
Alvin Ailey American Dance Theater returns for its annual December season with an enigmatic premiere by Jamar Roberts and the revival of "Grace."
SOURCE: The New York Times Subscription at 01:56PM[SHARE]In "Dear Lord, Make Me Beautiful," the choreographer Kyle Abraham experiments with expressing his emotions about the current moment.
SOURCE: The New York Times Subscription at 12:19PM[SHARE]In "No President," Nature Theater of Oklahoma creates its version of a story ballet, one burpee at a time.
SOURCE: The New York Times Subscription at 05:24AM[SHARE]Brown's masterful, fervent dance has become an enduring classic. He and his collaborators reflect on its creation.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]This season, two vivacious boys at the School of American Ballet make their princely debuts in New York City Ballet's production of "The Nutcracker."
SOURCE: The New York Times Subscription at 05:03AM[SHARE]She was always a goddess of dance " even before her triumph in "Cry." The Ailey star turned artistic director stretched like there was no tomorrow.
SOURCE: The New York Times Subscription at 10:45AM[SHARE]The Taylor company returns to Lincoln Center with four premieres and a new resident choreographer: Robert Battle, the former director of Alvin Ailey.
SOURCE: The New York Times Subscription at 12:55PM[SHARE]Carolyn Adams, the Paul Taylor dancer turned educator, is being honored at the company's gala with a new solo by Robert Battle, her former student.
SOURCE: The New York Times Subscription at 11:38AM[SHARE]In certain circles, the name Ralph " like Merce or Madonna " lights up a room. The choreographer and visual artist is the subject of a major exhibition of his art and performances.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]American Ballet Theater unveils "Crime and Punishment," an ambitious, but listless new production by Helen Pickett and James Bonas.
SOURCE: The New York Times Subscription at 12:18PM[SHARE]Thirty years ago, Bill T. Jones presented "Still/Here," and the critic Arlene Croce responded with an explosive essay. Now the work is returning to the Brooklyn Academy.
SOURCE: The New York Times Subscription at 11:30AM[SHARE]American Ballet Theater opened its fall season at Lincoln Center with premieres by Gemma Bond and Kyle Abraham in his most accomplished ballet yet.
SOURCE: The New York Times Subscription at 12:01PM[SHARE]The fall season wrapped up with an excellent program featuring works by Balanchine and Ratmansky, as well as a celebration of Justin Peck's 10th year as resident choreographer.
SOURCE: The New York Times Subscription at 01:11PM[SHARE]Two dancers from the Ailey company perform part of "Night Creature" on the roof of the Whitney Museum, where the choreographer is the subject of a major exhibition.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]New York City Ballet dressed up its fall fashion gala with a program of female choreographers. This was history, even if the results were mixed.
SOURCE: The New York Times Subscription at 11:48AM[SHARE]Olivia Bell, 20, a radiant member of New York City Ballet, reprises the role she knocked out of the park as a student: "I want to do it right."
SOURCE: The New York Times Subscription at 05:02AM[SHARE]The company brought three New York premieres to the Joyce Theater.
SOURCE: The New York Times Subscription at 12:00PM[SHARE]New York City Ballet opened its fall season with classics by George Balanchine and Jerome Robbins, along with a company premiere by Lar Lubovitch.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]The 10-day festival at City Center opened with a program of works by Alexei Ratmansky, Tiler Peck and Andrea Miller.
SOURCE: The New York Times Subscription at 11:47AM[SHARE]In "Edges of Ailey," a new exhibition at the Whitney Museum of American Art, the choreographer takes center stage. It's another revelation.
SOURCE: The New York Times Subscription at 05:00AM[SHARE]Faye Driscoll uses the ocean as her collaborator in a sunset dance celebrating the 10th anniversary of Beach Sessions.
SOURCE: The New York Times Subscription at 11:00AM[SHARE]Breaking, the dance form created more than 50 years ago in the Bronx, has made its Olympic debut. It's not a sport, but does that matter?
SOURCE: The New York Times Subscription at 05:00AM[SHARE]At the Palais Garnier, ballet met hip-hop and beyond in a glittering Cultural Olympiad presentation of Saïdo Lehlouh's ever-evolving "Apaches."
SOURCE: The New York Times Subscription at 05:02AM[SHARE]Rachid Ouramdane, who presented a major new dance as part of the Cultural Olympiad, directs the Théâtre National de Chaillot in Paris. How does he do it all?
SOURCE: The New York Times Subscription at 05:01AM[SHARE]A program of arts events shown in conjunction with the 2024 Olympic and Paralympic Games looks at the relationship between art and sport.
SOURCE: The New York Times Subscription at 11:00AM[SHARE]After a tremendous "Swan Lake" performance, Chloe Misseldine was promoted onstage at the Metropolitan Opera House. The audience went nuts.
SOURCE: The New York Times Subscription at 09:01AM[SHARE]The rise of the soloist Chloe Misseldine is part of the artistic director Susan Jaffe's master plan: Start them young and give them time to grow.
SOURCE: The New York Times Subscription at 05:01AM[SHARE]Mayfield Brooks explores grief and decomposition in the hull of a 19th-century cargo ship.
SOURCE: The New York Times Subscription at 11:03AM[SHARE]New York City Ballet wrapped up its 75th anniversary celebration at Lincoln Center this spring with a look to the future. But it didn't always speak to it.
SOURCE: The New York Times Subscription at 11:23AM[SHARE]Leading off the summer season at Little Island in Manhattan, the choreographer presents "How Long Blues," with T Bone Burnett and David Mansfield.
SOURCE: The New York Times Subscription at 12:01PM[SHARE]Mira Nadon, the rising New York City Ballet principal, is coming off her best season yet. And it's only the beginning.
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