
The playwright found acclaim with works about the devastation caused by austerity. He returns with a drama exploring the realities of ageing There is one no-no in an Alexander Zeldin rehears…
SOURCE: The Guardian at 02:48PM[SHARE]The French prodigy, who won an Oscar for The Father, talks about The Forest, his labyrinthine new drama following a man whose life unravels after an affair Florian Zeller has made a speciali…
SOURCE: The Guardian at 08:03AM[SHARE]Three Paris productions " including Ivo van Hove's take on "Tartuffe" at the Comédie-Française " explore questions of the divine.
SOURCE: The New York Times Subscription at 05:48AM[SHARE]Tamara Rojo, San Francisco Ballet's incoming artistic director, has half updated the 19th-century work for English National Ballet.
SOURCE: The New York Times Subscription at 11:41AM[SHARE]The Comédie-Française is celebrating the 17th-century dramatist by recreating Tartuffe, the play that outraged the Catholic church and almost ended his career French theatre is gearing u…
SOURCE: The Guardian at 10:54AM[SHARE]Netflix doesn't qualify as a solo offender when it comes to Gallic stereotypes, as three musical theater works on the city's stages show.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]The Times's three European theater critics pick their favorite productions of the year " plus a turkey apiece for the festive season.
SOURCE: The New York Times Subscription at 04:18AM[SHARE]By asking the singer Bertrand Cantat to contribute to his latest show, the director Wajdi Mouawad has overshadowed his own production.
SOURCE: The New York Times Subscription at 02:42AM[SHARE]Slowed but not stopped by the pandemic, Wilson has had a busy fall that continues with his production of "Turandot" at the Paris Opera.
SOURCE: The New York Times Subscription at 11:42AM[SHARE]Representation for dramatic artists of color is improving, but few Black creators get to be their own bosses. Two recent productions show what France's mainstream theater is missing.
SOURCE: The New York Times Subscription at 11:18PM[SHARE]The Swiss provocateur Milo Rau's latest work explores the ethics of voluntary euthanasia with real footage of an assisted suicide.
SOURCE: The New York Times Subscription at 04:54AM[SHARE]Tiago Rodrigues, the newly appointed director of the Avignon Festival, will make his American debut, in English, with a work he has also performed in French, Greek, Portuguese, Russian and S…
SOURCE: The New York Times Subscription at 08:24AM[SHARE]The directors staging the most ambitious premieres are all female millennials.
SOURCE: The New York Times Subscription at 05:42AM[SHARE]The film director set himself a steep challenge in his debut stage work. At least for now, he hasn't quite met it.
SOURCE: The New York Times Subscription at 10:18AM[SHARE]A lush forest makes a spectacular backdrop for the stage of the Théâtre du Peuple, in western France.
SOURCE: The New York Times Subscription at 05:54AM[SHARE]In rural gardens, forests and public squares, young stage artists fed up with the country's rigid scene are striving for diversity and spontaneity.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]The French theater festival's Fringe offering is giving some respite from the pandemic, even as new rules to stop coronavirus transmission are making it harder to get to the shows.
SOURCE: The New York Times Subscription at 05:24AM[SHARE]Grief. Rising fascism. Utopias gone wrong. The plays were grim in the early days of the annual theater event in France.
SOURCE: The New York Times Subscription at 04:32AM[SHARE]Angélica Liddell says she doesn't care about looking good onstage. Instead, her visceral works give her catharsis that she says keeps her alive.
SOURCE: The New York Times Subscription at 08:24AM[SHARE]"Exit," a new musical production, uses the political drama both as a metaphor and as a backdrop for a cross-continental love triangle.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]After more than two months of occupation by arts workers, the Odéon Theater returned to business with a prepandemic production that feels out of step with the current moment.
SOURCE: The New York Times Subscription at 04:36AM[SHARE]After two canceled Paris runs, a highly awaited production of Robert Walser's "The Pond," starring Adèle Haenel, finally made it to the stage in Switzerland.
SOURCE: The New York Times Subscription at 03:33AM[SHARE]A growing movement within French theater is reclaiming the work of forgotten female artists, and reviving a lost concept: le matrimoine.
SOURCE: The New York Times Subscription at 06:12AM[SHARE]Performing-arts protesters locked out by the pandemic have occupied playhouses across France, but drama is not allowed. Cue the "agoras."
SOURCE: The New York Times Subscription at 04:54AM[SHARE]Theaters have been closed in Belgium since October. An on-camera production was born out of necessity, but its look at Nazi history offers a fascinating blend of theater and cinematography.
SOURCE: The New York Times Subscription at 03:36AM[SHARE]The pandemic is still raging, but arts workers in France want to know when cultural life can restart.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]Florian Zeller has found success in the theater and as a novelist. Now, his first movie as a director is nominated for four Golden Globe Awards.
SOURCE: The New York Times Subscription at 11:18AM[SHARE]A Paris playhouse has developed a program of one-on-one "consultations," delivered by its artists while the theater is closed.
SOURCE: The New York Times Subscription at 03:36AM[SHARE]The art form, usually on the fringes of French theatrical culture, finds itself at a sudden advantage: Puppet shows' young audiences are still allowed to watch live performances.
SOURCE: The New York Times Subscription at 03:33AM[SHARE]Before his directorial debut in France, with Mondonville's "Titon et l'Aurore" at the Opéra Comique, the virtuoso puppeteer discussed the challenges of working in a pandemic.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]Rather than let finished productions go to waste in the locked-down city, exasperated artists are continuing with closed performances for others in the industry. If everyone's "working," it'…
SOURCE: The New York Times Subscription at 04:18AM[SHARE]

