Tuesday, May 18, 2021
Friday, May 14, 2021
Stephen Petronio's virtual program, presented by the Joyce Theater, explores isolation, longing and legacy, but doesn't take those issues to a deeper place.
SOURCE: The New York Times Subscription at 10:00AM[SHARE]Tuesday, May 11, 2021
Thursday, May 6, 2021
Her film for City Ballet's virtual spring gala, featuring a new solo by Justin Peck, explores the nooks and crannies of the company's theater.
SOURCE: The New York Times Subscription at 12:30PM[SHARE]Tuesday, May 4, 2021
The New York City Ballet legend, who went on to form National Dance Institute, lived to the fullest " and danced with that same spirit.
SOURCE: The New York Times Subscription at 02:50PM[SHARE]Friday, April 30, 2021
Thursday, April 29, 2021
As part of GrahamFest95, the choreographer's dance company celebrates its 95th anniversary with four films pairing dances with works by Hauser & Wirth artists.
SOURCE: The New York Times Subscription at 02:54PM[SHARE]Thursday, April 22, 2021
Wednesday, April 14, 2021
Friday, April 9, 2021
Wednesday, April 7, 2021
The Brooklyn Academy of Music presented its first live performance in more than a year: Le Patin Libre, a contemporary skating company.
SOURCE: The New York Times Subscription at 02:13PM[SHARE]Wednesday, March 24, 2021
Thursday, March 18, 2021
Wednesday, March 10, 2021
Monday, March 8, 2021
Friday, March 5, 2021
Friday, January 15, 2021
Why is it so hard to show the dance world as it is? This Netflix series about students at a ballet school is yet another cartoonish depiction.
SOURCE: The New York Times Subscription at 11:44AM[SHARE]Tuesday, December 15, 2020
Discipline and abandon gave the dancer an ingrained elegance, an internal organization of the body that you sense even when it's not pronounced.
SOURCE: The New York Times Subscription at 01:04PM[SHARE]Thursday, April 9, 2020
Monday, February 24, 2020
Anne Teresa De Keersmaeker's dances for the Broadway revival swarm and sweep, but Robbins's choreography was something more central: the libretto.
SOURCE: The New York Times Subscription at 03:06PM[SHARE]Wednesday, November 20, 2019
Tuesday, November 5, 2019
Ephrat Asherie collaborates with her jazz pianist brother to place Ernesto Nazareth's music in a world of breaking, house, hip-hop and vogue.
SOURCE: The New York Times Subscription at 01:03PM[SHARE]Friday, September 20, 2019
In Elizabeth Streb and Anne Bogart's "Falling & Loving," dancers and actors share the stage with the Guck Machine, which emits a waterfall of food andother objects.
SOURCE: The New York Times Subscription at 03:03PM[SHARE]Thursday, July 25, 2019
Tuesday, June 11, 2019
Wednesday, May 29, 2019
Standard or (worse yet) slight fare gets nominated for best choreography while quality work " "Oklahoma!,""The Prom" " goes unrecognized. An exception: Camille A. Brown's dances for "Choir B…
SOURCE: The New York Times Subscription at 08:06AM[SHARE]Tuesday, May 14, 2019
The choreographer and performance artist Ann Liv Young is using her Bushwick apartment " and her daughters and animals " in her version of "Antigone."
SOURCE: The New York Times Subscription at 01:54PM[SHARE]Tuesday, April 16, 2019
Tuesday, March 19, 2019
The wife-and-husband team of Sara Mearns and Joshua Bergasse talk about working together on "I Married an Angel" for Encores! Reader, she Lindy Hops.
SOURCE: The New York Times Subscription at 12:47PM[SHARE]Sunday, March 17, 2019
Gaspar Noé's "Climax" is the latest movie to push the ecstatic, frightening qualities of dance into horror. A body holds plenty of space for terror.
SOURCE: The New York Times Subscription at 11:40AM[SHARE]Wednesday, February 13, 2019
The choreographer Camille A. Brown deftly uses the tradition of step to add "a heartbeat to the story" of Tarell Alvin McCraney's musical play, now on Broadway.
SOURCE: The New York Times Subscription at 12:24PM[SHARE]Loading more stories…
