
An Arabic production of Wajdi Mouawad's 1991 work, planned to open in Lebanon, was canceled because of his perceived ties to Israel. It found a home in France.
SOURCE: The New York Times Subscription at 04:42AM[SHARE]The French writer Laurent Gaudé taps into collective trauma from the Nov. 13, 2015 terrorist outrage and channels it into something like catharsis.
SOURCE: The New York Times Subscription at 12:32PM[SHARE]The revival of a 2006 work by Thomas Jolly, the director masterminding the opening ceremony at the Paris Olympics, shows his gift for visual flamboyance.
SOURCE: The New York Times Subscription at 02:48PM[SHARE]New productions of "Macbeth" and "Hamlet" follow a French tradition of adapting familiar works. The results are innovative, and sometimes cryptic.
SOURCE: The New York Times Subscription at 05:36AM[SHARE]After roles dried up, Dominique Blanc reclaimed her artistic agency by taking a one-woman play on the road. Now she's making a rare appearance in Manhattan.
SOURCE: The New York Times Subscription at 05:06AM[SHARE]Romeo Castellucci's production of the classic play by Jean Racine is all about the lead performer " and that's it.
SOURCE: The New York Times Subscription at 10:48AM[SHARE]A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.
SOURCE: The New York Times Subscription at 09:02AM[SHARE]The new show by Alexis Michalik, a star of commercial theater, wades into political battles in France, where immigration restrictions have been at the forefront of the government's agenda.
SOURCE: The New York Times Subscription at 10:32AM[SHARE]Krystian Lupa's latest work had its premiere in Paris after an earlier attempt collapsed. The delay would have been a good time to rethink the four-and-a-half-hour show.
SOURCE: The New York Times Subscription at 09:54AM[SHARE]A new show in Paris by Maëlle Poésy tells the story of the Mercury 13 space program, with choreographed movement and acrobatic sequences.
SOURCE: The New York Times Subscription at 12:12PM[SHARE]In Paris, a new production from Richard Nelson imagines a day on tour with Konstantin Stanislavski's theater company in 1923, but misses the historical context.
SOURCE: The New York Times Subscription at 12:48PM[SHARE]For the Scottish Ballet production of Cinderella, titled "Cinders!," some performances flip the traditional gender roles. The dancers "were all kind of like: 'OK. How does that work?'"
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Rébecca Chaillon's "Carte Noire Named Desire" provoked harassment in France this summer, leading one actor to pull out of a new run in Paris.
SOURCE: The New York Times Subscription at 11:48AM[SHARE]The provocations in Milo Rau's stage adaptation, featuring actors with Down syndrome, confuse the production as it grapples with weighty issues.
SOURCE: The New York Times Subscription at 04:42PM[SHARE]The Théâtre de la Ville, now named for Sarah Bernhardt, reopened after a seven-year renovation. But its once-radical approach to dance is now less of a calling card.
SOURCE: The New York Times Subscription at 10:43AM[SHARE]"Holidays," the first musical to include the pop icon's songs, arrives just days before her "Celebration" tour starts. But matching the star's talents is a challenge.
SOURCE: The New York Times Subscription at 01:55PM[SHARE]A new play by Alexander Zeldin recreates his mother's winding, painful path to a life of her own.
SOURCE: The New York Times Subscription at 01:07PM[SHARE]The American choreographer has 46 engagements this year, including a monthslong retrospective of his work in Paris. But he is making plans for a "second act" away from the dance world.
SOURCE: The New York Times Subscription at 05:02AM[SHARE]The Avignon Festival's new director wants to spotlight drama in a different language each year. This year's first installment had some conventional choices.
SOURCE: The New York Times Subscription at 02:33PM[SHARE]In an ethically murky show at the Avignon Festival, the Brazilian performer Carolina Bianchi opens up about how she was drugged and abused, then knocks herself out with a spiked cocktail.
SOURCE: The New York Times Subscription at 09:55AM[SHARE]The French choreographer Bintou Dembélé brings her desire to create "a fair ecosystem" to the Avignon Festival, which she opened with "G.R.O.O.V.E."
SOURCE: The New York Times Subscription at 02:18PM[SHARE]The opening productions of the Avignon and Aix-en-Provence Festivals brought tales of the down-and-out to well-heeled spectators. It got awkward.
SOURCE: The New York Times Subscription at 01:19PM[SHARE]Some of the action onstage at the Amsterdam event is so bizarre that following the action can be tough.
SOURCE: The New York Times Subscription at 10:33AM[SHARE]Ariane Mnouchkine, a grande dame of French theater, helped to set up a new festival where emerging companies can try out ambitious stagings.
SOURCE: The New York Times Subscription at 10:04AM[SHARE]The Swiss director Milo Rau drapes a traumatic episode of Brazilian history with a Greek tragedy on a Belgian stage.
SOURCE: The New York Times Subscription at 07:42AM[SHARE]In Marion Siéfert's much-anticipated new show, the French director explores the dynamics of online grooming.
SOURCE: The New York Times Subscription at 10:18AM[SHARE]The French director Joël Pommerat has created an intimate chamber work examining love from many angles, all of them laced with pain and misunderstanding.
SOURCE: The New York Times Subscription at 02:06PM[SHARE]The American writer's last novel becomes surprisingly effective theater in the hands of Tiphaine Raffier at the Odéon-Théâtre de l'Europe.
SOURCE: The New York Times Subscription at 10:20PM[SHARE]The country has a long history of demonstrations, which often feature overtly theatrical elements. Our Paris theater critic marched along on Tuesday to soak up the spectacle.
SOURCE: The New York Times Subscription at 01:28PM[SHARE]The play, a hit at the Avignon Festival, explores the twists and turns of a breakup through a whimsical mix of musical numbers and dreamlike vignettes.
SOURCE: The New York Times Subscription at 01:46PM[SHARE]Paris productions of Chekhov, Turgenev and Ostrovsky avoid current events and focus on profound truths. But the plays' message is clear: If you rebel, you will be crushed.
SOURCE: The New York Times Subscription at 09:35AM[SHARE]

