Thursday, January 6, 2022
Netflix doesn't qualify as a solo offender when it comes to Gallic stereotypes, as three musical theater works on the city's stages show.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]Thursday, December 16, 2021
The Times's three European theater critics pick their favorite productions of the year " plus a turkey apiece for the festive season.
SOURCE: The New York Times Subscription at 04:18AM[SHARE]Friday, December 3, 2021
By asking the singer Bertrand Cantat to contribute to his latest show, the director Wajdi Mouawad has overshadowed his own production.
SOURCE: The New York Times Subscription at 02:42AM[SHARE]Tuesday, November 30, 2021
Slowed but not stopped by the pandemic, Wilson has had a busy fall that continues with his production of "Turandot" at the Paris Opera.
SOURCE: The New York Times Subscription at 11:42AM[SHARE]Thursday, November 11, 2021
Representation for dramatic artists of color is improving, but few Black creators get to be their own bosses. Two recent productions show what France's mainstream theater is missing.
SOURCE: The New York Times Subscription at 11:18PM[SHARE]Thursday, October 21, 2021
Friday, October 1, 2021
Tiago Rodrigues, the newly appointed director of the Avignon Festival, will make his American debut, in English, with a work he has also performed in French, Greek, Portuguese, Russian and S…
SOURCE: The New York Times Subscription at 08:24AM[SHARE]Thursday, September 30, 2021
Friday, September 24, 2021
Thursday, September 2, 2021
Thursday, August 12, 2021
In rural gardens, forests and public squares, young stage artists fed up with the country's rigid scene are striving for diversity and spontaneity.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]Thursday, July 22, 2021
The French theater festival's Fringe offering is giving some respite from the pandemic, even as new rules to stop coronavirus transmission are making it harder to get to the shows.
SOURCE: The New York Times Subscription at 05:24AM[SHARE]Thursday, July 8, 2021
Friday, July 2, 2021
Angélica Liddell says she doesn't care about looking good onstage. Instead, her visceral works give her catharsis that she says keeps her alive.
SOURCE: The New York Times Subscription at 08:24AM[SHARE]Thursday, June 24, 2021
"Exit," a new musical production, uses the political drama both as a metaphor and as a backdrop for a cross-continental love triangle.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]Thursday, June 10, 2021
After more than two months of occupation by arts workers, the Odéon Theater returned to business with a prepandemic production that feels out of step with the current moment.
SOURCE: The New York Times Subscription at 04:36AM[SHARE]Thursday, May 13, 2021
After two canceled Paris runs, a highly awaited production of Robert Walser's "The Pond," starring Adèle Haenel, finally made it to the stage in Switzerland.
SOURCE: The New York Times Subscription at 03:33AM[SHARE]Wednesday, April 28, 2021
A growing movement within French theater is reclaiming the work of forgotten female artists, and reviving a lost concept: le matrimoine.
SOURCE: The New York Times Subscription at 06:12AM[SHARE]Thursday, April 8, 2021
Performing-arts protesters locked out by the pandemic have occupied playhouses across France, but drama is not allowed. Cue the "agoras."
SOURCE: The New York Times Subscription at 04:54AM[SHARE]Thursday, March 18, 2021
Theaters have been closed in Belgium since October. An on-camera production was born out of necessity, but its look at Nazi history offers a fascinating blend of theater and cinematography.
SOURCE: The New York Times Subscription at 03:36AM[SHARE]Thursday, March 11, 2021
Thursday, February 25, 2021
Florian Zeller has found success in the theater and as a novelist. Now, his first movie as a director is nominated for four Golden Globe Awards.
SOURCE: The New York Times Subscription at 11:18AM[SHARE]Thursday, February 4, 2021
The art form, usually on the fringes of French theatrical culture, finds itself at a sudden advantage: Puppet shows' young audiences are still allowed to watch live performances.
SOURCE: The New York Times Subscription at 03:33AM[SHARE]Tuesday, January 19, 2021
Before his directorial debut in France, with Mondonville's "Titon et l'Aurore" at the Opéra Comique, the virtuoso puppeteer discussed the challenges of working in a pandemic.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]Thursday, January 14, 2021
Rather than let finished productions go to waste in the locked-down city, exasperated artists are continuing with closed performances for others in the industry. If everyone's "working," it'…
SOURCE: The New York Times Subscription at 04:18AM[SHARE]Thursday, December 10, 2020
Coronavirus restrictions have shut playhouses and concert halls. So our critic went to Mass to get her fix of music, choreography and drama.
SOURCE: The New York Times Subscription at 12:03PM[SHARE]Thursday, November 19, 2020
Friday, October 30, 2020
Delayed from the summer, France's biggest stage celebration was further curtailed as restrictions again hit the country. That made the moments of grace that were possible all the more powerf…
SOURCE: The New York Times Subscription at 01:48AM[SHARE]Thursday, October 8, 2020
Monday, October 5, 2020
When the choreographer decided to stop flying, it raised eyebrows. But a year and a pandemic later he has become a master at virtual rehearsals
Jérôme Bel may be the only choreographer w…
SOURCE: The Guardian at 02:03AM[SHARE]Loading more stories…
