LONG LIVE THE ABSURD Michael Michetti’s visually stunning staging transforms Ionesco’s meditation on death into a thing of eerie beauty It is rare, nowadays, when a play by the Romanian Godfather of absurdist theatre, Eugène Ionesco, is staged, and rarer still when it is staged well. That happy convergence can be currently experienced at the… The post Theater Review: EXIT THE KING (A Noise Within / Pasadena) a…
SOURCE: Stage and Cinema at 04:00AM on May 17, 2026