

Old Vic, LondonBertie Carvel lends his extraordinary physicality to Eugene O'Neill's play that reminds us how much 1920s American drama owed to German artEugene O'Neill's 1922 play is a devi…

SOURCE: The Guardian at 07:27PM[SHARE]
Wednesday, October 28, 2015

Husbands and Sons review " Anne-Marie Duff shines through violation of DH Lawrence by Michael Billington

Dorfman, London The performance impress, but Ben Power and Marianne Elliott falter when they try to weave three singular DH Lawrence plays into an ill-conceived wholeThe autumn season is awa…

SOURCE: The Guardian at 08:51AM[SHARE]
Monday, October 26, 2015

The Magna Carta Plays review " Brenton and friends riff on ancient democracy by Michael Billington

Salisbury Playhouse Four short plays set corrupt Russians, a African president and free-market dystopia against our rights, suggesting Magna Carta may be due an update"Does Magna Carta mean …

SOURCE: The Guardian at 09:07AM[SHARE]
Saturday, October 24, 2015

Billy Elliot, Victoria Palace, London by Michael Billington

Victoria Palace, LondonTurning small-scale movies into big musicals is a treacherous business. It failed with The Full Monty, which lost all of its gritty truth when musicalised. But Billy E…

SOURCE: The Guardian at 12:28AM[SHARE]
Friday, October 23, 2015

Theatre review: The Lord of the Rings / Theatre Royal, Drury Lane, London by Michael Billington

Theatre Royal, Drury Lane, LondonI suppose there are two ways to approach this mega-musical: either as a paid-up Tolkien aficionado or as a wide-eyed newcomer. Having dipped only briefly int…

SOURCE: The Guardian at 11:42AM[SHARE]

Treasure review " Fiddler on the Roof with a satirical bite by Michael Billington

Finborough theatre, LondonThis inventive production of a Yiddish classic takes potshots at the corrupting power of moneyThis astonishing theatre's latest discovery is a Yiddish classic by Da…

SOURCE: The Guardian at 08:22AM[SHARE]
Thursday, October 22, 2015

Plaques and Tangles review " Alzheimer's play appeals more to head than heart by Michael Billington

Royal Court Theatre Upstairs, London Nicola Wilson's debut drama gives affecting snapshots of one woman at different points in her mental decline, but too many facts stifle the emotional imp…

SOURCE: The Guardian at 07:40AM[SHARE]
Sunday, October 18, 2015

N is for national theatres by Michael Billington

The dream of a national theatre has happily come to pass, not only in England but in Wales and Scotland, too. But is regional theatre under threat as a result?I was very struck by something …

SOURCE: The Guardian at 09:26PM[SHARE]

Young Chekhov: The Birth of a Genius review " masterly depiction of drama's evolution by Michael Billington

Chichester Festival theatreSeeing Platonov, Ivanov and The Seagull in a single day unforgettably charts Chekhov's progress from farce to melodrama to a new symphonic realism Sir David Hare h…

SOURCE: The Guardian at 11:22AM[SHARE]

French Without Tears review " lively revival of Rattigan's sexual battleground by Michael Billington

Orange Tree, RichmondPaul Miller's impressively cast production throws more light on nervous British masculinity than even the playwright may have intendedTerence Rattigan's 1936 hit has sur…

SOURCE: The Guardian at 09:16AM[SHARE]
Thursday, October 15, 2015

A Wolf in Snakeskin Shoes review " high-energy, hot-gospelling Molière by Michael Billington

Tricycle, London Tartuffe transplanted to the deep south is full of jet-fuelled prose and raucous hilarity but the original play's target " blind faith " emerges unscathedHaving relocated a …

SOURCE: The Guardian at 09:26AM[SHARE]
Wednesday, October 14, 2015

Anita and Me review " Meera Syal's culture-clash comedy touches familiar nerves by Michael Billington

Birmingham Rep theatreTanika Gupta's lively adaptation, with music by Ben and Max Ringham, retains the novel's resonance and zestMeera Syal is, in some ways, the victim of her own success. H…

SOURCE: The Guardian at 08:08AM[SHARE]
Monday, October 12, 2015

The First Man review " the ego cometh in Eugene O'Neill's early drama by Michael Billington

Jermyn Street theatre, LondonThe American playwright's 1922 drama, given its UK premiere, suffers from its sentimentality and characters driven by rage and rancourI've often quoted a dictum …

SOURCE: The Guardian at 08:54AM[SHARE]
Friday, October 9, 2015

Measure for Measure review " sex, decay and an astonishing Romola Garai by Michael Billington

Young Vic, LondonStrong performances power Joe Hill-Gibbins' inventive production as it brilliantly captures the eternal conflict between flesh and spiritThere are no half measures in Joe Hi…

SOURCE: The Guardian at 06:20AM[SHARE]
Thursday, October 8, 2015

Teddy Ferrara review " fierce tale of homophobia on campus by Michael Billington

Donmar Warehouse, LondonDirected with flair by Dominic Cooke, Christopher Shinn's polemical play demolishes the myth that we live in a cosy world of sexual toleranceChristopher Shinn's fierc…

SOURCE: The Guardian at 09:22AM[SHARE]

Kenneth Branagh: can he succeed where Olivier failed? by Michael Billington

He has always been compared to Laurence Olivier. But, as his star-laden season opens at the Garrick, can he now outdo him as actor-manager " and save the West End? One thing I know about Ken…

SOURCE: The Guardian at 03:04AM[SHARE]
Tuesday, October 6, 2015

The Father review " ingenious Alzheimer's drama with echoes of Lear by Michael Billington

Wyndham's theatre, LondonKenneth Cranham and Claire Skinner are superb in Florian Zeller's moving play that takes you inside the mind of a man with dementiaFlorian Zeller's play has enjoyed …

SOURCE: The Guardian at 07:57AM[SHARE]
Sunday, October 4, 2015

The Wars of the Roses review " Trevor Nunn's courageous remount of cycle is thrilling theatre by Michael Billington

Rose theatre, KingstonMemories of Peter Hall and John Barton's original 1963 conflation are banished in refashioned plays for our own divided ageI am old and lucky enough to have seen the or…

SOURCE: The Guardian at 11:17AM[SHARE]
Friday, October 2, 2015

Medea review " Rupert Goold directs a ferocious Kate Fleetwood by Michael Billington

Almeida, London Rachel Cusk's updated version of Euripides's tragedy is wild and witty but dilutes the tragedy by eschewing the violenceReimagining the classics is fine. There is, however, a…

SOURCE: The Guardian at 08:25AM[SHARE]

Brian Friel: Ireland's great theatrical explorer by Michael Billington

Friel, whose death has been announced, was never a writer to be pigeonholed. He leaves a vast variety of personal and political plays, as well as beautiful translationsBrian Friel, who has d…

SOURCE: The Guardian at 07:19AM[SHARE]
Thursday, October 1, 2015

The Odyssey: Missing Presumed Dead review " Simon Armitage plunders Homer for political drama by Michael Billington

Everyman, LiverpoolThis timely adaptation has a Europhobic prime minister, Odysseus as a politician turned migrant " and a dead pig jokeLast year, Simon Armitage boldly gave us a version of …

SOURCE: The Guardian at 06:07AM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off