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Medea review " domestic drama seen through children's frightened eyes by Michael Billington

Gate, LondonKate Mulvany and Anne-Louise Sarks's radical update of Euripides' tragedy shows events from the perspective of the heroine's two sonsEuripides' Medea has achieved such mythical status it is subject to endless variations. But, where Rachel Cusk's new version at the Almeida cheats us of the cathartic climax, this radical update by Kate Mulvany and Anne-Louise Sarks, that originated at the Belvoir Sydney, do…

SOURCE: The Guardian at 07:26AM on November 10, 2015

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