All stories by Ernest Kearney on BroadwayStars

Saturday, July 4, 2026

Theater Review: ANOTHER DISTRACTION FROM THE EPSTEIN FILES (Hollywood Fringe Festival) by Ernest Kearney

THE POLITICS OF MARRIAGE Strong writing and performances outweigh a staging that plays it safe The worst that can be said of Ray Richmond‘s Another Distraction From the Epstein Files at Ba…

SOURCE: Stage and Cinema at 12:42PM[SHARE]
Wednesday, July 1, 2026

Theater Review: JIMMY STEWART ON THE FRONT OF LIFE (Hollywood Fringe Festival / Los Angeles) by Ernest Kearney

THE WAR THAT FOLLOWED HIM HOME Rather than celebrate a legend, Brian Rohan reveals the man still haunted by war At the outset of World War II, Jimmy Stewart (1908–1997) became the first ma…

SOURCE: Stage and Cinema at 02:58AM[SHARE]

Theater Review: ARMY BRAT (Broadwater Second Stage / Hollywood Fringe Festival) by Ernest Kearney

LIFE IN A BLENDER A chaotic solo show anchored by an engaging performer. Kelly Mullis‘s solo show Army Brat at the Broadwater Second Stage carries a very accurate subtitle: “The Fever Dr…

SOURCE: Stage and Cinema at 12:50AM[SHARE]
Monday, June 22, 2026

Theater Review: THEFT OF FIRE (The Actors Company / Hollywood Fringe Festival) by Ernest Kearney

BURNED BY AMBITION Sometimes the bravest artistic choice is asking for help. In Theft of Fire, Garrett Hildebrandt is presentable, well-spoken, talented, and smart. However, he’s not as ta…

SOURCE: Stage and Cinema at 03:59AM[SHARE]
Sunday, June 21, 2026

Theater Review: THE DOG LOG (The Style Den / Marina Del Rey) by Ernest Kearney

FROM BARK TO HEART A barking-dog complaint grows into something far more interesting I have been a fan of Richard Lucas since I reviewed his short, humorous, autobiographical novel The Dog L…

SOURCE: Stage and Cinema at 04:00AM[SHARE]
Thursday, June 18, 2026

Theater Review: FALL OF THE ROMAN REPUBLIC… ON A SHOESTRING BUDGET (Actors Company / Hollywood Fringe Festival) by Ernest Kearney

ET TU, SHOESTRING? An ambitious historical comedy collapses under its own weight— but not without flashes of promise There are many different reasons for failure. All of them sting. The Fa…

SOURCE: Stage and Cinema at 02:58AM[SHARE]
Monday, June 15, 2026

Theater Review: TRENCH (Broadwater Studio / Hollywood Fringe) by Ernest Kearney

UNDER PRESSURE Ann Noble directs Ann Loud in a nicely twisted mystery set in a multi-crew submersible some 30,000 deep. Ann Loud, who penned the script and plays all five characters, skillfu…

SOURCE: Stage and Cinema at 03:50PM[SHARE]
Sunday, June 14, 2026

Theater Review: DAY AFTER DAY (THE LIFE AND MUSIC OF DORIS DAY) (The Broadwater Second Stage / Hollywood Fringe) by Ernest Kearney

CALAMITY JANE MEETS LAS VEGAS A charming tribute delivers plenty of Doris Day favorites, even if the biography occasionally takes a back seat Day After Day (The Life and Music of Doris Day) …

SOURCE: Stage and Cinema at 06:00AM[SHARE]
Friday, June 12, 2026

Theater Review: SOMETHING SPOOKY (Hollywood Fringe Festival / Broadwater Studio) by Ernest Kearney

GHOSTS WITH HEARTBEATS Jon Schnitzer finds warmth and wonder beneath the bumps in the night Something Spooky, written and performed by Jon Schnitzer, is more about heart than haunting. Yes, …

SOURCE: Stage and Cinema at 02:00AM[SHARE]
Monday, June 8, 2026

Theater Review: PRIMARY TRUST (Center Theatre Group / Mark Taper Forum) by Ernest Kearney

A COMMUNITY OF ONE Eboni Booth’s Pulitzer-winning drama finds theatrical poetry in loneliness and hope Primary Trust is the sort of play that reminds us why theater matters. I want to stat…

SOURCE: Stage and Cinema at 05:43PM[SHARE]
Saturday, June 6, 2026

Theater Review: THE PHYSICISTS (The Actors’ Gang / Culver City) by Ernest Kearney

MAD SCIENCE, SANELY STAGED Friedrich Dürrenmatt’s Cold War satire still packs a comic sting The Actors’ Gang has been a pillar of L.A. theater since 1988, when they burst onto the scene…

SOURCE: Stage and Cinema at 04:48PM[SHARE]
Tuesday, May 26, 2026

Theater Review: ASCENT (Skylight Theatre / L.A.) by Ernest Kearney

REACHING FOR THE AMERICAN DREAM Henry Ong’s final play transforms one man’s remarkable life into a timely cautionary tale Ascent is a small gem. It is not ostentatious enough to be affix…

SOURCE: Stage and Cinema at 06:55AM[SHARE]
Sunday, May 17, 2026

Theater Review: EXIT THE KING (A Noise Within / Pasadena) by Ernest Kearney

LONG LIVE THE ABSURD Michael Michetti’s visually stunning staging transforms Ionesco’s meditation on death into a thing of eerie beauty It is rare, nowadays, when a play by the Romanian …

SOURCE: Stage and Cinema at 04:00AM[SHARE]
Tuesday, May 12, 2026

Theater Review: PICASSO: LE MONSTRE SACRÉ (Odyssey Theatre Ensemble / Los Angeles) by Ernest Kearney

THE MINOTAUR IN THE MIRROR A powerful performance anchors a portrait that never fully reveals its subject The journey of Picasso: Le Monstre Sacré to the Odyssey Theatre in L.A. is both con…

SOURCE: Stage and Cinema at 04:07PM[SHARE]
Wednesday, May 6, 2026

Theatre Review: HYMN (Odyssey Theatre Ensemble) by Ernest Kearney

A HYMN WITHOUT THE HALLELUJAH A polished, well-acted drama that never quite ignites Hymn by playwright Lolita Chakrabarti is a well-crafted piece, with detailed characters and dialogue that …

SOURCE: Stage and Cinema at 06:53PM[SHARE]
Thursday, April 30, 2026

Theater Review: BLUE KISS (Ruskin Group Theatre) by Ernest Kearney

THE KISS OF DEATH A drama overloaded with “dots” that just don’t connect The Ruskin Group Theatre’s production of Stephen Fife’s Blue Kiss starts off with promise. Todd (Casey Morr…

SOURCE: Stage and Cinema at 04:21AM[SHARE]
Tuesday, April 21, 2026

Theater Review: AMERIKA OR, THE MAN WHO DISAPPEARED (Open Fist Theatre / Circle X Theatre, Atwater Village Theatre) by Ernest Kearney

KAFKA IN AMERICA— AND LOST AT SEA Striking visuals adrift in an overlong adaptation Who isn’t familiar with Franz Kafka (1883–1924), the tormented Czech writer? Or The Metamorphosis, K…

SOURCE: Stage and Cinema at 02:50AM[SHARE]
Sunday, April 19, 2026

Theater Review: ENGLISH (Wallis Annenberg Center, Beverly Hills) by Ernest Kearney

LOST IN TRANSLATION— AND INTENTION Pulitzer winner that provokes, puzzles, and occasionally frustrates. Is it a scream into a void or a play? English, by Sanaz Toossi, won the 2023 Pulitze…

SOURCE: Stage and Cinema at 09:42PM[SHARE]
Tuesday, April 14, 2026

Theater Review: WHAT PRICE FREEDOM (Moving Arts Theatre, Los Angeles) by Ernest Kearney

FOUNDING FATHERS, FOUND WANTING A promising historical premise undone by uneven writing What Price Freedom, by Tony Blake, having its world premiere at Moving Arts Theatre, recounts one of t…

SOURCE: Stage and Cinema at 05:05AM[SHARE]
Thursday, March 26, 2026

Theater Review: JESUS CHRIST SUPERSTAR (Nocturne Theatre in Glendale) by Ernest Kearney

SUPERSTAR STILL RISES Nocturne Theatre's high-concept staging proves that even a familiar rock opera can still feel fresh, fierce, and electrifying First, a Biblical passage…"Jesus Christ …

SOURCE: Stage and Cinema at 11:01PM[SHARE]
Saturday, March 21, 2026

Theater Review: SEX, LIES AND HAROLD PINTER by Ernest Kearney

CIVILITY ON THE BRINK OF CHAOS Jack Heller's polished production reveals Pinter's menace, even if it could use a bit more disorder First, a joke: "How many Harold Pinters does it take to cha…

SOURCE: Stage and Cinema at 02:54PM[SHARE]
Thursday, February 26, 2026

Theater Review: RICHARD III (A Noise Within) by Ernest Kearney

A GENDER-FLUID RICHARD III ROOTED IN HISTORY AND PERFORMANCE TRADITION A commanding central performance anchors a sharp, theatrically confident staging The Tragedy of Richard the Third, Will…

SOURCE: Stage and Cinema at 08:32PM[SHARE]
Wednesday, February 11, 2026

Opera Review: ABDUCTION FROM THE SERAGLIO (Pacific Opera Project) by Ernest Kearney

MOZART MEETS THE FINAL FRONTIER Pacific Opera Project boldly goes where singspiel has gone before Begin with Wolfgang Amadeus Mozart's 1789 complex and comic singspiel Die Entführung aus …

SOURCE: Stage and Cinema at 11:15PM[SHARE]
Sunday, February 1, 2026

Theater Review: POETRY FOR THE PEOPLE: THE JUNE JORDAN EXPERIENCE (Fountain Theatre) by Ernest Kearney

POETRY AS ACTIVISM, MEMORY, AND INVITATION A moving, participatory tribute to June Jordan that insists poetry still matters June Jordan was a seminal feminist poet and essayist who"beyond ge…

SOURCE: Stage and Cinema at 03:00AM[SHARE]
Saturday, January 31, 2026

Theater Review: GILDED SPINDLE (Stephanie Feury Studio Theatre) by Ernest Kearney

ZANDER RAPHAEL SPINS PUPPETRY INTO GOLD Gilded Spindle offers Shannon L. Reagan's retelling of the Rumpelstiltskin tale with a slight #MeToo twist. While the talents and artistry of Reagan, …

SOURCE: Stage and Cinema at 02:17PM[SHARE]

Theater Review: KIND STRANGER … A MEMORY PLAY (Zephyr Theatre) by Ernest Kearney

Kind Stranger … A Memory Play, conceived and performed by Rick Simone-Friedland is successful as a historical rendering of Playwright Tennessee Williams' life. It is also successful as a r…

SOURCE: Stage and Cinema at 01:00AM[SHARE]
Saturday, January 24, 2026

Theater Review: THE TRAGEDY OF HAMLET (Eddie Izzard; International Tour; Hollywood’s Montalbán) by Ernest Kearney

A SOLO HAMLET BUILT ON PRECISION AND VELOCITY Inside the White-Box World of Izzard: One Performer, Twenty-Two Roles, No Safety Net Suzy Eddie Izzard"formerly known as Eddie Izzard until 2023…

SOURCE: Stage and Cinema at 06:21PM[SHARE]
Wednesday, January 21, 2026

Theater Review: KID GLOVES (Skylight Theatre) by Ernest Kearney

A MURDEROUSLY FUN MUSICAL SEND-UP OF KIDS-TV STARDOM Nathan Wang and Matthew Leavitt turn wholesome childhood icons into gleeful chaos" fast, filthy, and ridiculously entertaining. Sets are …

SOURCE: Stage and Cinema at 01:57AM[SHARE]
Friday, December 12, 2025

Theater Review: CHILDREN OF THE WINTER KINGDOM " A BONKERS HOLIDAY FANTASY (Actors’ Gang in Culver City) by Ernest Kearney

A HOLIDAY PANTO THAT KNOWS WHAT IT'S DOING The Actors' Gang offers a family-friendly fairy tale with teeth Children of the Winter Kingdom " The Bonkers Adventures of Holly and Spruce, now fr…

SOURCE: Stage and Cinema at 01:59AM[SHARE]
Friday, November 21, 2025

Theater Review: AN INSPECTOR CALLS (Theatre 40) by Ernest Kearney

THE PAST IS NEVER DEAD " IT RINGS THE DOORBELL Priestley's prophetic 1945 masterpiece glows with fierce clarity at Theatre 40 Masquerading as one of those staid drawing room mysteries Agatha…

SOURCE: Stage and Cinema at 09:39PM[SHARE]
Thursday, November 13, 2025

Theater Review: BLUEBEARD'S CASTLE: A MEDIEVAL MUSICAL THRILLER (Odyssey Theatre) by Ernest Kearney

Bluebeard's Castle, A Medieval Musical Thriller by Russian director and playwright Sofia Streisand, making her U.S. debut at the Odyssey Theatre Ensemble, displays immense ambition that achi…

SOURCE: Stage and Cinema at 01:45AM[SHARE]

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